Chapter 19
XIX.
26 min read · 5,285 words
XIX.
Alice’s Posies
Uncle Venner, trundling a wheelbarrow, was the earliest person stirring
in the neighborhood the day after the storm.
Pyncheon Street, in front of the House of the Seven Gables, was a far
pleasanter scene than a by-lane, confined by shabby fences, and
bordered with wooden dwellings of the meaner class, could reasonably be
expected to present. Nature made sweet amends, that morning, for the
five unkindly days which had preceded it. It would have been enough to
live for, merely to look up at the wide benediction of the sky, or as
much of it as was visible between the houses, genial once more with
sunshine. Every object was agreeable, whether to be gazed at in the
breadth, or examined more minutely. Such, for example, were the
well-washed pebbles and gravel of the sidewalk; even the sky-reflecting
pools in the centre of the street; and the grass, now freshly verdant,
that crept along the base of the fences, on the other side of which, if
one peeped over, was seen the multifarious growth of gardens. Vegetable
productions, of whatever kind, seemed more than negatively happy, in
the juicy warmth and abundance of their life. The Pyncheon Elm,
throughout its great circumference, was all alive, and full of the
morning sun and a sweet-tempered little breeze, which lingered within
this verdant sphere, and set a thousand leafy tongues a-whispering all
at once. This aged tree appeared to have suffered nothing from the
gale. It had kept its boughs unshattered, and its full complement of
leaves; and the whole in perfect verdure, except a single branch, that,
by the earlier change with which the elm-tree sometimes prophesies the
autumn, had been transmuted to bright gold. It was like the golden
branch that gained Aeneas and the Sibyl admittance into Hades.
This one mystic branch hung down before the main entrance of the Seven
Gables, so nigh the ground that any passer-by might have stood on
tiptoe and plucked it off. Presented at the door, it would have been a
symbol of his right to enter, and be made acquainted with all the
secrets of the house. So little faith is due to external appearance,
that there was really an inviting aspect over the venerable edifice,
conveying an idea that its history must be a decorous and happy one,
and such as would be delightful for a fireside tale. Its windows
gleamed cheerfully in the slanting sunlight. The lines and tufts of
green moss, here and there, seemed pledges of familiarity and
sisterhood with Nature; as if this human dwelling-place, being of such
old date, had established its prescriptive title among primeval oaks
and whatever other objects, by virtue of their long continuance, have
acquired a gracious right to be. A person of imaginative temperament,
while passing by the house, would turn, once and again, and peruse it
well: its many peaks, consenting together in the clustered chimney; the
deep projection over its basement-story; the arched window, imparting a
look, if not of grandeur, yet of antique gentility, to the broken
portal over which it opened; the luxuriance of gigantic burdocks, near
the threshold; he would note all these characteristics, and be
conscious of something deeper than he saw. He would conceive the
mansion to have been the residence of the stubborn old Puritan,
Integrity, who, dying in some forgotten generation, had left a blessing
in all its rooms and chambers, the efficacy of which was to be seen in
the religion, honesty, moderate competence, or upright poverty and
solid happiness, of his descendants, to this day.
One object, above all others, would take root in the imaginative
observer’s memory. It was the great tuft of flowers,—weeds, you would
have called them, only a week ago,—the tuft of crimson-spotted flowers,
in the angle between the two front gables. The old people used to give
them the name of Alice’s Posies, in remembrance of fair Alice Pyncheon,
who was believed to have brought their seeds from Italy. They were
flaunting in rich beauty and full bloom to-day, and seemed, as it were,
a mystic expression that something within the house was consummated.
