Part 42

“I’m not a show, Aunty, and no one is coming to stare at me, to criticize my dress, or count the cost of my luncheon. I’m too happy to care what anyone says or thinks, and I’m going to have my little wedding just as I like it. John, dear, here’s your hammer.” And away went Meg to help ‘that man’ in his highly improper employment. Mr. Brooke didn’t even say, “Thank you,” but as he stooped for the unromantic tool, he kissed his little bride behind the folding door, with a look that made Aunt March whisk out her pocket handkerchief with a sudden dew in her sharp old eyes. A crash, a cry, and a laugh from Laurie, accompanied by the indecorous exclamation, “Jupiter Ammon! Jo’s upset the cake again!” caused a momentary flurry, which was hardly over when a flock of cousins arrived, and ‘the party came in’, as Beth used to say when a child. “Don’t let that young giant come near me, he worries me worse than mosquitoes,” whispered the old lady to Amy, as the rooms filled and Laurie’s black head towered above the rest. “He has promised to be very good today, and he can be perfectly elegant if he likes,” returned Amy, and gliding away to warn Hercules to beware of the dragon, which warning caused him to haunt the old lady with a devotion that nearly distracted her. There was no bridal procession, but a sudden silence fell upon the room as Mr. March and the young couple took their places under the green arch. Mother and sisters gathered close, as if loath to give Meg up. The fatherly voice broke more than once, which only seemed to make the service more beautiful and solemn. The bridegroom’s hand trembled visibly, and no one heard his replies. But Meg looked straight up in her husband’s eyes, and said, “I will!” with such tender trust in her own face and voice that her mother’s heart rejoiced and Aunt March sniffed audibly. Jo did not cry, though she was very near it once, and was only saved from a demonstration by the consciousness that Laurie was staring fixedly at her, with a comical mixture of merriment and emotion in his wicked black eyes. Beth kept her face hidden on her mother’s shoulder, but Amy stood like a graceful statue, with a most becoming ray of sunshine touching her white forehead and the flower in her hair. It wasn’t at all the thing, I’m afraid, but the minute she was fairly married, Meg cried, “The first kiss for Marmee!” and turning, gave it with her heart on her lips. During the next fifteen minutes she looked more like a rose than ever, for everyone availed themselves of their privileges to the fullest extent, from Mr. Laurence to old Hannah, who, adorned with a headdress fearfully and wonderfully made, fell upon her in the hall, crying with a sob and a chuckle, “Bless you, deary, a hundred times! The cake ain’t hurt a mite, and everything looks lovely.” Everybody cleared up after that, and said something brilliant, or tried to, which did just as well, for laughter is ready when hearts are light. There was no display of gifts, for they were already in the little house, nor was there an elaborate breakfast, but a plentiful lunch of cake and fruit, dressed with flowers. Mr. Laurence and Aunt March shrugged and smiled at one another when water, lemonade, and coffee were found to be to only sorts of nectar which the three Hebes carried round. No one said anything, till Laurie, who insisted on serving the bride, appeared before her, with a loaded salver in his hand and a puzzled expression on his face. “Has Jo smashed all the bottles by accident?” he whispered, “or am I merely laboring under a delusion that I saw some lying about loose this morning?” “No, your grandfather kindly offered us his best, and Aunt March actually sent some, but Father put away a little for Beth, and dispatched the rest to the Soldier’s Home. You know he thinks that wine should be used only in illness, and Mother says that neither she nor her daughters will ever offer it to any young man under her roof.” Meg spoke seriously and expected to see Laurie frown or laugh, but he did neither, for after a quick look at her, he said, in his impetuous way, “I like that! For I’ve seen enough harm done to wish other women would think as you do.” “You are not made wise by experience, I hope?” and there was an anxious accent in Meg’s voice. “No. I give you my word for it. Don’t think too well of me, either, this is not one of my temptations. Being brought up where wine is as common as water and almost as harmless, I don’t care for it, but when a pretty girl offers it, one doesn’t like to refuse, you see.” “But you will, for the sake of others, if not for your own. Come, Laurie, promise, and give me one more reason to call this the happiest day of my life.” A demand so sudden and so serious made the young man hesitate a moment, for ridicule is often harder to bear than self-denial. Meg knew that if he gave the promise he would keep it at all costs, and feeling her power, used it as a woman may for her friend’s good. She did not speak, but she looked up at him with a face made very eloquent by happiness, and a smile which said, “No one can refuse me anything today.” Laurie certainly could not, and with an answering smile, he gave her his hand, saying heartily, “I promise, Mrs. Brooke!” “I thank you, very, very much.” “And I drink ‘long life to your resolution’, Teddy,” cried Jo, baptizing him with a splash of lemonade, as she waved her glass and beamed approvingly upon him. So the toast was drunk, the pledge made and loyally kept in spite of many temptations, for with instinctive wisdom, the girls seized a happy moment to do their friend a service, for which he thanked them all his life. After lunch, people strolled about, by twos and threes, through the house and garden, enjoying the sunshine without and within. Meg and John happened to be standing together in the middle of the grass plot, when Laurie was seized with an inspiration which put the finishing touch to this unfashionable wedding. “All the married people take hands and dance round the new-made husband