Chapter 181
Part 181
11 min read · 2,254 words
“Unhappy girl, unhappy girl!” murmured Danglars, turning pale, for he
knew from long experience the solidity of the obstacle he had so
suddenly encountered.
“Unhappy girl,” replied Eugénie, “unhappy girl, do you say, sir? No,
indeed; the exclamation appears quite theatrical and affected. Happy,
on the contrary, for what am I in want of? The world calls me
beautiful. It is something to be well received. I like a favorable
reception; it expands the countenance, and those around me do not then
appear so ugly. I possess a share of wit, and a certain relative
sensibility, which enables me to draw from life in general, for the
support of mine, all I meet with that is good, like the monkey who
cracks the nut to get at its contents. I am rich, for you have one of
the first fortunes in France. I am your only daughter, and you are not
so exacting as the fathers of the Porte Saint-Martin and Gaîté, who
disinherit their daughters for not giving them grandchildren. Besides,
the provident law has deprived you of the power to disinherit me, at
least entirely, as it has also of the power to compel me to marry
Monsieur This or Monsieur That. And so—being, beautiful, witty,
somewhat talented, as the comic operas say, and rich—and that is
happiness, sir—why do you call me unhappy?”
Danglars, seeing his daughter smiling, and proud even to insolence,
could not entirely repress his brutal feelings, but they betrayed
themselves only by an exclamation. Under the fixed and inquiring gaze
levelled at him from under those beautiful black eyebrows, he prudently
turned away, and calmed himself immediately, daunted by the power of a
resolute mind.
“Truly, my daughter,” replied he with a smile, “you are all you boast
of being, excepting one thing; I will not too hastily tell you which,
but would rather leave you to guess it.”
Eugénie looked at Danglars, much surprised that one flower of her crown
of pride, with which she had so superbly decked herself, should be
disputed.
“My daughter,” continued the banker, “you have perfectly explained to
me the sentiments which influence a girl like you, who is determined
she will not marry; now it remains for me to tell you the motives of a
father like me, who has decided that his daughter shall marry.”
Eugénie bowed, not as a submissive daughter, but as an adversary
prepared for a discussion.
“My daughter,” continued Danglars, “when a father asks his daughter to
choose a husband, he has always some reason for wishing her to marry.
Some are affected with the mania of which you spoke just now, that of
living again in their grandchildren. This is not my weakness, I tell
you at once; family joys have no charm for me. I may acknowledge this
to a daughter whom I know to be philosophical enough to understand my
indifference, and not to impute it to me as a crime.”
“This is not to the purpose,” said Eugénie; “let us speak candidly,
sir; I admire candor.”
“Oh,” said Danglars, “I can, when circumstances render it desirable,
adopt your system, although it may not be my general practice. I will
therefore proceed. I have proposed to you to marry, not for your sake,
for indeed I did not think of you in the least at the moment (you
admire candor, and will now be satisfied, I hope); but because it
suited me to marry you as soon as possible, on account of certain
commercial speculations I am desirous of entering into.” Eugénie became
uneasy.
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“It is just as I tell you, I assure you, and you must not be angry with
me, for you have sought this disclosure. I do not willingly enter into
arithmetical explanations with an artist like you, who fears to enter
my study lest she should imbibe disagreeable or anti-poetic impressions
and sensations. But in that same banker’s study, where you very
willingly presented yourself yesterday to ask for the thousand francs I
give you monthly for pocket-money, you must know, my dear young lady,
that many things may be learned, useful even to a girl who will not
marry. There one may learn, for instance, what, out of regard to your
nervous susceptibility, I will inform you of in the drawing-room,
namely, that the credit of a banker is his physical and moral life;
that credit sustains him as breath animates the body; and M. de Monte
Cristo once gave me a lecture on that subject, which I have never
forgotten. There we may learn that as credit sinks, the body becomes a
corpse, and this is what must happen very soon to the banker who is
proud to own so good a logician as you for his daughter.”
But Eugénie, instead of stooping, drew herself up under the blow.
“Ruined?” said she.
“Exactly, my daughter; that is precisely what I mean,” said Danglars,
almost digging his nails into his breast, while he preserved on his
harsh features the smile of the heartless though clever man;
“ruined—yes, that is it.”
“Ah!” said Eugénie.
“Yes, ruined! Now it is revealed, this secret so full of horror, as the
tragic poet says. Now, my daughter, learn from my lips how you may
alleviate this misfortune, so far as it will affect you.”
“Oh,” cried Eugénie, “you are a bad physiognomist, if you imagine I
deplore on my own account the catastrophe of which you warn me. I
ruined? and what will that signify to me? Have I not my talent left?
Can I not, like Pasta, Malibran, Grisi, acquire for myself what you
would never have given me, whatever might have been your fortune, a
hundred or a hundred and fifty thousand livres per annum, for which I
shall be indebted to no one but myself; and which, instead of being
given as you gave me those poor twelve thousand francs, with sour looks
and reproaches for my prodigality, will be accompanied with
acclamations, with bravos, and with flowers? And if I do not possess
that talent, which your smiles prove to me you doubt, should I not
still have that ardent love of independence, which will be a substitute
for wealth, and which in my mind supersedes even the instinct of
self-preservation? No, I grieve not on my own account, I shall always
find a resource; my books, my pencils, my piano, all the things which
cost but little, and which I shall be able to procure, will remain my
own.