It was but little after sunrise, when Uncle Venner made his appearance,
as aforesaid, impelling a wheelbarrow along the street. He was going
his matutinal rounds to collect cabbage-leaves, turnip-tops,
potato-skins, and the miscellaneous refuse of the dinner-pot, which the
thrifty housewives of the neighborhood were accustomed to put aside, as
fit only to feed a pig. Uncle Venner’s pig was fed entirely, and kept
in prime order, on these eleemosynary contributions; insomuch that the
patched philosopher used to promise that, before retiring to his farm,
he would make a feast of the portly grunter, and invite all his
neighbors to partake of the joints and spare-ribs which they had helped
to fatten. Miss Hepzibah Pyncheon’s housekeeping had so greatly
improved, since Clifford became a member of the family, that her share
of the banquet would have been no lean one; and Uncle Venner,
accordingly, was a good deal disappointed not to find the large earthen
pan, full of fragmentary eatables, that ordinarily awaited his coming
at the back doorstep of the Seven Gables.
“I never knew Miss Hepzibah so forgetful before,” said the patriarch to
himself. “She must have had a dinner yesterday,—no question of that!
She always has one, nowadays. So where’s the pot-liquor and
potato-skins, I ask? Shall I knock, and see if she’s stirring yet? No,
no,—’twon’t do! If little Phœbe was about the house, I should not mind
knocking; but Miss Hepzibah, likely as not, would scowl down at me out
of the window, and look cross, even if she felt pleasantly. So, I’ll
come back at noon.”
With these reflections, the old man was shutting the gate of the little
back-yard. Creaking on its hinges, however, like every other gate and
door about the premises, the sound reached the ears of the occupant of
the northern gable, one of the windows of which had a side-view towards
the gate.
“Good-morning, Uncle Venner!” said the daguerreotypist, leaning out of
the window. “Do you hear nobody stirring?”
“Not a soul,” said the man of patches. “But that’s no wonder. ’Tis
barely half an hour past sunrise, yet. But I’m really glad to see you,
Mr. Holgrave! There’s a strange, lonesome look about this side of the
house; so that my heart misgave me, somehow or other, and I felt as if
there was nobody alive in it. The front of the house looks a good deal
cheerier; and Alice’s Posies are blooming there beautifully; and if I
were a young man, Mr. Holgrave, my sweetheart should have one of those
flowers in her bosom, though I risked my neck climbing for it! Well,
and did the wind keep you awake last night?”
“It did, indeed!” answered the artist, smiling. “If I were a believer
in ghosts,—and I don’t quite know whether I am or not,—I should have
concluded that all the old Pyncheons were running riot in the lower
rooms, especially in Miss Hepzibah’s part of the house. But it is very
quiet now.”
“Yes, Miss Hepzibah will be apt to over-sleep herself, after being
disturbed, all night, with the racket,” said Uncle Venner. “But it
would be odd, now, wouldn’t it, if the Judge had taken both his cousins
into the country along with him? I saw him go into the shop yesterday.”
“At what hour?” inquired Holgrave.
“Oh, along in the forenoon,” said the old man. “Well, well! I must go
my rounds, and so must my wheelbarrow. But I’ll be back here at
dinner-time; for my pig likes a dinner as well as a breakfast. No
meal-time, and no sort of victuals, ever seems to come amiss to my pig.
Good morning to you! And, Mr. Holgrave, if I were a young man, like
you, I’d get one of Alice’s Posies, and keep it in water till Phœbe
comes back.”
“I have heard,” said the daguerreotypist, as he drew in his head, “that
the water of Maule’s well suits those flowers best.”
Here the conversation ceased, and Uncle Venner went on his way. For
half an hour longer, nothing disturbed the repose of the Seven Gables;
nor was there any visitor, except a carrier-boy, who, as he passed the
front doorstep, threw down one of his newspapers; for Hepzibah, of
late, had regularly taken it in. After a while, there came a fat woman,
making prodigious speed, and stumbling as she ran up the steps of the
shop-door. Her face glowed with fire-heat, and, it being a pretty warm
morning, she bubbled and hissed, as it were, as if all a-fry with
chimney-warmth, and summer-warmth, and the warmth of her own corpulent
velocity. She tried the shop-door; it was fast. She tried it again,
with so angry a jar that the bell tinkled angrily back at her.