and wife, as the Germans do, while we bachelors and spinsters prance in couples outside!” cried Laurie, promenading down the path with Amy, with such infectious spirit and skill that everyone else followed their example without a murmur. Mr. and Mrs. March, Aunt and Uncle Carrol began it, others rapidly joined in, even Sallie Moffat, after a moment’s hesitation, threw her train over her arm and whisked Ned into the ring. But the crowning joke was Mr. Laurence and Aunt March, for when the stately old gentleman chasseed solemnly up to the old lady, she just tucked her cane under her arm, and hopped briskly away to join hands with the rest and dance about the bridal pair, while the young folks pervaded the garden like butterflies on a midsummer day. Want of breath brought the impromptu ball to a close, and then people began to go. “I wish you well, my dear, I heartily wish you well, but I think you’ll be sorry for it,” said Aunt March to Meg, adding to the bridegroom, as he led her to the carriage, “You’ve got a treasure, young man, see that you deserve it.” “That is the prettiest wedding I’ve been to for an age, Ned, and I don’t see why, for there wasn’t a bit of style about it,” observed Mrs. Moffat to her husband, as they drove away. “Laurie, my lad, if you ever want to indulge in this sort of thing, get one of those little girls to help you, and I shall be perfectly satisfied,” said Mr. Laurence, settling himself in his easy chair to rest after the excitement of the morning. “I’ll do my best to gratify you, Sir,” was Laurie’s unusually dutiful reply, as he carefully unpinned the posy Jo had put in his buttonhole. The little house was not far away, and the only bridal journey Meg had was the quiet walk with John from the old home to the new. When she came down, looking like a pretty Quakeress in her dove-colored suit and straw bonnet tied with white, they all gathered about her to say ‘good-by’, as tenderly as if she had been going to make the grand tour. “Don’t feel that I am separated from you, Marmee dear, or that I love you any the less for loving John so much,” she said, clinging to her mother, with full eyes for a moment. “I shall come every day, Father, and expect to keep my old place in all your hearts, though I am married. Beth is going to be with me a great deal, and the other girls will drop in now and then to laugh at my housekeeping struggles. Thank you all for my happy wedding day. Good-by, good-by!” They stood watching her, with faces full of love and hope and tender pride as she walked away, leaning on her husband’s arm, with her hands full of flowers and the June sunshine brightening her happy face—and so Meg’s married life began. CHAPTER TWENTY-SIX ARTISTIC ATTEMPTS It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women. Amy was learning this distinction through much tribulation, for mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity. For a long time there was a lull in the ‘mud-pie’ business, and she devoted herself to the finest pen-and-ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable. But over-strained eyes caused pen and ink to be laid aside for a bold attempt at poker-sketching. While this attack lasted, the family lived in constant fear of a conflagration, for the odor of burning wood pervaded the house at all hours, smoke issued from attic and shed with alarming frequency, red-hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner bell at her door in case of fire. Raphael’s face was found boldly executed on the underside of the moulding board, and Bacchus on the head of a beer barrel. A chanting cherub adorned the cover of the sugar bucket, and attempts to portray Romeo and Juliet supplied kindling for some time. From fire to oil was a natural transition for burned fingers, and Amy fell to painting with undiminished ardor. An artist friend fitted her out with his castoff palettes, brushes, and colors, and she daubed away, producing pastoral and marine views such as were never seen on land or sea. Her monstrosities in the way of cattle would have taken prizes at an agricultural fair, and the perilous pitching of her vessels would have produced seasickness in the most nautical observer, if the utter disregard to all known rules of shipbuilding and rigging had not convulsed him with laughter at the first glance. Swarthy boys and dark-eyed Madonnas, staring at you from one corner of the studio, suggested Murillo; oily brown shadows of faces with a lurid streak in the wrong place, meant Rembrandt; buxom ladies and dropiscal infants, Rubens; and Turner appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato-colored splash in the middle, which might be the sun or a bouy, a sailor’s shirt or a king’s robe, as the spectator pleased. Charcoal portraits came next, and the entire family hung in a row, looking as wild and crocky as if just evoked from a coalbin. Softened into crayon sketches, they did better, for the likenesses were good, and Amy’s hair, Jo’s nose, Meg’s mouth, and Laurie’s eyes were pronounced ‘wonderfully fine’. A return to clay and plaster followed, and ghostly casts of her acquaintances haunted corners of the house, or tumbled off closet shelves onto people’s heads. Children were enticed in as models, till their incoherent accounts of her mysterious doings caused Miss Amy to be regarded in the light of a young ogress. Her efforts in this line, however, were brought to an abrupt close by an untoward accident, which quenched her ardor. Other models failing her for a time, she undertook to cast her own pretty foot, and the family were one day alarmed by an unearthly bumping and screaming and running to the rescue, found the young enthusiast hopping wildly about the shed with her foot held fast in a pan full of plaster, which had hardened with unexpected rapidity. With much difficulty and some danger she was dug out, for Jo was so overcome with laughter while she excavated that her knife went too far, cut the poor foot, and left a lasting memorial of one artistic attempt, at least.