Chapter 67
Part 67
11 min read · 2,129 words
“Upon my word, that is a most delicate attention on your part, Signor
Pastrini,” cried Franz.
“Why, your excellency,” returned the landlord, chuckling and rubbing
his hands with infinite complacency, “I think I may take upon myself to
say I neglect nothing to deserve the support and patronage of the noble
visitors to this poor hotel.”
“I see that plainly enough, my most excellent host, and you may rely
upon me to proclaim so striking a proof of your attention to your
guests wherever I go. Meanwhile, oblige me by a sight of one of these
_tavolettas_.”
“Nothing can be easier than to comply with your excellency’s wish,”
said the landlord, opening the door of the chamber; “I have caused one
to be placed on the landing, close by your apartment.”
Then, taking the tablet from the wall, he handed it to Franz, who read
as follows:
“‘The public is informed that on Wednesday, February 23rd, being the
first day of the Carnival, executions will take place in the Piazza del
Popolo, by order of the Tribunal of the Rota, of two persons, named
Andrea Rondolo, and Peppino, otherwise called Rocca Priori; the former
found guilty of the murder of a venerable and exemplary priest, named
Don César Torlini, canon of the church of St. John Lateran; and the
latter convicted of being an accomplice of the atrocious and sanguinary
bandit, Luigi Vampa, and his band. The first-named malefactor will be
_mazzolato_, the second culprit _decapitato_.
“‘The prayers of all good Christians are entreated for these
unfortunate men, that it may please God to awaken them to a sense of
their guilt, and to grant them a hearty and sincere repentance for
their crimes.’”
This was precisely what Franz had heard the evening before in the ruins
of the Colosseum. No part of the programme differed,—the names of the
condemned persons, their crimes, and mode of punishment, all agreed
with his previous information. In all probability, therefore, the
Transteverin was no other than the bandit Luigi Vampa himself, and the
man shrouded in the mantle the same he had known as “Sinbad the
Sailor,” but who, no doubt, was still pursuing his philanthropic
expedition in Rome, as he had already done at Porto-Vecchio and Tunis.
Time was getting on, however, and Franz deemed it advisable to awaken
Albert; but at the moment he prepared to proceed to his chamber, his
friend entered the room in perfect costume for the day. The anticipated
delights of the Carnival had so run in his head as to make him leave
his pillow long before his usual hour.
“Now, my excellent Signor Pastrini,” said Franz, addressing his
landlord, “since we are both ready, do you think we may proceed at once
to visit the Count of Monte Cristo?”
“Most assuredly,” replied he. “The Count of Monte Cristo is always an
early riser; and I can answer for his having been up these two hours.”
“Then you really consider we shall not be intruding if we pay our
respects to him directly?”
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“Oh, I am quite sure. I will take all the blame on myself if you find I
have led you into an error.”
“Well, then, if it be so, are you ready, Albert?”
“Perfectly.”
“Let us go and return our best thanks for his courtesy.”
“Yes, let us do so.”
The landlord preceded the friends across the landing, which was all
that separated them from the apartments of the count, rang at the bell,
and, upon the door being opened by a servant, said:
“_I signori Francesi_.”
The domestic bowed respectfully, and invited them to enter. They passed
through two rooms, furnished in a luxurious manner they had not
expected to see under the roof of Signor Pastrini, and were shown into
an elegantly fitted-up drawing-room. The richest Turkey carpets covered
the floor, and the softest and most inviting couches, easy-chairs, and
sofas, offered their high-piled and yielding cushions to such as
desired repose or refreshment. Splendid paintings by the first masters
were ranged against the walls, intermingled with magnificent trophies
of war, while heavy curtains of costly tapestry were suspended before
the different doors of the room.
“If your excellencies will please to be seated,” said the man, “I will
let the count know that you are here.”
And with these words he disappeared behind one of the tapestried
_portières_. As the door opened, the sound of a _guzla_ reached the
ears of the young men, but was almost immediately lost, for the rapid
closing of the door merely allowed one rich swell of harmony to enter.
Franz and Albert looked inquiringly at each other, then at the gorgeous
furnishings of the apartment. Everything seemed more magnificent at a
second view than it had done at their first rapid survey.
“Well,” said Franz to his friend, “what think you of all this?”
“Why, upon my soul, my dear fellow, it strikes me that our elegant and
attentive neighbor must either be some successful stock-jobber who has
speculated in the fall of the Spanish funds, or some prince travelling
_incog_.”
“Hush, hush!” replied Franz; “we shall ascertain who and what he is—he
comes!”
As Franz spoke, he heard the sound of a door turning on its hinges, and
almost immediately afterwards the tapestry was drawn aside, and the
owner of all these riches stood before the two young men. Albert
instantly rose to meet him, but Franz remained, in a manner, spellbound
on his chair; for in the person of him who had just entered he
recognized not only the mysterious visitant to the Colosseum, and the
occupant of the box at the Teatro Argentina, but also his extraordinary
host of Monte Cristo.
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Chapter 35. La Mazzolata
Gentlemen,” said the Count of Monte Cristo as he entered, “I pray you
excuse me for suffering my visit to be anticipated; but I feared to
disturb you by presenting myself earlier at your apartments; besides,
you sent me word that you would come to me, and I have held myself at
your disposal.”
“Franz and I have to thank you a thousand times, count,” returned
Albert; “you extricated us from a great dilemma, and we were on the
point of inventing a very fantastic vehicle when your friendly
invitation reached us.”