“The deuce take Old Maid Pyncheon!” muttered the irascible housewife.
“Think of her pretending to set up a cent-shop, and then lying abed
till noon! These are what she calls gentlefolk’s airs, I suppose! But
I’ll either start her ladyship, or break the door down!”
She shook it accordingly, and the bell, having a spiteful little temper
of its own, rang obstreperously, making its remonstrances heard,—not,
indeed, by the ears for which they were intended,—but by a good lady on
the opposite side of the street. She opened the window, and addressed
the impatient applicant.
“You’ll find nobody there, Mrs. Gubbins.”
“But I must and will find somebody here!” cried Mrs. Gubbins,
inflicting another outrage on the bell. “I want a half-pound of pork,
to fry some first-rate flounders for Mr. Gubbins’s breakfast; and, lady
or not, Old Maid Pyncheon shall get up and serve me with it!”
“But do hear reason, Mrs. Gubbins!” responded the lady opposite. “She,
and her brother too, have both gone to their cousin’s, Judge Pyncheon’s
at his country-seat. There’s not a soul in the house, but that young
daguerreotype-man that sleeps in the north gable. I saw old Hepzibah
and Clifford go away yesterday; and a queer couple of ducks they were,
paddling through the mud-puddles! They’re gone, I’ll assure you.”
“And how do you know they’re gone to the Judge’s?” asked Mrs. Gubbins.
“He’s a rich man; and there’s been a quarrel between him and Hepzibah
this many a day, because he won’t give her a living. That’s the main
reason of her setting up a cent-shop.”
“I know that well enough,” said the neighbor. “But they’re gone,—that’s
one thing certain. And who but a blood relation, that couldn’t help
himself, I ask you, would take in that awful-tempered old maid, and
that dreadful Clifford? That’s it, you may be sure.”
Mrs. Gubbins took her departure, still brimming over with hot wrath
against the absent Hepzibah. For another half-hour, or, perhaps,
considerably more, there was almost as much quiet on the outside of the
house as within. The elm, however, made a pleasant, cheerful, sunny
sigh, responsive to the breeze that was elsewhere imperceptible; a
swarm of insects buzzed merrily under its drooping shadow, and became
specks of light whenever they darted into the sunshine; a locust sang,
once or twice, in some inscrutable seclusion of the tree; and a
solitary little bird, with plumage of pale gold, came and hovered about
Alice’s Posies.
At last our small acquaintance, Ned Higgins, trudged up the street, on
his way to school; and happening, for the first time in a fortnight, to
be the possessor of a cent, he could by no means get past the shop-door
of the Seven Gables. But it would not open. Again and again, however,
and half a dozen other agains, with the inexorable pertinacity of a
child intent upon some object important to itself, did he renew his
efforts for admittance. He had, doubtless, set his heart upon an
elephant; or, possibly, with Hamlet, he meant to eat a crocodile. In
response to his more violent attacks, the bell gave, now and then, a
moderate tinkle, but could not be stirred into clamor by any exertion
of the little fellow’s childish and tiptoe strength. Holding by the
door-handle, he peeped through a crevice of the curtain, and saw that
the inner door, communicating with the passage towards the parlor, was
closed.
“Miss Pyncheon!” screamed the child, rapping on the window-pane, “I
want an elephant!”
There being no answer to several repetitions of the summons, Ned began
to grow impatient; and his little pot of passion quickly boiling over,
he picked up a stone, with a naughty purpose to fling it through the
window; at the same time blubbering and sputtering with wrath. A
man—one of two who happened to be passing by—caught the urchin’s arm.
“What’s the trouble, old gentleman?” he asked.
“I want old Hepzibah, or Phœbe, or any of them!” answered Ned, sobbing.
“They won’t open the door; and I can’t get my elephant!”
