Chapter 173
Part 173
11 min read · 2,201 words
Mercédès looked at the count in a way which expressed at the same time
her astonishment, her admiration, and her gratitude. Monte Cristo
pressed his forehead on his burning hands, as if his brain could no
longer bear alone the weight of its thoughts.
“Edmond,” said Mercédès, “I have but one word more to say to you.”
The count smiled bitterly.
“Edmond,” continued she, “you will see that if my face is pale, if my
eyes are dull, if my beauty is gone; if Mercédès, in short, no longer
resembles her former self in her features, you will see that her heart
is still the same. Adieu, then, Edmond; I have nothing more to ask of
heaven—I have seen you again, and have found you as noble and as great
as formerly you were. Adieu, Edmond, adieu, and thank you.”
But the count did not answer. Mercédès opened the door of the study and
had disappeared before he had recovered from the painful and profound
reverie into which his thwarted vengeance had plunged him.
The clock of the Invalides struck one when the carriage which conveyed
Madame de Morcerf rolled away on the pavement of the Champs-Élysées,
and made Monte Cristo raise his head.
“What a fool I was,” said he, “not to tear my heart out on the day when
I resolved to avenge myself!”
Chapter 90. The Meeting
After Mercédès had left Monte Cristo, he fell into profound gloom.
Around him and within him the flight of thought seemed to have stopped;
his energetic mind slumbered, as the body does after extreme fatigue.
“What?” said he to himself, while the lamp and the wax lights were
nearly burnt out, and the servants were waiting impatiently in the
anteroom; “what? this edifice which I have been so long preparing,
which I have reared with so much care and toil, is to be crushed by a
single touch, a word, a breath! Yes, this self, of whom I thought so
much, of whom I was so proud, who had appeared so worthless in the
dungeons of the Château d’If, and whom I had succeeded in making so
great, will be but a lump of clay tomorrow. Alas, it is not the death
of the body I regret; for is not the destruction of the vital
principle, the repose to which everything is tending, to which every
unhappy being aspires,—is not this the repose of matter after which I
so long sighed, and which I was seeking to attain by the painful
process of starvation when Faria appeared in my dungeon? What is death
for me? One step farther into rest,—two, perhaps, into silence. No, it
is not existence, then, that I regret, but the ruin of projects so
slowly carried out, so laboriously framed. Providence is now opposed to
them, when I most thought it would be propitious. It is not God’s will
that they should be accomplished. This burden, almost as heavy as a
world, which I had raised, and I had thought to bear to the end, was
too great for my strength, and I was compelled to lay it down in the
middle of my career. Oh, shall I then, again become a fatalist, whom
fourteen years of despair and ten of hope had rendered a believer in
Providence?
“And all this—all this, because my heart, which I thought dead, was
only sleeping; because it has awakened and has begun to beat again,
because I have yielded to the pain of the emotion excited in my breast
by a woman’s voice.
“Yet,” continued the count, becoming each moment more absorbed in the
anticipation of the dreadful sacrifice for the morrow, which Mercédès
had accepted, “yet, it is impossible that so noble-minded a woman
should thus through selfishness consent to my death when I am in the
prime of life and strength; it is impossible that she can carry to such
a point maternal love, or rather delirium. There are virtues which
become crimes by exaggeration. No, she must have conceived some
pathetic scene; she will come and throw herself between us; and what
would be sublime here will there appear ridiculous.”
The blush of pride mounted to the count’s forehead as this thought
passed through his mind.
“Ridiculous?” repeated he; “and the ridicule will fall on me. I
ridiculous? No, I would rather die.”
By thus exaggerating to his own mind the anticipated ill-fortune of the
next day, to which he had condemned himself by promising Mercédès to
spare her son, the count at last exclaimed:
“Folly, folly, folly!—to carry generosity so far as to put myself up as
a mark for that young man to aim at. He will never believe that my
death was suicide; and yet it is important for the honor of my
memory,—and this surely is not vanity, but a justifiable pride,—it is
important the world should know that I have consented, by my free will,
to stop my arm, already raised to strike, and that with the arm which
has been so powerful against others I have struck myself. It must be;
it shall be.”
Seizing a pen, he drew a paper from a secret drawer in his desk, and
wrote at the bottom of the document (which was no other than his will,
made since his arrival in Paris) a sort of codicil, clearly explaining
the nature of his death.
“I do this, Oh, my God,” said he, with his eyes raised to heaven, “as
much for thy honor as for mine. I have during ten years considered
myself the agent of thy vengeance, and other wretches, like Morcerf,
Danglars, Villefort, even Morcerf himself, must not imagine that chance
has freed them from their enemy. Let them know, on the contrary, that
their punishment, which had been decreed by Providence, is only delayed
by my present determination, and although they escape it in this world,
it awaits them in another, and that they are only exchanging time for
eternity.”
While he was thus agitated by gloomy uncertainties,—wretched waking
dreams of grief,—the first rays of morning pierced his windows, and
shone upon the pale blue paper on which he had just inscribed his
justification of Providence.
It was just five o’clock in the morning when a slight noise like a
stifled sigh reached his ear. He turned his head, looked around him,
and saw no one; but the sound was repeated distinctly enough to
convince him of its reality.
He arose, and quietly opening the door of the drawing-room, saw Haydée,
who had fallen on a chair, with her arms hanging down and her beautiful
head thrown back. She had been standing at the door, to prevent his
going out without seeing her, until sleep, which the young cannot
resist, had overpowered her frame, wearied as she was with watching.