“Indeed,” returned the count, motioning the two young men to sit down.
“It was the fault of that blockhead Pastrini, that I did not sooner
assist you in your distress. He did not mention a syllable of your
embarrassment to me, when he knows that, alone and isolated as I am, I
seek every opportunity of making the acquaintance of my neighbors. As
soon as I learned I could in any way assist you, I most eagerly seized
the opportunity of offering my services.”
The two young men bowed. Franz had, as yet, found nothing to say; he
had come to no determination, and as nothing in the count’s manner
manifested the wish that he should recognize him, he did not know
whether to make any allusion to the past, or wait until he had more
proof; besides, although sure it was he who had been in the box the
previous evening, he could not be equally positive that this was the
man he had seen at the Colosseum. He resolved, therefore, to let things
take their course without making any direct overture to the count.
Moreover, he had this advantage, he was master of the count’s secret,
while the count had no hold on Franz, who had nothing to conceal.
However, he resolved to lead the conversation to a subject which might
possibly clear up his doubts.
“Count,” said he, “you have offered us places in your carriage, and at
your windows in the Rospoli Palace. Can you tell us where we can obtain
a sight of the Piazza del Popolo?”
“Ah,” said the count negligently, looking attentively at Morcerf, “is
there not something like an execution upon the Piazza del Popolo?”
“Yes,” returned Franz, finding that the count was coming to the point
he wished.
“Stay, I think I told my steward yesterday to attend to this; perhaps I
can render you this slight service also.”
He extended his hand, and rang the bell thrice.
“Did you ever occupy yourself,” said he to Franz, “with the employment
of time and the means of simplifying the summoning your servants? I
have. When I ring once, it is for my valet; twice, for my majordomo;
thrice, for my steward,—thus I do not waste a minute or a word. Here he
is.”
A man of about forty-five or fifty entered, exactly resembling the
smuggler who had introduced Franz into the cavern; but he did not
appear to recognize him. It was evident he had his orders.
“Monsieur Bertuccio,” said the count, “you have procured me windows
looking on the Piazza del Popolo, as I ordered you yesterday.”
“Yes, excellency,” returned the steward; “but it was very late.”
“Did I not tell you I wished for one?” replied the count, frowning.
“And your excellency has one, which was let to Prince Lobanieff; but I
was obliged to pay a hundred——”
“That will do—that will do, Monsieur Bertuccio; spare these gentlemen
all such domestic arrangements. You have the window, that is
sufficient. Give orders to the coachman; and be in readiness on the
stairs to conduct us to it.”
The steward bowed, and was about to quit the room.
“Ah!” continued the count, “be good enough to ask Pastrini if he has
received the _tavoletta_, and if he can send us an account of the
execution.”
“There is no need to do that,” said Franz, taking out his tablets; “for
I saw the account, and copied it down.”
“Very well, you can retire, M. Bertuccio; I need you no longer. Let us
know when breakfast is ready. These gentlemen,” added he, turning to
the two friends, “will, I trust, do me the honor to breakfast with me?”
“But, my dear count,” said Albert, “we shall abuse your kindness.”
“Not at all; on the contrary, you will give me great pleasure. You
will, one or other of you, perhaps both, return it to me at Paris. M.
Bertuccio, lay covers for three.”
He then took Franz’s tablets out of his hand. “‘We announce,’ he read,
in the same tone with which he would have read a newspaper, ‘that
today, the 23rd of February, will be executed Andrea Rondolo, guilty of
murder on the person of the respected and venerated Don César Torlini,
canon of the church of St. John Lateran, and Peppino, called Rocca
Priori, convicted of complicity with the detestable bandit Luigi Vampa,
and the men of his band.’
“Hum! ‘The first will be _mazzolato_, the second _decapitato_.’ Yes,”
continued the count, “it was at first arranged in this way; but I think
since yesterday some change has taken place in the order of the
ceremony.”
“Really?” said Franz.
“Yes, I passed the evening at the Cardinal Rospigliosi’s, and there
mention was made of something like a pardon for one of the two men.”
“For Andrea Rondolo?” asked Franz.
“No,” replied the count, carelessly; “for the other (he glanced at the
tablets as if to recall the name), for Peppino, called Rocca Priori.
You are thus deprived of seeing a man guillotined; but the _mazzolata_
still remains, which is a very curious punishment when seen for the
first time, and even the second, while the other, as you must know, is
very simple. The _mandaïa_6 never fails, never trembles, never strikes
thirty times ineffectually, like the soldier who beheaded the Count of
Chalais, and to whose tender mercy Richelieu had doubtless recommended
the sufferer. Ah,” added the count, in a contemptuous tone, “do not
tell me of European punishments, they are in the infancy, or rather the
old age, of cruelty.”
“Really, count,” replied Franz, “one would think that you had studied
the different tortures of all the nations of the world.”
“There are, at least, few that I have not seen,” said the count coldly.
“And you took pleasure in beholding these dreadful spectacles?”
“My first sentiment was horror, the second indifference, the third
curiosity.”
“Curiosity—that is a terrible word.”
“Why so? In life, our greatest preoccupation is death; is it not then,
curious to study the different ways by which the soul and body can
part; and how, according to their different characters, temperaments,
and even the different customs of their countries, different persons
bear the transition from life to death, from existence to annihilation?
As for myself, I can assure you of one thing,—the more men you see die,
the easier it becomes to die yourself; and in my opinion, death may be
a torture, but it is not an expiation.”
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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