Chapter 177
Part 177
11 min read · 2,112 words
“Oh, no, no,” said the general, smiling faintly, “I did not come for
that purpose; you are right. I came to tell you that I also look upon
you as my enemy. I came to tell you that I hate you instinctively; that
it seems as if I had always known you, and always hated you; and, in
short, since the young people of the present day will not fight, it
remains for us to do so. Do you think so, sir?”
“Certainly. And when I told you I had foreseen the result, it is the
honor of your visit I alluded to.”
“So much the better. Are you prepared?”
“Yes, sir.”
“You know that we shall fight till one of us is dead,” said the
general, whose teeth were clenched with rage.
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“Until one of us dies,” repeated Monte Cristo, moving his head slightly
up and down.
“Let us start, then; we need no witnesses.”
“Very true,” said Monte Cristo; “it is unnecessary, we know each other
so well!”
“On the contrary,” said the count, “we know so little of each other.”
“Indeed?” said Monte Cristo, with the same indomitable coolness; “let
us see. Are you not the soldier Fernand who deserted on the eve of the
battle of Waterloo? Are you not the Lieutenant Fernand who served as
guide and spy to the French army in Spain? Are you not the Captain
Fernand who betrayed, sold, and murdered his benefactor, Ali? And have
not all these Fernands, united, made Lieutenant-General, the Count of
Morcerf, peer of France?”
“Oh,” cried the general, as if branded with a hot iron, “wretch,—to
reproach me with my shame when about, perhaps, to kill me! No, I did
not say I was a stranger to you. I know well, demon, that you have
penetrated into the darkness of the past, and that you have read, by
the light of what torch I know not, every page of my life; but perhaps
I may be more honorable in my shame than you under your pompous
coverings. No—no, I am aware you know me; but I know you only as an
adventurer sewn up in gold and jewellery. You call yourself, in Paris,
the Count of Monte Cristo; in Italy, Sinbad the Sailor; in Malta, I
forget what. But it is your real name I want to know, in the midst of
your hundred names, that I may pronounce it when we meet to fight, at
the moment when I plunge my sword through your heart.”
The Count of Monte Cristo turned dreadfully pale; his eye seemed to
burn with a devouring fire. He leaped towards a dressing-room near his
bedroom, and in less than a moment, tearing off his cravat, his coat
and waistcoat, he put on a sailor’s jacket and hat, from beneath which
rolled his long black hair. He returned thus, formidable and
implacable, advancing with his arms crossed on his breast, towards the
general, who could not understand why he had disappeared, but who on
seeing him again, and feeling his teeth chatter and his legs sink under
him, drew back, and only stopped when he found a table to support his
clenched hand.
“Fernand,” cried he, “of my hundred names I need only tell you one, to
overwhelm you! But you guess it now, do you not?—or, rather, you
remember it? For, notwithstanding all my sorrows and my tortures, I
show you today a face which the happiness of revenge makes young
again—a face you must often have seen in your dreams since your
marriage with Mercédès, my betrothed!”
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The general, with his head thrown back, hands extended, gaze fixed,
looked silently at this dreadful apparition; then seeking the wall to
support him, he glided along close to it until he reached the door,
through which he went out backwards, uttering this single mournful,
lamentable, distressing cry:
“Edmond Dantès!”
Then, with sighs which were unlike any human sound, he dragged himself
to the door, reeled across the courtyard, and falling into the arms of
his valet, he said in a voice scarcely intelligible,—“Home, home.”
The fresh air and the shame he felt at having exposed himself before
his servants, partly recalled his senses, but the ride was short, and
as he drew near his house all his wretchedness revived. He stopped at a
short distance from the house and alighted. The door was wide open, a
hackney-coach was standing in the middle of the yard—a strange sight
before so noble a mansion; the count looked at it with terror, but
without daring to inquire its meaning, he rushed towards his apartment.
Two persons were coming down the stairs; he had only time to creep into
an alcove to avoid them. It was Mercédès leaning on her son’s arm and
leaving the house. They passed close by the unhappy being, who,
concealed behind the damask curtain, almost felt Mercédès dress brush
past him, and his son’s warm breath, pronouncing these words:
“Courage, mother! Come, this is no longer our home!”
The words died away, the steps were lost in the distance. The general
drew himself up, clinging to the curtain; he uttered the most dreadful
sob which ever escaped from the bosom of a father abandoned at the same
time by his wife and son. He soon heard the clatter of the iron step of
the hackney-coach, then the coachman’s voice, and then the rolling of
the heavy vehicle shook the windows. He darted to his bedroom to see
once more all he had loved in the world; but the hackney-coach drove on
and the head of neither Mercédès nor her son appeared at the window to
take a last look at the house or the deserted father and husband.
And at the very moment when the wheels of that coach crossed the
gateway a report was heard, and a thick smoke escaped through one of
the panes of the window, which was broken by the explosion.
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Chapter 93. Valentine
We may easily conceive where Morrel’s appointment was. On leaving Monte
Cristo he walked slowly towards Villefort’s; we say slowly, for Morrel
had more than half an hour to spare to go five hundred steps, but he
had hastened to take leave of Monte Cristo because he wished to be
alone with his thoughts. He knew his time well—the hour when Valentine
was giving Noirtier his breakfast, and was sure not to be disturbed in
the performance of this pious duty. Noirtier and Valentine had given
him leave to go twice a week, and he was now availing himself of that
permission.