“Go to school, you little scamp!” said the man. “There’s another
cent-shop round the corner. ’Tis very strange, Dixey,” added he to his
companion, “what’s become of all these Pyncheon’s! Smith, the
livery-stable keeper, tells me Judge Pyncheon put his horse up
yesterday, to stand till after dinner, and has not taken him away yet.
And one of the Judge’s hired men has been in, this morning, to make
inquiry about him. He’s a kind of person, they say, that seldom breaks
his habits, or stays out o’ nights.”
“Oh, he’ll turn up safe enough!” said Dixey. “And as for Old Maid
Pyncheon, take my word for it, she has run in debt, and gone off from
her creditors. I foretold, you remember, the first morning she set up
shop, that her devilish scowl would frighten away customers. They
couldn’t stand it!”
“I never thought she’d make it go,” remarked his friend. “This business
of cent-shops is overdone among the women-folks. My wife tried it, and
lost five dollars on her outlay!”
“Poor business!” said Dixey, shaking his head. “Poor business!”
In the course of the morning, there were various other attempts to open
a communication with the supposed inhabitants of this silent and
impenetrable mansion. The man of root-beer came, in his neatly painted
wagon, with a couple of dozen full bottles, to be exchanged for empty
ones; the baker, with a lot of crackers which Hepzibah had ordered for
her retail custom; the butcher, with a nice titbit which he fancied she
would be eager to secure for Clifford. Had any observer of these
proceedings been aware of the fearful secret hidden within the house,
it would have affected him with a singular shape and modification of
horror, to see the current of human life making this small eddy
hereabouts,—whirling sticks, straws and all such trifles, round and
round, right over the black depth where a dead corpse lay unseen!
The butcher was so much in earnest with his sweetbread of lamb, or
whatever the dainty might be, that he tried every accessible door of
the Seven Gables, and at length came round again to the shop, where he
ordinarily found admittance.
“It’s a nice article, and I know the old lady would jump at it,” said
he to himself. “She can’t be gone away! In fifteen years that I have
driven my cart through Pyncheon Street, I’ve never known her to be away
from home; though often enough, to be sure, a man might knock all day
without bringing her to the door. But that was when she’d only herself
to provide for.”
Peeping through the same crevice of the curtain where, only a little
while before, the urchin of elephantine appetite had peeped, the
butcher beheld the inner door, not closed, as the child had seen it,
but ajar, and almost wide open. However it might have happened, it was
the fact. Through the passage-way there was a dark vista into the
lighter but still obscure interior of the parlor. It appeared to the
butcher that he could pretty clearly discern what seemed to be the
stalwart legs, clad in black pantaloons, of a man sitting in a large
oaken chair, the back of which concealed all the remainder of his
figure. This contemptuous tranquillity on the part of an occupant of
the house, in response to the butcher’s indefatigable efforts to
attract notice, so piqued the man of flesh that he determined to
withdraw.
“So,” thought he, “there sits Old Maid Pyncheon’s bloody brother, while
I’ve been giving myself all this trouble! Why, if a hog hadn’t more
manners, I’d stick him! I call it demeaning a man’s business to trade
with such people; and from this time forth, if they want a sausage or
an ounce of liver, they shall run after the cart for it!”
He tossed the titbit angrily into his cart, and drove off in a pet.
Not a great while afterwards there was a sound of music turning the
corner and approaching down the street, with several intervals of
silence, and then a renewed and nearer outbreak of brisk melody. A mob
of children was seen moving onward, or stopping, in unison with the
sound, which appeared to proceed from the centre of the throng; so that
they were loosely bound together by slender strains of harmony, and
drawn along captive; with ever and anon an accession of some little
fellow in an apron and straw-hat, capering forth from door or gateway.
