Chapter 4
Part 4
11 min read · 2,223 words
A soft strain of music sounded, and then at the back of the cave
appeared a little figure in cloudy white, with glittering wings, golden
hair, and a garland of roses on its head. Waving a wand, it sang...
Hither I come,
From my airy home,
Afar in the silver moon.
Take the magic spell,
And use it well,
Or its power will vanish soon!
And dropping a small, gilded bottle at the witch’s feet, the spirit
vanished. Another chant from Hagar produced another apparition, not a
lovely one, for with a bang an ugly black imp appeared and, having
croaked a reply, tossed a dark bottle at Hugo and disappeared with a
mocking laugh. Having warbled his thanks and put the potions in his
boots, Hugo departed, and Hagar informed the audience that as he had
killed a few of her friends in times past, she had cursed him, and
intends to thwart his plans, and be revenged on him. Then the curtain
fell, and the audience reposed and ate candy while discussing the
merits of the play.
A good deal of hammering went on before the curtain rose again, but
when it became evident what a masterpiece of stage carpentery had been
got up, no one murmured at the delay. It was truly superb. A tower rose
to the ceiling, halfway up appeared a window with a lamp burning in it,
and behind the white curtain appeared Zara in a lovely blue and silver
dress, waiting for Roderigo. He came in gorgeous array, with plumed
cap, red cloak, chestnut lovelocks, a guitar, and the boots, of course.
Kneeling at the foot of the tower, he sang a serenade in melting tones.
Zara replied and, after a musical dialogue, consented to fly. Then came
the grand effect of the play. Roderigo produced a rope ladder, with
five steps to it, threw up one end, and invited Zara to descend.
Timidly she crept from her lattice, put her hand on Roderigo’s
shoulder, and was about to leap gracefully down when “Alas! Alas for
Zara!” she forgot her train. It caught in the window, the tower
tottered, leaned forward, fell with a crash, and buried the unhappy
lovers in the ruins.
A universal shriek arose as the russet boots waved wildly from the
wreck and a golden head emerged, exclaiming, “I told you so! I told you
so!” With wonderful presence of mind, Don Pedro, the cruel sire, rushed
in, dragged out his daughter, with a hasty aside...
“Don’t laugh! Act as if it was all right!” and, ordering Roderigo up,
banished him from the kingdom with wrath and scorn. Though decidedly
shaken by the fall from the tower upon him, Roderigo defied the old
gentleman and refused to stir. This dauntless example fired Zara. She
also defied her sire, and he ordered them both to the deepest dungeons
of the castle. A stout little retainer came in with chains and led them
away, looking very much frightened and evidently forgetting the speech
he ought to have made.
Act third was the castle hall, and here Hagar appeared, having come to
free the lovers and finish Hugo. She hears him coming and hides, sees
him put the potions into two cups of wine and bid the timid little
servant, “Bear them to the captives in their cells, and tell them I
shall come anon.” The servant takes Hugo aside to tell him something,
and Hagar changes the cups for two others which are harmless.
Ferdinando, the ‘minion’, carries them away, and Hagar puts back the
cup which holds the poison meant for Roderigo. Hugo, getting thirsty
after a long warble, drinks it, loses his wits, and after a good deal
of clutching and stamping, falls flat and dies, while Hagar informs him
what she has done in a song of exquisite power and melody.
This was a truly thrilling scene, though some persons might have
thought that the sudden tumbling down of a quantity of long red hair
rather marred the effect of the villain’s death. He was called before
the curtain, and with great propriety appeared, leading Hagar, whose
singing was considered more wonderful than all the rest of the
performance put together.
Act fourth displayed the despairing Roderigo on the point of stabbing
himself because he has been told that Zara has deserted him. Just as
the dagger is at his heart, a lovely song is sung under his window,
informing him that Zara is true but in danger, and he can save her if
he will. A key is thrown in, which unlocks the door, and in a spasm of
rapture he tears off his chains and rushes away to find and rescue his
lady love.
Act fifth opened with a stormy scene between Zara and Don Pedro. He
wishes her to go into a convent, but she won’t hear of it, and after a
touching appeal, is about to faint when Roderigo dashes in and demands
her hand. Don Pedro refuses, because he is not rich. They shout and
gesticulate tremendously but cannot agree, and Rodrigo is about to bear
away the exhausted Zara, when the timid servant enters with a letter
and a bag from Hagar, who has mysteriously disappeared. The latter
informs the party that she bequeaths untold wealth to the young pair
and an awful doom to Don Pedro, if he doesn’t make them happy. The bag
is opened, and several quarts of tin money shower down upon the stage
till it is quite glorified with the glitter. This entirely softens the
stern sire. He consents without a murmur, all join in a joyful chorus,
and the curtain falls upon the lovers kneeling to receive Don Pedro’s
blessing in attitudes of the most romantic grace.
Tumultuous applause followed but received an unexpected check, for the
cot bed, on which the dress circle was built, suddenly shut up and
extinguished the enthusiastic audience. Roderigo and Don Pedro flew to
the rescue, and all were taken out unhurt, though many were speechless
with laughter. The excitement had hardly subsided when Hannah appeared,
with “Mrs. March’s compliments, and would the ladies walk down to
supper.”
This was a surprise even to the actors, and when they saw the table,
they looked at one another in rapturous amazement. It was like Marmee
to get up a little treat for them, but anything so fine as this was
unheard of since the departed days of plenty. There was ice cream,
actually two dishes of it, pink and white, and cake and fruit and
distracting French bonbons and, in the middle of the table, four great
bouquets of hot house flowers.
