Part 183

At the moment when the hand of the massive time-piece, representing Endymion asleep, pointed to nine on its golden face, and the hammer, the faithful type of mechanical thought, struck nine times, the name of the Count of Monte Cristo resounded in its turn, and as if by an electric shock all the assembly turned towards the door. The count was dressed in black and with his habitual simplicity; his white waistcoat displayed his expansive noble chest and his black stock was singularly noticeable because of its contrast with the deadly paleness of his face. His only jewellery was a chain, so fine that the slender gold thread was scarcely perceptible on his white waistcoat. A circle was immediately formed around the door. The count perceived at one glance Madame Danglars at one end of the drawing-room, M. Danglars at the other, and Eugénie in front of him. He first advanced towards the baroness, who was chatting with Madame de Villefort, who had come alone, Valentine being still an invalid; and without turning aside, so clear was the road left for him, he passed from the baroness to Eugénie, whom he complimented in such rapid and measured terms, that the proud artist was quite struck. Near her was Mademoiselle Louise d’Armilly, who thanked the count for the letters of introduction he had so kindly given her for Italy, which she intended immediately to make use of. On leaving these ladies he found himself with Danglars, who had advanced to meet him. Having accomplished these three social duties, Monte Cristo stopped, looking around him with that expression peculiar to a certain class, which seems to say, “I have done my duty, now let others do theirs.” Andrea, who was in an adjoining room, had shared in the sensation caused by the arrival of Monte Cristo, and now came forward to pay his respects to the count. He found him completely surrounded; all were eager to speak to him, as is always the case with those whose words are few and weighty. The solicitors arrived at this moment and arranged their scrawled papers on the velvet cloth embroidered with gold which covered the table prepared for the signature; it was a gilt table supported on lions’ claws. One of the notaries sat down, the other remained standing. They were about to proceed to the reading of the contract, which half Paris assembled was to sign. All took their places, or rather the ladies formed a circle, while the gentlemen (more indifferent to the restraints of what Boileau calls the _style énergique_) commented on the feverish agitation of Andrea, on M. Danglars’ riveted attention, Eugénie’s composure, and the light and sprightly manner in which the baroness treated this important affair. The contract was read during a profound silence. But as soon as it was finished, the buzz was redoubled through all the drawing-rooms; the brilliant sums, the rolling millions which were to be at the command of the two young people, and which crowned the display of the wedding presents and the young lady’s diamonds, which had been made in a room entirely appropriated for that purpose, had exercised to the full their delusions over the envious assembly. Mademoiselle Danglars’ charms were heightened in the opinion of the young men, and for the moment seemed to outvie the sun in splendor. As for the ladies, it is needless to say that while they coveted the millions, they thought they did not need them for themselves, as they were beautiful enough without them. Andrea, surrounded by his friends, complimented, flattered, beginning to believe in the reality of his dream, was almost bewildered. The notary solemnly took the pen, flourished it above his head, and said: “Gentlemen, we are about to sign the contract.” The baron was to sign first, then the representative of M. Cavalcanti, senior, then the baroness, afterwards the “future couple,” as they are styled in the abominable phraseology of legal documents. The baron took the pen and signed, then the representative. The baroness approached, leaning on Madame de Villefort’s arm. “My dear,” said she, as she took the pen, “is it not vexatious? An unexpected incident, in the affair of murder and theft at the Count of Monte Cristo’s, in which he nearly fell a victim, deprives us of the pleasure of seeing M. de Villefort.” “Indeed?” said M. Danglars, in the same tone in which he would have said, “Oh, well, what do I care?” “As a matter of fact,” said Monte Cristo, approaching, “I am much afraid that I am the involuntary cause of his absence.” “What, you, count?” said Madame Danglars, signing; “if you are, take care, for I shall never forgive you.” Andrea pricked up his ears. “But it is not my fault, as I shall endeavor to prove.” Everyone listened eagerly; Monte Cristo who so rarely opened his lips, was about to speak. “You remember,” said the count, during the most profound silence, “that the unhappy wretch who came to rob me died at my house; the supposition is that he was stabbed by his accomplice, on attempting to leave it.” “Yes,” said Danglars. “In order that his wounds might be examined he was undressed, and his clothes were thrown into a corner, where the police picked them up, with the exception of the waistcoat, which they overlooked.” Andrea turned pale, and drew towards the door; he saw a cloud rising in the horizon, which appeared to forebode a coming storm. “Well, this waistcoat was discovered today, covered with blood, and with a hole over the heart.” The ladies screamed, and two or three prepared to faint. “It was brought to me. No one could guess what the dirty rag could be; I alone suspected that it was the waistcoat of the murdered man. My valet, in examining this mournful relic, felt a paper in the pocket and drew it out; it was a letter addressed to you, baron.” “To me?” cried Danglars. “Yes, indeed, to you; I succeeded in deciphering your name under the blood with which the letter was stained,” replied Monte Cristo, amid the general outburst of amazement. “But,” asked Madame Danglars, looking at her husband with uneasiness, “how could that prevent M. de Villefort——” “In this simple way, madame,” replied Monte Cristo; “the waistcoat and the letter were both what is termed circumstantial evidence; I therefore sent them to the king’s attorney. You understand, my dear baron, that legal methods are the safest in criminal cases; it was, perhaps, some plot against you.” Andrea looked steadily at Monte Cristo and disappeared in the second drawing-room. “Possibly,” said Danglars; “was not this murdered man an old galley-slave?” 