Arriving under the shadow of the Pyncheon Elm, it proved to be the
Italian boy, who, with his monkey and show of puppets, had once before
played his hurdy-gurdy beneath the arched window. The pleasant face of
Phœbe—and doubtless, too, the liberal recompense which she had flung
him—still dwelt in his remembrance. His expressive features kindled up,
as he recognized the spot where this trifling incident of his erratic
life had chanced. He entered the neglected yard (now wilder than ever,
with its growth of hog-weed and burdock), stationed himself on the
doorstep of the main entrance, and, opening his show-box, began to
play. Each individual of the automatic community forthwith set to work,
according to his or her proper vocation: the monkey, taking off his
Highland bonnet, bowed and scraped to the by-standers most
obsequiously, with ever an observant eye to pick up a stray cent; and
the young foreigner himself, as he turned the crank of his machine,
glanced upward to the arched window, expectant of a presence that would
make his music the livelier and sweeter. The throng of children stood
near; some on the sidewalk; some within the yard; two or three
establishing themselves on the very door-step; and one squatting on the
threshold. Meanwhile, the locust kept singing in the great old Pyncheon
Elm.
“I don’t hear anybody in the house,” said one of the children to
another. “The monkey won’t pick up anything here.”
“There is somebody at home,” affirmed the urchin on the threshold. “I
heard a step!”
Still the young Italian’s eye turned sidelong upward; and it really
seemed as if the touch of genuine, though slight and almost playful,
emotion communicated a juicier sweetness to the dry, mechanical process
of his minstrelsy. These wanderers are readily responsive to any
natural kindness—be it no more than a smile, or a word itself not
understood, but only a warmth in it—which befalls them on the roadside
of life. They remember these things, because they are the little
enchantments which, for the instant,—for the space that reflects a
landscape in a soap-bubble,—build up a home about them. Therefore, the
Italian boy would not be discouraged by the heavy silence with which
the old house seemed resolute to clog the vivacity of his instrument.
He persisted in his melodious appeals; he still looked upward, trusting
that his dark, alien countenance would soon be brightened by Phœbe’s
sunny aspect. Neither could he be willing to depart without again
beholding Clifford, whose sensibility, like Phœbe’s smile, had talked a
kind of heart’s language to the foreigner. He repeated all his music
over and over again, until his auditors were getting weary. So were the
little wooden people in his show-box, and the monkey most of all. There
was no response, save the singing of the locust.
“No children live in this house,” said a schoolboy, at last. “Nobody
lives here but an old maid and an old man. You’ll get nothing here! Why
don’t you go along?”
“You fool, you, why do you tell him?” whispered a shrewd little Yankee,
caring nothing for the music, but a good deal for the cheap rate at
which it was had. “Let him play as he likes! If there’s nobody to pay
him, that’s his own lookout!”
Once more, however, the Italian ran over his round of melodies. To the
common observer—who could understand nothing of the case, except the
music and the sunshine on the hither side of the door—it might have
been amusing to watch the pertinacity of the street-performer. Will he
succeed at last? Will that stubborn door be suddenly flung open? Will a
group of joyous children, the young ones of the house, come dancing,
shouting, laughing, into the open air, and cluster round the show-box,
looking with eager merriment at the puppets, and tossing each a copper
for long-tailed Mammon, the monkey, to pick up?
But to us, who know the inner heart of the Seven Gables as well as its
exterior face, there is a ghastly effect in this repetition of light
popular tunes at its door-step. It would be an ugly business, indeed,
if Judge Pyncheon (who would not have cared a fig for Paganini’s fiddle
in his most harmonious mood) should make his appearance at the door,
with a bloody shirt-bosom, and a grim frown on his swarthily white
visage, and motion the foreign vagabond away! Was ever before such a
grinding out of jigs and waltzes, where nobody was in the cue to dance?
Yes, very often. This contrast, or intermingling of tragedy with mirth,
happens daily, hourly, momently. The gloomy and desolate old house,
deserted of life, and with awful Death sitting sternly in its solitude,
was the emblem of many a human heart, which, nevertheless, is compelled
to hear the thrill and echo of the world’s gayety around it.