He arrived; Valentine was expecting him. Uneasy and almost crazed, she
seized his hand and led him to her grandfather. This uneasiness,
amounting almost to frenzy, arose from the report Morcerf’s adventure
had made in the world, for the affair at the Opera was generally known.
No one at Villefort’s doubted that a duel would ensue from it.
Valentine, with her woman’s instinct, guessed that Morrel would be
Monte Cristo’s second, and from the young man’s well-known courage and
his great affection for the count, she feared that he would not content
himself with the passive part assigned to him. We may easily understand
how eagerly the particulars were asked for, given, and received; and
Morrel could read an indescribable joy in the eyes of his beloved, when
she knew that the termination of this affair was as happy as it was
unexpected.
“Now,” said Valentine, motioning to Morrel to sit down near her
grandfather, while she took her seat on his footstool,—“now let us talk
about our own affairs. You know, Maximilian, grandpapa once thought of
leaving this house, and taking an apartment away from M. de
Villefort’s.”
“Yes,” said Maximilian, “I recollect the project, of which I highly
approved.”
“Well,” said Valentine, “you may approve again, for grandpapa is again
thinking of it.”
“Bravo,” said Maximilian.
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“And do you know,” said Valentine, “what reason grandpapa gives for
leaving this house.” Noirtier looked at Valentine to impose silence,
but she did not notice him; her looks, her eyes, her smile, were all
for Morrel.
“Oh, whatever may be M. Noirtier’s reason,” answered Morrel, “I can
readily believe it to be a good one.”
“An excellent one,” said Valentine. “He pretends the air of the
Faubourg Saint-Honoré is not good for me.”
“Indeed?” said Morrel; “in that M. Noirtier may be right; you have not
seemed to be well for the last fortnight.”
“Not very,” said Valentine. “And grandpapa has become my physician, and
I have the greatest confidence in him, because he knows everything.”
“Do you then really suffer?” asked Morrel quickly.
“Oh, it must not be called suffering; I feel a general uneasiness, that
is all. I have lost my appetite, and my stomach feels as if it were
struggling to get accustomed to something.” Noirtier did not lose a
word of what Valentine said.
“And what treatment do you adopt for this singular complaint?”
“A very simple one,” said Valentine. “I swallow every morning a
spoonful of the mixture prepared for my grandfather. When I say one
spoonful, I began by one—now I take four. Grandpapa says it is a
panacea.” Valentine smiled, but it was evident that she suffered.
Maximilian, in his devotedness, gazed silently at her. She was very
beautiful, but her usual pallor had increased; her eyes were more
brilliant than ever, and her hands, which were generally white like
mother-of-pearl, now more resembled wax, to which time was adding a
yellowish hue.
From Valentine the young man looked towards Noirtier. The latter
watched with strange and deep interest the young girl, absorbed by her
affection, and he also, like Morrel, followed those traces of inward
suffering which was so little perceptible to a common observer that
they escaped the notice of everyone but the grandfather and the lover.
“But,” said Morrel, “I thought this mixture, of which you now take four
spoonfuls, was prepared for M. Noirtier?”
“I know it is very bitter,” said Valentine; “so bitter, that all I
drink afterwards appears to have the same taste.” Noirtier looked
inquiringly at his granddaughter. “Yes, grandpapa,” said Valentine; “it
is so. Just now, before I came down to you, I drank a glass of sugared
water; I left half, because it seemed so bitter.” Noirtier turned pale,
and made a sign that he wished to speak.
Valentine rose to fetch the dictionary. Noirtier watched her with
evident anguish. In fact, the blood was rushing to the young girl’s
head already, her cheeks were becoming red.
“Oh,” cried she, without losing any of her cheerfulness, “this is
singular! I can’t see! Did the sun shine in my eyes?” And she leaned
against the window.
“The sun is not shining,” said Morrel, more alarmed by Noirtier’s
expression than by Valentine’s indisposition. He ran towards her. The
young girl smiled.
“Cheer up,” said she to Noirtier. “Do not be alarmed, Maximilian; it is
nothing, and has already passed away. But listen! Do I not hear a
carriage in the courtyard?” She opened Noirtier’s door, ran to a window
in the passage, and returned hastily. “Yes,” said she, “it is Madame
Danglars and her daughter, who have come to call on us. Good-bye;—I
must run away, for they would send here for me, or, rather, farewell
till I see you again. Stay with grandpapa, Maximilian; I promise you
not to persuade them to stay.”
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Morrel watched her as she left the room; he heard her ascend the little
staircase which led both to Madame de Villefort’s apartments and to
hers. As soon as she was gone, Noirtier made a sign to Morrel to take
the dictionary. Morrel obeyed; guided by Valentine, he had learned how
to understand the old man quickly. Accustomed, however, as he was to
the work, he had to repeat most of the letters of the alphabet and to
find every word in the dictionary, so that it was ten minutes before
the thought of the old man was translated by these words,
“Fetch the glass of water and the decanter from Valentine’s room.”
Morrel rang immediately for the servant who had taken Barrois’s
situation, and in Noirtier’s name gave that order. The servant soon
returned. The decanter and the glass were completely empty. Noirtier
made a sign that he wished to speak.
“Why are the glass and decanter empty?” asked he; “Valentine said she
only drank half the glassful.”
The translation of this new question occupied another five minutes.
“I do not know,” said the servant, “but the housemaid is in
Mademoiselle Valentine’s room: perhaps she has emptied them.”
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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