Chapter 59
Part 59
10 min read · 1,920 words
He put on his cap again and seated himself.
“_Eheu!_” sighed the broken-hearted Gringoire, “_bassa
latinitas_—bastard latin!”
Another man in a black gown rose near the accused; he was her
lawyer. The judges, who were fasting, began to grumble.
“Advocate, be brief,” said the president.
“Monsieur the President,” replied the advocate, “since the
defendant has confessed the crime, I have only one word to say to
these gentlemen. Here is a text from the Salic law; ‘If a witch
hath eaten a man, and if she be convicted of it, she shall pay a
fine of eight thousand deniers, which amount to two hundred sous
of gold.’ May it please the chamber to condemn my client to the
fine?”
“An abrogated text,” said the advocate extraordinary of the king.
“_Nego_, I deny it,” replied the advocate.
“Put it to the vote!” said one of the councillors; “the crime is
manifest, and it is late.”
They proceeded to take a vote without leaving the room. The
judges signified their assent without giving their reasons, they
were in a hurry. Their capped heads were seen uncovering one
after the other, in the gloom, at the lugubrious question
addressed to them by the president in a low voice. The poor
accused had the appearance of looking at them, but her troubled
eye no longer saw.
Then the clerk began to write; then he handed a long parchment to
the president.
Then the unhappy girl heard the people moving, the pikes
clashing, and a freezing voice saying to her,—
“Bohemian wench, on the day when it shall seem good to our lord
the king, at the hour of noon, you will be taken in a tumbrel, in
your shift, with bare feet, and a rope about your neck, before
the grand portal of Notre-Dame, and you will there make an
apology with a wax torch of the weight of two pounds in your
hand, and thence you will be conducted to the Place de Grève,
where you will be hanged and strangled on the town gibbet; and
likewise your goat; and you will pay to the official three lions
of gold, in reparation of the crimes by you committed and by you
confessed, of sorcery and magic, debauchery and murder, upon the
person of the Sieur Phœbus de Châteaupers. May God have mercy on
your soul!”
“Oh! ’tis a dream!” she murmured; and she felt rough hands
bearing her away.
CHAPTER IV. _LASCIATE OGNI SPERANZA_—LEAVE ALL HOPE BEHIND, YE
WHO ENTER HERE.
In the Middle Ages, when an edifice was complete, there was
almost as much of it in the earth as above it. Unless built upon
piles, like Notre-Dame, a palace, a fortress, a church, had
always a double bottom. In cathedrals, it was, in some sort,
another subterranean cathedral, low, dark, mysterious, blind, and
mute, under the upper nave which was overflowing with light and
reverberating with organs and bells day and night. Sometimes it
was a sepulchre. In palaces, in fortresses, it was a prison,
sometimes a sepulchre also, sometimes both together. These mighty
buildings, whose mode of formation and _vegetation_ we have
elsewhere explained, had not simply _foundations_, but, so to
speak, roots which ran branching through the soil in chambers,
galleries, and staircases, like the construction above. Thus
churches, palaces, fortresses, had the earth half way up their
bodies. The cellars of an edifice formed another edifice, into
which one descended instead of ascending, and which extended its
subterranean grounds under the external piles of the monument,
like those forests and mountains which are reversed in the
mirror-like waters of a lake, beneath the forests and mountains
of the banks.
At the fortress of Saint-Antoine, at the Palais de Justice of
Paris, at the Louvre, these subterranean edifices were prisons.
The stories of these prisons, as they sank into the soil, grew
constantly narrower and more gloomy. They were so many zones,
where the shades of horror were graduated. Dante could never
imagine anything better for his hell. These tunnels of cells
usually terminated in a sack of a lowest dungeon, with a vat-like
bottom, where Dante placed Satan, where society placed those
condemned to death. A miserable human existence, once interred
there; farewell light, air, life, _ogni speranza_—every hope; it
only came forth to the scaffold or the stake. Sometimes it rotted
there; human justice called this _forgetting_. Between men and
himself, the condemned man felt a pile of stones and jailers
weighing down upon his head; and the entire prison, the massive
bastille was nothing more than an enormous, complicated lock,
which barred him off from the rest of the world.
It was in a sloping cavity of this description, in the
_oubliettes_ excavated by Saint-Louis, in the _inpace_ of the
Tournelle, that la Esmeralda had been placed on being condemned
to death, through fear of her escape, no doubt, with the colossal
court-house over her head. Poor fly, who could not have lifted
even one of its blocks of stone!
Assuredly, Providence and society had been equally unjust; such
an excess of unhappiness and of torture was not necessary to
break so frail a creature.
