Chapter 2
Part 2
11 min read · 2,246 words
“Ah, if it were but a little pussy-cat!” said she; but the rose tree,
with its beautiful rose came to view.
“Oh, how prettily it is made!” said all the court ladies.
“It is more than pretty,” said the Emperor, “it is charming!”
But the Princess touched it, and was almost ready to cry.
“Fie, papa!” said she. “It is not made at all, it is natural!”
“Let us see what is in the other casket, before we get into a bad
humor,” said the Emperor. So the nightingale came forth and sang so
delightfully that at first no one could say anything ill-humored of her.
“Superbe! Charmant!” exclaimed the ladies; for they all used to chatter
French, each one worse than her neighbor.
“How much the bird reminds me of the musical box that belonged to our
blessed Empress,” said an old knight. “Oh yes! These are the same tones,
the same execution.”
“Yes! yes!” said the Emperor, and he wept like a child at the
remembrance.
“I will still hope that it is not a real bird,” said the Princess.
“Yes, it is a real bird,” said those who had brought it. “Well then let
the bird fly,” said the Princess; and she positively refused to see the
Prince.
However, he was not to be discouraged; he daubed his face over brown and
black; pulled his cap over his ears, and knocked at the door.
“Good day to my lord, the Emperor!” said he. “Can I have employment at
the palace?”
“Why, yes,” said the Emperor. “I want some one to take care of the pigs,
for we have a great many of them.”
So the Prince was appointed “Imperial Swineherd.” He had a dirty little
room close by the pigsty; and there he sat the whole day, and worked. By
the evening he had made a pretty little kitchen-pot. Little bells were
hung all round it; and when the pot was boiling, these bells tinkled in
the most charming manner, and played the old melody,
“Ach! du lieber Augustin,
Alles ist weg, weg, weg!”*
* “Ah! dear Augustine!
All is gone, gone, gone!”
But what was still more curious, whoever held his finger in the smoke of
the kitchen-pot, immediately smelt all the dishes that were cooking on
every hearth in the city--this, you see, was something quite different
from the rose.
Now the Princess happened to walk that way; and when she heard the tune,
she stood quite still, and seemed pleased; for she could play “Lieber
Augustine”; it was the only piece she knew; and she played it with one
finger.
“Why there is my piece,” said the Princess. “That swineherd must
certainly have been well educated! Go in and ask him the price of the
instrument.”
So one of the court-ladies must run in; however, she drew on wooden
slippers first.
“What will you take for the kitchen-pot?” said the lady.
“I will have ten kisses from the Princess,” said the swineherd.
“Yes, indeed!” said the lady.
“I cannot sell it for less,” rejoined the swineherd.
“He is an impudent fellow!” said the Princess, and she walked on; but
when she had gone a little way, the bells tinkled so prettily
“Ach! du lieber Augustin,
Alles ist weg, weg, weg!”
“Stay,” said the Princess. “Ask him if he will have ten kisses from the
ladies of my court.”
“No, thank you!” said the swineherd. “Ten kisses from the Princess, or I
keep the kitchen-pot myself.”
“That must not be, either!” said the Princess. “But do you all stand
before me that no one may see us.”
And the court-ladies placed themselves in front of her, and spread
out their dresses--the swineherd got ten kisses, and the Princess--the
kitchen-pot.
That was delightful! The pot was boiling the whole evening, and the
whole of the following day. They knew perfectly well what was cooking at
every fire throughout the city, from the chamberlain's to the cobbler's;
the court-ladies danced and clapped their hands.
“We know who has soup, and who has pancakes for dinner to-day, who has
cutlets, and who has eggs. How interesting!”
“Yes, but keep my secret, for I am an Emperor's daughter.”
The swineherd--that is to say--the Prince, for no one knew that he was
other than an ill-favored swineherd, let not a day pass without working
at something; he at last constructed a rattle, which, when it was swung
round, played all the waltzes and jig tunes, which have ever been heard
since the creation of the world.
“Ah, that is superbe!” said the Princess when she passed by. “I have
never heard prettier compositions! Go in and ask him the price of the
instrument; but mind, he shall have no more kisses!”
“He will have a hundred kisses from the Princess!” said the lady who had
been to ask.
“I think he is not in his right senses!” said the Princess, and walked
on, but when she had gone a little way, she stopped again. “One must
encourage art,” said she, “I am the Emperor's daughter. Tell him he
shall, as on yesterday, have ten kisses from me, and may take the rest
from the ladies of the court.”
“Oh--but we should not like that at all!” said they. “What are you
muttering?” asked the Princess. “If I can kiss him, surely you can.
Remember that you owe everything to me.” So the ladies were obliged to
go to him again.
“A hundred kisses from the Princess,” said he, “or else let everyone
keep his own!”
“Stand round!” said she; and all the ladies stood round her whilst the
kissing was going on.
“What can be the reason for such a crowd close by the pigsty?” said the
Emperor, who happened just then to step out on the balcony; he rubbed
his eyes, and put on his spectacles. “They are the ladies of the
court; I must go down and see what they are about!” So he pulled up his
slippers at the heel, for he had trodden them down.
As soon as he had got into the court-yard, he moved very softly, and the
ladies were so much engrossed with counting the kisses, that all might
go on fairly, that they did not perceive the Emperor. He rose on his
tiptoes.
“What is all this?” said he, when he saw what was going on, and he boxed
the Princess's ears with his slipper, just as the swineherd was taking
the eighty-sixth kiss.