“Do you think that I sorrow for Madame Danglars? Undeceive yourself
again; either I am greatly mistaken, or she has provided against the
catastrophe which threatens you, and, which will pass over without
affecting her. She has taken care for herself,—at least I hope so,—for
her attention has not been diverted from her projects by watching over
me. She has fostered my independence by professedly indulging my love
for liberty. Oh, no, sir; from my childhood I have seen too much, and
understood too much, of what has passed around me, for misfortune to
have an undue power over me. From my earliest recollections, I have
been beloved by no one—so much the worse; that has naturally led me to
love no one—so much the better—now you have my profession of faith.”
“Then,” said Danglars, pale with anger, which was not at all due to
offended paternal love,—“then, mademoiselle, you persist in your
determination to accelerate my ruin?”
“Your ruin? I accelerate your ruin? What do you mean? I do not
understand you.”
“So much the better, I have a ray of hope left; listen.”
“I am all attention,” said Eugénie, looking so earnestly at her father
that it was an effort for the latter to endure her unrelenting gaze.
“M. Cavalcanti,” continued Danglars, “is about to marry you, and will
place in my hands his fortune, amounting to three million livres.”
“That is admirable!” said Eugénie with sovereign contempt, smoothing
her gloves out one upon the other.
“You think I shall deprive you of those three millions,” said Danglars;
“but do not fear it. They are destined to produce at least ten. I and a
brother banker have obtained a grant of a railway, the only industrial
enterprise which in these days promises to make good the fabulous
prospects that Law once held out to the eternally deluded Parisians, in
the fantastic Mississippi scheme. As I look at it, a millionth part of
a railway is worth fully as much as an acre of waste land on the banks
of the Ohio. We make in our case a deposit, on a mortgage, which is an
advance, as you see, since we gain at least ten, fifteen, twenty, or a
hundred livres’ worth of iron in exchange for our money. Well, within a
week I am to deposit four millions for my share; the four millions, I
promise you, will produce ten or twelve.”
“But during my visit to you the day before yesterday, sir, which you
appear to recollect so well,” replied Eugénie, “I saw you arranging a
deposit—is not that the term?—of five millions and a half; you even
pointed it out to me in two drafts on the treasury, and you were
astonished that so valuable a paper did not dazzle my eyes like
lightning.”
“Yes, but those five millions and a half are not mine, and are only a
proof of the great confidence placed in me; my title of popular banker
has gained me the confidence of charitable institutions, and the five
millions and a half belong to them; at any other time I should not have
hesitated to make use of them, but the great losses I have recently
sustained are well known, and, as I told you, my credit is rather
shaken. That deposit may be at any moment withdrawn, and if I had
employed it for another purpose, I should bring on me a disgraceful
bankruptcy. I do not despise bankruptcies, believe me, but they must be
those which enrich, not those which ruin. Now, if you marry M.
Cavalcanti, and I get the three millions, or even if it is thought I am
going to get them, my credit will be restored, and my fortune, which
for the last month or two has been swallowed up in gulfs which have
been opened in my path by an inconceivable fatality, will revive. Do
you understand me?”
“Perfectly; you pledge me for three millions, do you not?”
“The greater the amount, the more flattering it is to you; it gives you
an idea of your value.”
“Thank you. One word more, sir; do you promise me to make what use you
can of the report of the fortune M. Cavalcanti will bring without
touching the money? This is no act of selfishness, but of delicacy. I
am willing to help rebuild your fortune, but I will not be an
accomplice in the ruin of others.”
“But since I tell you,” cried Danglars, “that with these three
million——”
“Do you expect to recover your position, sir, without touching those
three million?”
“I hope so, if the marriage should take place and confirm my credit.”
“Shall you be able to pay M. Cavalcanti the five hundred thousand
francs you promise for my dowry?”
“He shall receive them on returning from the mayor’s20.”
“Very well!”
“What next? what more do you want?”
“I wish to know if, in demanding my signature, you leave me entirely
free in my person?”
“Absolutely.”
“Then, as I said before, sir,—very well; I am ready to marry M.
Cavalcanti.”
“But what are you up to?”
“Ah, that is my affair. What advantage should I have over you, if
knowing your secret I were to tell you mine?”
Danglars bit his lips. “Then,” said he, “you are ready to pay the
official visits, which are absolutely indispensable?”
“Yes,” replied Eugénie.
“And to sign the contract in three days?”
“Yes.”
“Then, in my turn, I also say, very well!”
Danglars pressed his daughter’s hand in his. But, extraordinary to
relate, the father did not say, “Thank you, my child,” nor did the
daughter smile at her father.
“Is the conference ended?” asked Eugénie, rising.
Danglars motioned that he had nothing more to say. Five minutes
afterwards the piano resounded to the touch of Mademoiselle d’Armilly’s
fingers, and Mademoiselle Danglars was singing Brabantio’s malediction
on Desdemona. At the end of the piece Étienne entered, and announced to
Eugénie that the horses were to the carriage, and that the baroness was
waiting for her to pay her visits. We have seen them at Villefort’s;
they proceeded then on their course.
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VOLUME FIVE
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Chapter 96. The Contract
Three days after the scene we have just described, namely towards five
o’clock in the afternoon of the day fixed for the signature of the
contract between Mademoiselle Eugénie Danglars and Andrea Cavalcanti,
whom the banker persisted in calling prince, a fresh breeze was
stirring the leaves in the little garden in front of the Count of Monte
Cristo’s house, and the count was preparing to go out. While his horses
were impatiently pawing the ground, held in by the coachman, who had
been seated a quarter of an hour on his box, the elegant phaeton with
which we are familiar rapidly turned the angle of the entrance-gate,
and cast out on the doorsteps M. Andrea Cavalcanti, as decked up and
gay as if he were going to marry a princess.
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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