50025m “Yes,” replied the count; “a felon named Caderousse.” Danglars turned slightly pale; Andrea reached the anteroom beyond the little drawing-room. “But go on signing,” said Monte Cristo; “I perceive that my story has caused a general emotion, and I beg to apologize to you, baroness, and to Mademoiselle Danglars.” The baroness, who had signed, returned the pen to the notary. “Prince Cavalcanti,” said the latter; “Prince Cavalcanti, where are you?” “Andrea, Andrea,” repeated several young people, who were already on sufficiently intimate terms with him to call him by his Christian name. “Call the prince; inform him that it is his turn to sign,” cried Danglars to one of the floorkeepers. But at the same instant the crowd of guests rushed in alarm into the principal salon as if some frightful monster had entered the apartments, _quærens quem devoret_. There was, indeed, reason to retreat, to be alarmed, and to scream. An officer was placing two soldiers at the door of each drawing-room, and was advancing towards Danglars, preceded by a commissary of police, girded with his scarf. Madame Danglars uttered a scream and fainted. Danglars, who thought himself threatened (certain consciences are never calm),—Danglars even before his guests showed a countenance of abject terror. “What is the matter, sir?” asked Monte Cristo, advancing to meet the commissioner. “Which of you gentlemen,” asked the magistrate, without replying to the count, “answers to the name of Andrea Cavalcanti?” A cry of astonishment was heard from all parts of the room. They searched; they questioned. “But who then is Andrea Cavalcanti?” asked Danglars in amazement. “A galley-slave, escaped from confinement at Toulon.” “And what crime has he committed?” “He is accused,” said the commissary with his inflexible voice, “of having assassinated the man named Caderousse, his former companion in prison, at the moment he was making his escape from the house of the Count of Monte Cristo.” Monte Cristo cast a rapid glance around him. Andrea was gone. Chapter 97. The Departure for Belgium A few minutes after the scene of confusion produced in the salons of M. Danglars by the unexpected appearance of the brigade of soldiers, and by the disclosure which had followed, the mansion was deserted with as much rapidity as if a case of plague or of cholera morbus had broken out among the guests. In a few minutes, through all the doors, down all the staircases, by every exit, everyone hastened to retire, or rather to fly; for it was a situation where the ordinary condolences,—which even the best friends are so eager to offer in great catastrophes,—were seen to be utterly futile. There remained in the banker’s house only Danglars, closeted in his study, and making his statement to the officer of gendarmes; Madame Danglars, terrified, in the boudoir with which we are acquainted; and Eugénie, who with haughty air and disdainful lip had retired to her room with her inseparable companion, Mademoiselle Louise d’Armilly. As for the numerous servants (more numerous that evening than usual, for their number was augmented by cooks and butlers from the Café de Paris), venting on their employers their anger at what they termed the insult to which they had been subjected, they collected in groups in the hall, in the kitchens, or in their rooms, thinking very little of their duty, which was thus naturally interrupted. Of all this household, only two persons deserve our notice; these are Mademoiselle Eugénie Danglars and Mademoiselle Louise d’Armilly. The betrothed had retired, as we said, with haughty air, disdainful lip, and the demeanor of an outraged queen, followed by her companion, who was paler and more disturbed than herself. On reaching her room Eugénie locked her door, while Louise fell on a chair. “Ah, what a dreadful thing,” said the young musician; “who would have suspected it? M. Andrea Cavalcanti a murderer—a galley-slave escaped—a convict!” An ironical smile curled the lip of Eugénie. “In truth, I was fated,” said she. “I escaped the Morcerf only to fall into the Cavalcanti.” “Oh, do not confound the two, Eugénie.” “Hold your tongue! The men are all infamous, and I am happy to be able now to do more than detest them—I despise them.” “What shall we do?” asked Louise. “What shall we do?” “Yes.” “Why, the same we had intended doing three days since—set off.” “What?—although you are not now going to be married, you intend still——” “Listen, Louise. I hate this life of the fashionable world, always ordered, measured, ruled, like our music-paper. What I have always wished for, desired, and coveted, is the life of an artist, free and independent, relying only on my own resources, and accountable only to myself. Remain here? What for?—that they may try, a month hence, to marry me again; and to whom?—M. Debray, perhaps, as it was once proposed. No, Louise, no! This evening’s adventure will serve for my excuse. I did not seek one, I did not ask for one. God sends me this, and I hail it joyfully!” “How strong and courageous you are!” said the fair, frail girl to her brunette companion. “Did you not yet know me? Come, Louise, let us talk of our affairs. The post-chaise——” “Was happily bought three days since.” “Have you had it sent where we are to go for it?” “Yes.” “Our passport?” “Here it is.” And Eugénie, with her usual precision, opened a printed paper, and read: