Part 20

All at once an icy cold rushed through the great hall, and the blind mother could feel that it was Death that came. “How hast thou been able to find thy way hither?” he asked. “How couldst thou come quicker than I?” “I am a mother,” said she. And Death stretched out his long hand towards the fine little flower, but she held her hands fast around his, so tight, and yet afraid that she should touch one of the leaves. Then Death blew on her hands, and she felt that it was colder than the cold wind, and her hands fell down powerless. “Thou canst not do anything against me!” said Death. “But OUR LORD can!” said she. “I only do His bidding!” said Death. “I am His gardener, I take all His flowers and trees, and plant them out in the great garden of Paradise, in the unknown land; but how they grow there, and how it is there I dare not tell thee.” “Give me back my child!” said the mother, and she wept and prayed. At once she seized hold of two beautiful flowers close by, with each hand, and cried out to Death, “I will tear all thy flowers off, for I am in despair.” “Touch them not!” said Death. “Thou say'st that thou art so unhappy, and now thou wilt make another mother equally unhappy.” “Another mother!” said the poor woman, and directly let go her hold of both the flowers. “There, thou hast thine eyes,” said Death; “I fished them up from the lake, they shone so bright; I knew not they were thine. Take them again, they are now brighter than before; now look down into the deep well close by; I shall tell thee the names of the two flowers thou wouldst have torn up, and thou wilt see their whole future life--their whole human existence: and see what thou wast about to disturb and destroy.” And she looked down into the well; and it was a happiness to see how the one became a blessing to the world, to see how much happiness and joy were felt everywhere. And she saw the other's life, and it was sorrow and distress, horror, and wretchedness. “Both of them are God's will!” said Death. “Which of them is Misfortune's flower and which is that of Happiness?” asked she. “That I will not tell thee,” said Death; “but this thou shalt know from me, that the one flower was thy own child! it was thy child's fate thou saw'st--thy own child's future life!” Then the mother screamed with terror, “Which of them was my child? Tell it me! Save the innocent! Save my child from all that misery! Rather take it away! Take it into God's kingdom! Forget my tears, forget my prayers, and all that I have done!” “I do not understand thee!” said Death. “Wilt thou have thy child again, or shall I go with it there, where thou dost not know!” Then the mother wrung her hands, fell on her knees, and prayed to our Lord: “Oh, hear me not when I pray against Thy will, which is the best! hear me not! hear me not!” And she bowed her head down in her lap, and Death took her child and went with it into the unknown land. THE FALSE COLLAR There was once a fine gentleman, all of whose moveables were a boot-jack and a hair-comb: but he had the finest false collars in the world; and it is about one of these collars that we are now to hear a story. It was so old, that it began to think of marriage; and it happened that it came to be washed in company with a garter. “Nay!” said the collar. “I never did see anything so slender and so fine, so soft and so neat. May I not ask your name?” “That I shall not tell you!” said the garter. “Where do you live?” asked the collar. But the garter was so bashful, so modest, and thought it was a strange question to answer. “You are certainly a girdle,” said the collar; “that is to say an inside girdle. I see well that you are both for use and ornament, my dear young lady.” “I will thank you not to speak to me,” said the garter. “I think I have not given the least occasion for it.” “Yes! When one is as handsome as you,” said the collar, “that is occasion enough.” “Don't come so near me, I beg of you!” said the garter. “You look so much like those men-folks.” “I am also a fine gentleman,” said the collar. “I have a bootjack and a hair-comb.” But that was not true, for it was his master who had them: but he boasted. “Don't come so near me,” said the garter: “I am not accustomed to it.” “Prude!” exclaimed the collar; and then it was taken out of the washing-tub. It was starched, hung over the back of a chair in the sunshine, and was then laid on the ironing-blanket; then came the warm box-iron. “Dear lady!” said the collar. “Dear widow-lady! I feel quite hot. I am quite changed. I begin to unfold myself. You will burn a hole in me. Oh! I offer you my hand.” “Rag!” said the box-iron; and went proudly over the collar: for she fancied she was a steam-engine, that would go on the railroad and draw the waggons. “Rag!” said the box-iron. The collar was a little jagged at the edge, and so came the long scissors to cut off the jagged part. “Oh!” said the collar. “You are certainly the first opera dancer. How well you can stretch your legs out! It is the most graceful performance I have ever seen. No one can imitate you.” “I know it,” said the scissors. “You deserve to be a baroness,” said the collar. “All that I have is a fine gentleman, a boot-jack, and a hair-comb. If I only had the barony!” “Do you seek my hand?” said the scissors; for she was angry; and without more ado, she CUT HIM, and then he was condemned. “I shall now be obliged to ask the hair-comb. It is surprising how well you preserve your teeth, Miss,” said the collar. “Have you never thought of being betrothed?” “Yes, of course! you may be sure of that,” said the hair-comb. “I AM betrothed--to the boot-jack!” “Betrothed!” exclaimed the collar. Now there was no other to court, and so he despised it. A long time passed away, then the collar came into the rag chest at the paper mill; there was a large company of rags, the fine by themselves, and the coarse by themselves, just as it should be. They all had much to say, but the collar the most; for he was