Chapter 53
Part 53
10 min read · 1,909 words
At the moment when he overtook them once more, they had changed
their conversation. He heard them singing at the top of their
lungs the ancient refrain,—
Les enfants des Petits-Carreaux
Se font pendre comme des veaux[42].
CHAPTER VII. THE MYSTERIOUS MONK.
The illustrious wine shop of “Eve’s Apple” was situated in the
University, at the corner of the Rue de la Rondelle and the Rue
de la Bâtonnier. It was a very spacious and very low hall on the
ground floor, with a vaulted ceiling whose central spring rested
upon a huge pillar of wood painted yellow; tables everywhere,
shining pewter jugs hanging on the walls, always a large number
of drinkers, a plenty of wenches, a window on the street, a vine
at the door, and over the door a flaring piece of sheet-iron,
painted with an apple and a woman, rusted by the rain and turning
with the wind on an iron pin. This species of weather-vane which
looked upon the pavement was the signboard.
Night was falling; the square was dark; the wine-shop, full of
candles, flamed afar like a forge in the gloom; the noise of
glasses and feasting, of oaths and quarrels, which escaped
through the broken panes, was audible. Through the mist which the
warmth of the room spread over the window in front, a hundred
confused figures could be seen swarming, and from time to time a
burst of noisy laughter broke forth from it. The passers-by who
were going about their business, slipped past this tumultuous
window without glancing at it. Only at intervals did some little
ragged boy raise himself on tiptoe as far as the ledge, and hurl
into the drinking-shop, that ancient, jeering hoot, with which
drunken men were then pursued: “Aux Houls, saouls, saouls,
saouls!”
Nevertheless, one man paced imperturbably back and forth in front
of the tavern, gazing at it incessantly, and going no further
from it than a pikeman from his sentry-box. He was enveloped in a
mantle to his very nose. This mantle he had just purchased of the
old-clothes man, in the vicinity of the “Eve’s Apple,” no doubt
to protect himself from the cold of the March evening, possibly
also, to conceal his costume. From time to time he paused in
front of the dim window with its leaden lattice, listened,
looked, and stamped his foot.
At length the door of the dram-shop opened. This was what he
appeared to be waiting for. Two boon companions came forth. The
ray of light which escaped from the door crimsoned for a moment
their jovial faces.
The man in the mantle went and stationed himself on the watch
under a porch on the other side of the street.
“_Corne et tonnerre!_” said one of the comrades. “Seven o’clock
is on the point of striking. ’Tis the hour of my appointed
meeting.”
“I tell you,” repeated his companion, with a thick tongue, “that
I don’t live in the Rue des Mauvaises Paroles, _indignus qui
inter mala verba habitat_. I have a lodging in the Rue
Jean-Pain-Mollet, _in vico Johannis Pain-Mollet_. You are more
horned than a unicorn if you assert the contrary. Every one knows
that he who once mounts astride a bear is never after afraid; but
you have a nose turned to dainties like Saint-Jacques of the
hospital.”
“Jehan, my friend, you are drunk,” said the other.
The other replied staggering, “It pleases you to say so, Phœbus;
but it hath been proved that Plato had the profile of a hound.”
The reader has, no doubt, already recognized our two brave
friends, the captain and the scholar. It appears that the man who
was lying in wait for them had also recognized them, for he
slowly followed all the zigzags that the scholar caused the
captain to make, who being a more hardened drinker had retained
all his self-possession. By listening to them attentively, the
man in the mantle could catch in its entirety the following
interesting conversation,—
“_Corbacque!_ Do try to walk straight, master bachelor; you know
that I must leave you. Here it is seven o’clock. I have an
appointment with a woman.”
“Leave me then! I see stars and lances of fire. You are like the
Château de Dampmartin, which is bursting with laughter.”
“By the warts of my grandmother, Jehan, you are raving with too
much rabidness. By the way, Jehan, have you any money left?”
“Monsieur Rector, there is no mistake; the little butcher’s shop,
_parva boucheria_.”
“Jehan! my friend Jehan! You know that I made an appointment with
that little girl at the end of the Pont Saint-Michel, and I can
only take her to the Falourdel’s, the old crone of the bridge,
and that I must pay for a chamber. The old witch with a white
moustache would not trust me. Jehan! for pity’s sake! Have we
drunk up the whole of the curé’s purse? Have you not a single
parisis left?”
“The consciousness of having spent the other hours well is a just
and savory condiment for the table.”
“Belly and guts! a truce to your whimsical nonsense! Tell me,
Jehan of the devil! have you any money left? Give it to me,
_bédieu!_ or I will search you, were you as leprous as Job, and
as scabby as Cæsar!”
“Monsieur, the Rue Galiache is a street which hath at one end the
Rue de la Verrerie, and at the other the Rue de la Tixeranderie.”
“Well, yes! my good friend Jehan, my poor comrade, the Rue
Galiache is good, very good. But in the name of heaven collect
your wits. I must have a sou parisis, and the appointment is for
seven o’clock.”