“March out!” said the Emperor, for he was very angry; and both Princess
and swineherd were thrust out of the city.
The Princess now stood and wept, the swineherd scolded, and the rain
poured down.
“Alas! Unhappy creature that I am!” said the Princess. “If I had but
married the handsome young Prince! Ah! how unfortunate I am!”
And the swineherd went behind a tree, washed the black and brown color
from his face, threw off his dirty clothes, and stepped forth in his
princely robes; he looked so noble that the Princess could not help
bowing before him.
“I am come to despise thee,” said he. “Thou would'st not have an
honorable Prince! Thou could'st not prize the rose and the nightingale,
but thou wast ready to kiss the swineherd for the sake of a trumpery
plaything. Thou art rightly served.”
He then went back to his own little kingdom, and shut the door of his
palace in her face. Now she might well sing,
“Ach! du lieber Augustin,
Alles ist weg, weg, weg!”
THE REAL PRINCESS
There was once a Prince who wished to marry a Princess; but then she
must be a real Princess. He travelled all over the world in hopes of
finding such a lady; but there was always something wrong. Princesses he
found in plenty; but whether they were real Princesses it was impossible
for him to decide, for now one thing, now another, seemed to him not
quite right about the ladies. At last he returned to his palace quite
cast down, because he wished so much to have a real Princess for his
wife.
One evening a fearful tempest arose, it thundered and lightened, and the
rain poured down from the sky in torrents: besides, it was as dark as
pitch. All at once there was heard a violent knocking at the door, and
the old King, the Prince's father, went out himself to open it.
It was a Princess who was standing outside the door. What with the rain
and the wind, she was in a sad condition; the water trickled down from
her hair, and her clothes clung to her body. She said she was a real
Princess.
“Ah! we shall soon see that!” thought the old Queen-mother; however, she
said not a word of what she was going to do; but went quietly into the
bedroom, took all the bed-clothes off the bed, and put three little peas
on the bedstead. She then laid twenty mattresses one upon another over
the three peas, and put twenty feather beds over the mattresses.
Upon this bed the Princess was to pass the night.
The next morning she was asked how she had slept. “Oh, very badly
indeed!” she replied. “I have scarcely closed my eyes the whole night
through. I do not know what was in my bed, but I had something hard
under me, and am all over black and blue. It has hurt me so much!”
Now it was plain that the lady must be a real Princess, since she had
been able to feel the three little peas through the twenty mattresses
and twenty feather beds. None but a real Princess could have had such a
delicate sense of feeling.
The Prince accordingly made her his wife; being now convinced that he
had found a real Princess. The three peas were however put into the
cabinet of curiosities, where they are still to be seen, provided they
are not lost.
Wasn't this a lady of real delicacy?
THE SHOES OF FORTUNE
I. A Beginning
Every author has some peculiarity in his descriptions or in his style
of writing. Those who do not like him, magnify it, shrug up their
shoulders, and exclaim--there he is again! I, for my part, know very
well how I can bring about this movement and this exclamation. It would
happen immediately if I were to begin here, as I intended to do, with:
“Rome has its Corso, Naples its Toledo”--“Ah! that Andersen; there he is
again!” they would cry; yet I must, to please my fancy, continue quite
quietly, and add: “But Copenhagen has its East Street.”
Here, then, we will stay for the present. In one of the houses not far
from the new market a party was invited--a very large party, in order,
as is often the case, to get a return invitation from the others. One
half of the company was already seated at the card-table, the other half
awaited the result of the stereotype preliminary observation of the lady
of the house:
“Now let us see what we can do to amuse ourselves.”
They had got just so far, and the conversation began to crystallise,
as it could but do with the scanty stream which the commonplace world
supplied. Amongst other things they spoke of the middle ages: some
praised that period as far more interesting, far more poetical than our
own too sober present; indeed Councillor Knap defended this opinion
so warmly, that the hostess declared immediately on his side, and both
exerted themselves with unwearied eloquence. The Councillor boldly
declared the time of King Hans to be the noblest and the most happy
period.*
* A.D. 1482-1513
While the conversation turned on this subject, and was only for a moment
interrupted by the arrival of a journal that contained nothing worth
reading, we will just step out into the antechamber, where cloaks,
mackintoshes, sticks, umbrellas, and shoes, were deposited. Here sat two
female figures, a young and an old one. One might have thought at first
they were servants come to accompany their mistresses home; but on
looking nearer, one soon saw they could scarcely be mere servants; their
forms were too noble for that, their skin too fine, the cut of their
dress too striking. Two fairies were they; the younger, it is true,
was not Dame Fortune herself, but one of the waiting-maids of her
handmaidens who carry about the lesser good things that she distributes;
the other looked extremely gloomy--it was Care. She always attends to
her own serious business herself, as then she is sure of having it done
properly.
They were telling each other, with a confidential interchange of ideas,
where they had been during the day. The messenger of Fortune had only
executed a few unimportant commissions, such as saving a new bonnet from
a shower of rain, etc.; but what she had yet to perform was something
quite unusual.
“I must tell you,” said she, “that to-day is my birthday; and in honor
of it, a pair of walking-shoes or galoshes has been entrusted to me,
which I am to carry to mankind. These shoes possess the property of
instantly transporting him who has them on to the place or the period
in which he most wishes to be; every wish, as regards time or place, or
state of being, will be immediately fulfilled, and so at last man will
be happy, here below.”
Hans Christian Andersen — text from Project Gutenberg (eBook #1597)
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