a real boaster. “I have had such an immense number of sweethearts!” said the collar. “I could not be in peace! It is true, I was always a fine starched-up gentleman! I had both a boot-jack and a hair-comb, which I never used! You should have seen me then, you should have seen me when I lay down! I shall never forget MY FIRST LOVE--she was a girdle, so fine, so soft, and so charming, she threw herself into a tub of water for my sake! There was also a widow, who became glowing hot, but I left her standing till she got black again; there was also the first opera dancer, she gave me that cut which I now go with, she was so ferocious! My own hair-comb was in love with me, she lost all her teeth from the heart-ache; yes, I have lived to see much of that sort of thing; but I am extremely sorry for the garter--I mean the girdle--that went into the water-tub. I have much on my conscience, I want to become white paper!” And it became so, all the rags were turned into white paper; but the collar came to be just this very piece of white paper we here see, and on which the story is printed; and that was because it boasted so terribly afterwards of what had never happened to it. It would be well for us to beware, that we may not act in a similar manner, for we can never know if we may not, in the course of time, also come into the rag chest, and be made into white paper, and then have our whole life's history printed on it, even the most secret, and be obliged to run about and tell it ourselves, just like this collar. THE SHADOW It is in the hot lands that the sun burns, sure enough! there the people become quite a mahogany brown, ay, and in the HOTTEST lands they are burnt to Negroes. But now it was only to the HOT lands that a learned man had come from the cold; there he thought that he could run about just as when at home, but he soon found out his mistake. He, and all sensible folks, were obliged to stay within doors--the window-shutters and doors were closed the whole day; it looked as if the whole house slept, or there was no one at home. The narrow street with the high houses, was built so that the sunshine must fall there from morning till evening--it was really not to be borne. The learned man from the cold lands--he was a young man, and seemed to be a clever man--sat in a glowing oven; it took effect on him, he became quite meagre--even his shadow shrunk in, for the sun had also an effect on it. It was first towards evening when the sun was down, that they began to freshen up again. In the warm lands every window has a balcony, and the people came out on all the balconies in the street--for one must have air, even if one be accustomed to be mahogany!* It was lively both up and down the street. Tailors, and shoemakers, and all the folks, moved out into the street--chairs and tables were brought forth--and candles burnt--yes, above a thousand lights were burning--and the one talked and the other sung; and people walked and church-bells rang, and asses went along with a dingle-dingle-dong! for they too had bells on. The street boys were screaming and hooting, and shouting and shooting, with devils and detonating balls--and there came corpse bearers and hood wearers--for there were funerals with psalm and hymn--and then the din of carriages driving and company arriving: yes, it was, in truth, lively enough down in the street. Only in that single house, which stood opposite that in which the learned foreigner lived, it was quite still; and yet some one lived there, for there stood flowers in the balcony--they grew so well in the sun's heat! and that they could not do unless they were watered--and some one must water them--there must be somebody there. The door opposite was also opened late in the evening, but it was dark within, at least in the front room; further in there was heard the sound of music. The learned foreigner thought it quite marvellous, but now--it might be that he only imagined it--for he found everything marvellous out there, in the warm lands, if there had only been no sun. The stranger's landlord said that he didn't know who had taken the house opposite, one saw no person about, and as to the music, it appeared to him to be extremely tiresome. “It is as if some one sat there, and practised a piece that he could not master--always the same piece. 'I shall master it!' says he; but yet he cannot master it, however long he plays.” * The word mahogany can be understood, in Danish, as having two meanings. In general, it means the reddish-brown wood itself; but in jest, it signifies “excessively fine,” which arose from an anecdote of Nyboder, in Copenhagen, (the seamen's quarter.) A sailor's wife, who was always proud and fine, in her way, came to her neighbor, and complained that she had got a splinter in her finger. “What of?” asked the neighbor's wife. “It is a mahogany splinter,” said the other. “Mahogany! It cannot be less with you!” exclaimed the woman--and thence the proverb, “It is so mahogany!”--(that is, so excessively fine)--is derived. One night the stranger awoke--he slept with the doors of the balcony open--the curtain before it was raised by the wind, and he thought that a strange lustre came from the opposite neighbor's house; all the flowers shone like flames, in the most beautiful colors, and in the midst of the flowers stood a slender, graceful maiden--it was as if she also shone; the light really hurt his eyes. He now opened them quite wide--yes, he was quite awake; with one spring he was on the floor; he crept gently behind the curtain, but the maiden was gone; the flowers shone no longer, but there they stood, fresh and blooming as ever; the door was ajar, and, far within, the music sounded so soft and delightful, one could really melt away in sweet thoughts from it. Yet it was like a piece of enchantment. And who lived there? Where was the actual entrance? The whole of the ground-floor was a row of shops, and there people could not always be running through.