It quite took their breath away, and they stared first at the table and
then at their mother, who looked as if she enjoyed it immensely.
“Is it fairies?” asked Amy.
“Santa Claus,” said Beth.
“Mother did it.” And Meg smiled her sweetest, in spite of her gray
beard and white eyebrows.
“Aunt March had a good fit and sent the supper,” cried Jo, with a
sudden inspiration.
“All wrong. Old Mr. Laurence sent it,” replied Mrs. March.
“The Laurence boy’s grandfather! What in the world put such a thing
into his head? We don’t know him!” exclaimed Meg.
“Hannah told one of his servants about your breakfast party. He is an
odd old gentleman, but that pleased him. He knew my father years ago,
and he sent me a polite note this afternoon, saying he hoped I would
allow him to express his friendly feeling toward my children by sending
them a few trifles in honor of the day. I could not refuse, and so you
have a little feast at night to make up for the bread-and-milk
breakfast.”
“That boy put it into his head, I know he did! He’s a capital fellow,
and I wish we could get acquainted. He looks as if he’d like to know us
but he’s bashful, and Meg is so prim she won’t let me speak to him when
we pass,” said Jo, as the plates went round, and the ice began to melt
out of sight, with ohs and ahs of satisfaction.
“You mean the people who live in the big house next door, don’t you?”
asked one of the girls. “My mother knows old Mr. Laurence, but says
he’s very proud and doesn’t like to mix with his neighbors. He keeps
his grandson shut up, when he isn’t riding or walking with his tutor,
and makes him study very hard. We invited him to our party, but he
didn’t come. Mother says he’s very nice, though he never speaks to us
girls.”
“Our cat ran away once, and he brought her back, and we talked over the
fence, and were getting on capitally, all about cricket, and so on,
when he saw Meg coming, and walked off. I mean to know him some day,
for he needs fun, I’m sure he does,” said Jo decidedly.
“I like his manners, and he looks like a little gentleman, so I’ve no
objection to your knowing him, if a proper opportunity comes. He
brought the flowers himself, and I should have asked him in, if I had
been sure what was going on upstairs. He looked so wistful as he went
away, hearing the frolic and evidently having none of his own.”
“It’s a mercy you didn’t, Mother!” laughed Jo, looking at her boots.
“But we’ll have another play sometime that he can see. Perhaps he’ll
help act. Wouldn’t that be jolly?”
“I never had such a fine bouquet before! How pretty it is!” And Meg
examined her flowers with great interest.
“They are lovely. But Beth’s roses are sweeter to me,” said Mrs. March,
smelling the half-dead posy in her belt.
Beth nestled up to her, and whispered softly, “I wish I could send my
bunch to Father. I’m afraid he isn’t having such a merry Christmas as
we are.”
CHAPTER THREE
THE LAURENCE BOY
“Jo! Jo! Where are you?” cried Meg at the foot of the garret stairs.
“Here!” answered a husky voice from above, and, running up, Meg found
her sister eating apples and crying over the Heir of Redclyffe, wrapped
up in a comforter on an old three-legged sofa by the sunny window. This
was Jo’s favorite refuge, and here she loved to retire with half a
dozen russets and a nice book, to enjoy the quiet and the society of a
pet rat who lived near by and didn’t mind her a particle. As Meg
appeared, Scrabble whisked into his hole. Jo shook the tears off her
cheeks and waited to hear the news.
“Such fun! Only see! A regular note of invitation from Mrs. Gardiner
for tomorrow night!” cried Meg, waving the precious paper and then
proceeding to read it with girlish delight.
“‘Mrs. Gardiner would be happy to see Miss March and Miss Josephine at
a little dance on New Year’s Eve.’ Marmee is willing we should go, now
what shall we wear?”
“What’s the use of asking that, when you know we shall wear our
poplins, because we haven’t got anything else?” answered Jo with her
mouth full.
“If I only had a silk!” sighed Meg. “Mother says I may when I’m
eighteen perhaps, but two years is an everlasting time to wait.”
“I’m sure our pops look like silk, and they are nice enough for us.
Yours is as good as new, but I forgot the burn and the tear in mine.
Whatever shall I do? The burn shows badly, and I can’t take any out.”
“You must sit still all you can and keep your back out of sight. The
front is all right. I shall have a new ribbon for my hair, and Marmee
will lend me her little pearl pin, and my new slippers are lovely, and
my gloves will do, though they aren’t as nice as I’d like.”
“Mine are spoiled with lemonade, and I can’t get any new ones, so I
shall have to go without,” said Jo, who never troubled herself much
about dress.
“You must have gloves, or I won’t go,” cried Meg decidedly. “Gloves are
more important than anything else. You can’t dance without them, and if
you don’t I should be so mortified.”
“Then I’ll stay still. I don’t care much for company dancing. It’s no
fun to go sailing round. I like to fly about and cut capers.”
“You can’t ask Mother for new ones, they are so expensive, and you are
so careless. She said when you spoiled the others that she shouldn’t
get you any more this winter. Can’t you make them do?”
“I can hold them crumpled up in my hand, so no one will know how
stained they are. That’s all I can do. No! I’ll tell you how we can
manage, each wear one good one and carry a bad one. Don’t you see?”
“Your hands are bigger than mine, and you will stretch my glove
dreadfully,” began Meg, whose gloves were a tender point with her.
“Then I’ll go without. I don’t care what people say!” cried Jo, taking
up her book.
“You may have it, you may! Only don’t stain it, and do behave nicely.
Don’t put your hands behind you, or stare, or say ‘Christopher
Columbus!’ will you?”
Louisa May Alcott — text from Project Gutenberg (eBook #514)
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