Before the conclusion of the Italian’s performance, a couple of men
happened to be passing, On their way to dinner. “I say, you young
French fellow!” called out one of them,—“come away from that doorstep,
and go somewhere else with your nonsense! The Pyncheon family live
there; and they are in great trouble, just about this time. They don’t
feel musical to-day. It is reported all over town that Judge Pyncheon,
who owns the house, has been murdered; and the city marshal is going to
look into the matter. So be off with you, at once!”
As the Italian shouldered his hurdy-gurdy, he saw on the doorstep a
card, which had been covered, all the morning, by the newspaper that
the carrier had flung upon it, but was now shuffled into sight. He
picked it up, and perceiving something written in pencil, gave it to
the man to read. In fact, it was an engraved card of Judge Pyncheon’s
with certain pencilled memoranda on the back, referring to various
businesses which it had been his purpose to transact during the
preceding day. It formed a prospective epitome of the day’s history;
only that affairs had not turned out altogether in accordance with the
programme. The card must have been lost from the Judge’s vest-pocket in
his preliminary attempt to gain access by the main entrance of the
house. Though well soaked with rain, it was still partially legible.
“Look here; Dixey!” cried the man. “This has something to do with Judge
Pyncheon. See!—here’s his name printed on it; and here, I suppose, is
some of his handwriting.”
“Let’s go to the city marshal with it!” said Dixey. “It may give him
just the clew he wants. After all,” whispered he in his companion’s
ear, “it would be no wonder if the Judge has gone into that door and
never come out again! A certain cousin of his may have been at his old
tricks. And Old Maid Pyncheon having got herself in debt by the
cent-shop,—and the Judge’s pocket-book being well filled,—and bad blood
amongst them already! Put all these things together and see what they
make!”
“Hush, hush!” whispered the other. “It seems like a sin to be the first
to speak of such a thing. But I think, with you, that we had better go
to the city marshal.”
“Yes, yes!” said Dixey. “Well!—I always said there was something
devilish in that woman’s scowl!”
The men wheeled about, accordingly, and retraced their steps up the
street. The Italian, also, made the best of his way off, with a parting
glance up at the arched window. As for the children, they took to their
heels, with one accord, and scampered as if some giant or ogre were in
pursuit, until, at a good distance from the house, they stopped as
suddenly and simultaneously as they had set out. Their susceptible
nerves took an indefinite alarm from what they had overheard. Looking
back at the grotesque peaks and shadowy angles of the old mansion, they
fancied a gloom diffused about it which no brightness of the sunshine
could dispel. An imaginary Hepzibah scowled and shook her finger at
them, from several windows at the same moment. An imaginary
Clifford—for (and it would have deeply wounded him to know it) he had
always been a horror to these small people—stood behind the unreal
Hepzibah, making awful gestures, in a faded dressing-gown. Children are
even more apt, if possible, than grown people, to catch the contagion
of a panic terror. For the rest of the day, the more timid went whole
streets about, for the sake of avoiding the Seven Gables; while the
bolder signalized their hardihood by challenging their comrades to race
past the mansion at full speed.
It could not have been more than half an hour after the disappearance
of the Italian boy, with his unseasonable melodies, when a cab drove
down the street. It stopped beneath the Pyncheon Elm; the cabman took a
trunk, a canvas bag, and a bandbox, from the top of his vehicle, and
deposited them on the doorstep of the old house; a straw bonnet, and
then the pretty figure of a young girl, came into view from the
interior of the cab. It was Phœbe! Though not altogether so blooming as
when she first tripped into our story,—for, in the few intervening
weeks, her experiences had made her graver, more womanly, and
deeper-eyed, in token of a heart that had begun to suspect its
depths,—still there was the quiet glow of natural sunshine over her.