The noise of the door did not awaken her, and Monte Cristo gazed at her
with affectionate regret.
“She remembered that she had a son,” said he; “and I forgot I had a
daughter.” Then, shaking his head sorrowfully, “Poor Haydée,” said he;
“she wished to see me, to speak to me; she has feared or guessed
something. Oh, I cannot go without taking leave of her; I cannot die
without confiding her to someone.”
He quietly regained his seat, and wrote under the other lines:
“I bequeath to Maximilian Morrel, captain of Spahis,—and son of my
former patron, Pierre Morrel, shipowner at Marseilles,—the sum of
twenty millions, a part of which may be offered to his sister Julie and
brother-in-law Emmanuel, if he does not fear this increase of fortune
may mar their happiness. These twenty millions are concealed in my
grotto at Monte Cristo, of which Bertuccio knows the secret. If his
heart is free, and he will marry Haydée, the daughter of Ali Pasha of
Yanina, whom I have brought up with the love of a father, and who has
shown the love and tenderness of a daughter for me, he will thus
accomplish my last wish. This will has already constituted Haydée
heiress of the rest of my fortune, consisting of lands, funds in
England, Austria, and Holland, furniture in my different palaces and
houses, and which without the twenty millions and the legacies to my
servants, may still amount to sixty millions.”
40241m
He was finishing the last line when a cry behind him made him start,
and the pen fell from his hand.
“Haydée,” said he, “did you read it?”
“Oh, my lord,” said she, “why are you writing thus at such an hour? Why
are you bequeathing all your fortune to me? Are you going to leave me?”
“I am going on a journey, dear child,” said Monte Cristo, with an
expression of infinite tenderness and melancholy; “and if any
misfortune should happen to me——”
The count stopped.
“Well?” asked the young girl, with an authoritative tone the count had
never observed before, and which startled him.
“Well, if any misfortune happen to me,” replied Monte Cristo, “I wish
my daughter to be happy.” Haydée smiled sorrowfully, and shook her
head.
“Do you think of dying, my lord?” said she.
“The wise man, my child, has said, ‘It is good to think of death.’”
“Well, if you die,” said she, “bequeath your fortune to others, for if
you die I shall require nothing;” and, taking the paper, she tore it in
four pieces, and threw it into the middle of the room. Then, the effort
having exhausted her strength, she fell, not asleep this time, but
fainting on the floor.
The count leaned over her and raised her in his arms; and seeing that
sweet pale face, those lovely eyes closed, that beautiful form
motionless and to all appearance lifeless, the idea occurred to him for
the first time, that perhaps she loved him otherwise than as a daughter
loves a father.
“Alas,” murmured he, with intense suffering, “I might, then, have been
happy yet.”
Then he carried Haydée to her room, resigned her to the care of her
attendants, and returning to his study, which he shut quickly this
time, he again copied the destroyed will. As he was finishing, the
sound of a cabriolet entering the yard was heard. Monte Cristo
approached the window, and saw Maximilian and Emmanuel alight. “Good,”
said he; “it was time,”—and he sealed his will with three seals.
A moment afterwards he heard a noise in the drawing-room, and went to
open the door himself. Morrel was there; he had come twenty minutes
before the time appointed.
“I am perhaps come too soon, count,” said he, “but I frankly
acknowledge that I have not closed my eyes all night, nor has anyone in
my house. I need to see you strong in your courageous assurance, to
recover myself.”
Monte Cristo could not resist this proof of affection; he not only
extended his hand to the young man, but flew to him with open arms.
“Morrel,” said he, “it is a happy day for me, to feel that I am beloved
by such a man as you. Good-morning, Emmanuel; you will come with me
then, Maximilian?”
“Did you doubt it?” said the young captain.
“But if I were wrong——”
“I watched you during the whole scene of that challenge yesterday; I
have been thinking of your firmness all night, and I said to myself
that justice must be on your side, or man’s countenance is no longer to
be relied on.”
“But, Morrel, Albert is your friend?”
“Simply an acquaintance, sir.”
“You met on the same day you first saw me?”
“Yes, that is true; but I should not have recollected it if you had not
reminded me.”
“Thank you, Morrel.” Then ringing the bell once, “Look.” said he to
Ali, who came immediately, “take that to my solicitor. It is my will,
Morrel. When I am dead, you will go and examine it.”
“What?” said Morrel, “you dead?”
“Yes; must I not be prepared for everything, dear friend? But what did
you do yesterday after you left me?”
“I went to Tortoni’s, where, as I expected, I found Beauchamp and
Château-Renaud. I own I was seeking them.”
“Why, when all was arranged?”
“Listen, count; the affair is serious and unavoidable.”
“Did you doubt it!”
“No; the offence was public, and everyone is already talking of it.”
“Well?”
“Well, I hoped to get an exchange of arms,—to substitute the sword for
the pistol; the pistol is blind.”
“Have you succeeded?” asked Monte Cristo quickly, with an imperceptible
gleam of hope.
“No; for your skill with the sword is so well known.”
“Ah?—who has betrayed me?”
“The skilful swordsman whom you have conquered.”
“And you failed?”
“They positively refused.”
“Morrel,” said the count, “have you ever seen me fire a pistol?”
“Never.”
“Well, we have time; look.” Monte Cristo took the pistols he held in
his hand when Mercédès entered, and fixing an ace of clubs against the
iron plate, with four shots he successively shot off the four sides of
the club. At each shot Morrel turned pale. He examined the bullets with
which Monte Cristo performed this dexterous feat, and saw that they
were no larger than buckshot.
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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