“Silence for the rondo, and attention to the refrain,—
“Quand les rats mangeront les cas,
Le roi sera seigneur d’Arras;
Quand la mer, qui est grande et lée
Sera à la Saint-Jean gelée,
On verra, par-dessus la glace,
Sortir ceux d’Arras de leur place.”[43]
“Well, scholar of Antichrist, may you be strangled with the
entrails of your mother!” exclaimed Phœbus, and he gave the
drunken scholar a rough push; the latter slipped against the
wall, and slid flabbily to the pavement of Philip Augustus. A
remnant of fraternal pity, which never abandons the heart of a
drinker, prompted Phœbus to roll Jehan with his foot upon one of
those pillows of the poor, which Providence keeps in readiness at
the corner of all the street posts of Paris, and which the rich
blight with the name of “a rubbish-heap.” The captain adjusted
Jehan’s head upon an inclined plane of cabbage-stumps, and on the
very instant, the scholar fell to snoring in a magnificent bass.
Meanwhile, all malice was not extinguished in the captain’s
heart. “So much the worse if the devil’s cart picks you up on its
passage!” he said to the poor, sleeping clerk; and he strode off.
The man in the mantle, who had not ceased to follow him, halted
for a moment before the prostrate scholar, as though agitated by
indecision; then, uttering a profound sigh, he also strode off in
pursuit of the captain.
We, like them, will leave Jehan to slumber beneath the open sky,
and will follow them also, if it pleases the reader.
On emerging into the Rue Saint-André-des-Arcs, Captain Phœbus
perceived that some one was following him. On glancing sideways
by chance, he perceived a sort of shadow crawling after him along
the walls. He halted, it halted; he resumed his march, it resumed
its march. This disturbed him not overmuch. “Ah, bah!” he said to
himself, “I have not a sou.”
He paused in front of the College d’Autun. It was at this college
that he had sketched out what he called his studies, and, through
a scholar’s teasing habit which still lingered in him, he never
passed the façade without inflicting on the statue of Cardinal
Pierre Bertrand, sculptured to the right of the portal, the
affront of which Priapus complains so bitterly in the satire of
Horace, _Olim truncus eram ficulnus_. He had done this with so
much unrelenting animosity that the inscription, _Eduensis
episcopus_, had become almost effaced. Therefore, he halted
before the statue according to his wont. The street was utterly
deserted. At the moment when he was coolly retying his shoulder
knots, with his nose in the air, he saw the shadow approaching
him with slow steps, so slow that he had ample time to observe
that this shadow wore a cloak and a hat. On arriving near him, it
halted and remained more motionless than the statue of Cardinal
Bertrand. Meanwhile, it riveted upon Phœbus two intent eyes, full
of that vague light which issues in the night time from the
pupils of a cat.
The captain was brave, and would have cared very little for a
highwayman, with a rapier in his hand. But this walking statue,
this petrified man, froze his blood. There were then in
circulation, strange stories of a surly monk, a nocturnal prowler
about the streets of Paris, and they recurred confusedly to his
memory. He remained for several minutes in stupefaction, and
finally broke the silence with a forced laugh.
“Monsieur, if you are a robber, as I hope you are, you produce
upon me the effect of a heron attacking a nutshell. I am the son
of a ruined family, my dear fellow. Try your hand near by here.
In the chapel of this college there is some wood of the true
cross set in silver.”
The hand of the shadow emerged from beneath its mantle and
descended upon the arm of Phœbus with the grip of an eagle’s
talon; at the same time the shadow spoke,—
“Captain Phœbus de Châteaupers!”
“What, the devil!” said Phœbus, “you know my name!”
“I know not your name alone,” continued the man in the mantle,
with his sepulchral voice. “You have a _rendezvous_ this
evening.”
“Yes,” replied Phœbus in amazement.
“At seven o’clock.”
“In a quarter of an hour.”
“At la Falourdel’s.”
“Precisely.”
“The lewd hag of the Pont Saint-Michel.”
“Of Saint Michel the archangel, as the Pater Noster saith.”
“Impious wretch!” muttered the spectre. “With a woman?”
“_Confiteor_,—I confess—.”
“Who is called—?”
“La Smeralda,” said Phœbus, gayly. All his heedlessness had
gradually returned.
At this name, the shadow’s grasp shook the arm of Phœbus in a
fury.
“Captain Phœbus de Châteaupers, thou liest!”
Any one who could have beheld at that moment the captain’s
inflamed countenance, his leap backwards, so violent that he
disengaged himself from the grip which held him, the proud air
with which he clapped his hand on his swordhilt, and, in the
presence of this wrath the gloomy immobility of the man in the
cloak,—any one who could have beheld this would have been
frightened. There was in it a touch of the combat of Don Juan and
the statue.
“Christ and Satan!” exclaimed the captain. “That is a word which
rarely strikes the ear of a Châteaupers! Thou wilt not dare
repeat it.”
“Thou liest!” said the shadow coldly.
The captain gnashed his teeth. Surly monk, phantom,
superstitions,—he had forgotten all at that moment. He no longer
beheld anything but a man, and an insult.
“Ah! this is well!” he stammered, in a voice stifled with rage.
He drew his sword, then stammering, for anger as well as fear
makes a man tremble: “Here! On the spot! Come on! Swords! Swords!
Blood on the pavement!”
Victor Hugo — text from Project Gutenberg (eBook #2610)
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