Neither had she forfeited her proper gift of making things look real,
rather than fantastic, within her sphere. Yet we feel it to be a
questionable venture, even for Phœbe, at this juncture, to cross the
threshold of the Seven Gables. Is her healthful presence potent enough
to chase away the crowd of pale, hideous, and sinful phantoms, that
have gained admittance there since her departure? Or will she,
likewise, fade, sicken, sadden, and grow into deformity, and be only
another pallid phantom, to glide noiselessly up and down the stairs,
and affright children as she pauses at the window?
At least, we would gladly forewarn the unsuspecting girl that there is
nothing in human shape or substance to receive her, unless it be the
figure of Judge Pyncheon, who—wretched spectacle that he is, and
frightful in our remembrance, since our night-long vigil with
him!—still keeps his place in the oaken chair.
Phœbe first tried the shop-door. It did not yield to her hand; and the
white curtain, drawn across the window which formed the upper section
of the door, struck her quick perceptive faculty as something unusual.
Without making another effort to enter here, she betook herself to the
great portal, under the arched window. Finding it fastened, she
knocked. A reverberation came from the emptiness within. She knocked
again, and a third time; and, listening intently, fancied that the
floor creaked, as if Hepzibah were coming, with her ordinary tiptoe
movement, to admit her. But so dead a silence ensued upon this
imaginary sound, that she began to question whether she might not have
mistaken the house, familiar as she thought herself with its exterior.
Her notice was now attracted by a child’s voice, at some distance. It
appeared to call her name. Looking in the direction whence it
proceeded, Phœbe saw little Ned Higgins, a good way down the street,
stamping, shaking his head violently, making deprecatory gestures with
both hands, and shouting to her at mouth-wide screech.
“No, no, Phœbe!” he screamed. “Don’t you go in! There’s something
wicked there! Don’t—don’t—don’t go in!”
But, as the little personage could not be induced to approach near
enough to explain himself, Phœbe concluded that he had been frightened,
on some of his visits to the shop, by her cousin Hepzibah; for the good
lady’s manifestations, in truth, ran about an equal chance of scaring
children out of their wits, or compelling them to unseemly laughter.
Still, she felt the more, for this incident, how unaccountably silent
and impenetrable the house had become. As her next resort, Phœbe made
her way into the garden, where on so warm and bright a day as the
present, she had little doubt of finding Clifford, and perhaps Hepzibah
also, idling away the noontide in the shadow of the arbor. Immediately
on her entering the garden gate, the family of hens half ran, half flew
to meet her; while a strange grimalkin, which was prowling under the
parlor window, took to his heels, clambered hastily over the fence, and
vanished. The arbor was vacant, and its floor, table, and circular
bench were still damp, and bestrewn with twigs and the disarray of the
past storm. The growth of the garden seemed to have got quite out of
bounds; the weeds had taken advantage of Phœbe’s absence, and the
long-continued rain, to run rampant over the flowers and
kitchen-vegetables. Maule’s well had overflowed its stone border, and
made a pool of formidable breadth in that corner of the garden.
The impression of the whole scene was that of a spot where no human
foot had left its print for many preceding days,—probably not since
Phœbe’s departure,—for she saw a side-comb of her own under the table
of the arbor, where it must have fallen on the last afternoon when she
and Clifford sat there.
The girl knew that her two relatives were capable of far greater
oddities than that of shutting themselves up in their old house, as
they appeared now to have done. Nevertheless, with indistinct
misgivings of something amiss, and apprehensions to which she could not
give shape, she approached the door that formed the customary
communication between the house and garden. It was secured within, like
the two which she had already tried. She knocked, however; and
immediately, as if the application had been expected, the door was
drawn open, by a considerable exertion of some unseen person’s
strength, not wide, but far enough to afford her a sidelong entrance.
As Hepzibah, in order not to expose herself to inspection from without,
invariably opened a door in this manner, Phœbe necessarily concluded
that it was her cousin who now admitted her.
Without hesitation, therefore, she stepped across the threshold, and
had no sooner entered than the door closed behind her.
Nathaniel Hawthorne — text from Project Gutenberg (eBook #77)
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