There she lay, lost in the shadows, buried, hidden, immured. Any
one who could have beheld her in this state, after having seen
her laugh and dance in the sun, would have shuddered. Cold as
night, cold as death, not a breath of air in her tresses, not a
human sound in her ear, no longer a ray of light in her eyes;
snapped in twain, crushed with chains, crouching beside a jug and
a loaf, on a little straw, in a pool of water, which was formed
under her by the sweating of the prison walls; without motion,
almost without breath, she had no longer the power to suffer;
Phœbus, the sun, midday, the open air, the streets of Paris, the
dances with applause, the sweet babblings of love with the
officer; then the priest, the old crone, the poignard, the blood,
the torture, the gibbet; all this did, indeed, pass before her
mind, sometimes as a charming and golden vision, sometimes as a
hideous nightmare; but it was no longer anything but a vague and
horrible struggle, lost in the gloom, or distant music played up
above ground, and which was no longer audible at the depth where
the unhappy girl had fallen.
Since she had been there, she had neither waked nor slept. In
that misfortune, in that cell, she could no longer distinguish
her waking hours from slumber, dreams from reality, any more than
day from night. All this was mixed, broken, floating,
disseminated confusedly in her thought. She no longer felt, she
no longer knew, she no longer thought; at the most, she only
dreamed. Never had a living creature been thrust more deeply into
nothingness.
Thus benumbed, frozen, petrified, she had barely noticed on two
or three occasions, the sound of a trapdoor opening somewhere
above her, without even permitting the passage of a little light,
and through which a hand had tossed her a bit of black bread.
Nevertheless, this periodical visit of the jailer was the sole
communication which was left her with mankind.
A single thing still mechanically occupied her ear; above her
head, the dampness was filtering through the mouldy stones of the
vault, and a drop of water dropped from them at regular
intervals. She listened stupidly to the noise made by this drop
of water as it fell into the pool beside her.
This drop of water falling from time to time into that pool, was
the only movement which still went on around her, the only clock
which marked the time, the only noise which reached her of all
the noise made on the surface of the earth.
To tell the whole, however, she also felt, from time to time, in
that cesspool of mire and darkness, something cold passing over
her foot or her arm, and she shuddered.
How long had she been there? She did not know. She had a
recollection of a sentence of death pronounced somewhere, against
some one, then of having been herself carried away, and of waking
up in darkness and silence, chilled to the heart. She had dragged
herself along on her hands. Then iron rings that cut her ankles,
and chains had rattled. She had recognized the fact that all
around her was wall, that below her there was a pavement covered
with moisture and a truss of straw; but neither lamp nor
air-hole. Then she had seated herself on that straw and,
sometimes, for the sake of changing her attitude, on the last
stone step in her dungeon. For a while she had tried to count the
black minutes measured off for her by the drop of water; but that
melancholy labor of an ailing brain had broken off of itself in
her head, and had left her in stupor.
At length, one day, or one night, (for midnight and midday were
of the same color in that sepulchre), she heard above her a
louder noise than was usually made by the turnkey when he brought
her bread and jug of water. She raised her head, and beheld a ray
of reddish light passing through the crevices in the sort of
trapdoor contrived in the roof of the _inpace_.
At the same time, the heavy lock creaked, the trap grated on its
rusty hinges, turned, and she beheld a lantern, a hand, and the
lower portions of the bodies of two men, the door being too low
to admit of her seeing their heads. The light pained her so
acutely that she shut her eyes.
When she opened them again the door was closed, the lantern was
deposited on one of the steps of the staircase; a man alone stood
before her. A monk’s black cloak fell to his feet, a cowl of the
same color concealed his face. Nothing was visible of his person,
neither face nor hands. It was a long, black shroud standing
erect, and beneath which something could be felt moving. She
gazed fixedly for several minutes at this sort of spectre. But
neither he nor she spoke. One would have pronounced them two
statues confronting each other. Two things only seemed alive in
that cavern; the wick of the lantern, which sputtered on account
of the dampness of the atmosphere, and the drop of water from the
roof, which cut this irregular sputtering with its monotonous
splash, and made the light of the lantern quiver in concentric
waves on the oily water of the pool.
At last the prisoner broke the silence.
“Who are you?”
“A priest.”
The words, the accent, the sound of his voice made her tremble.
The priest continued, in a hollow voice,—
“Are you prepared?”
“For what?”
“To die.”
“Oh!” said she, “will it be soon?”
“To-morrow.”
Her head, which had been raised with joy, fell back upon her
breast.
“’Tis very far away yet!” she murmured; “why could they not have
done it to-day?”
“Then you are very unhappy?” asked the priest, after a silence.
“I am very cold,” she replied.
She took her feet in her hands, a gesture habitual with unhappy
wretches who are cold, as we have already seen in the case of the
recluse of the Tour-Roland, and her teeth chattered.
The priest appeared to cast his eyes around the dungeon from
beneath his cowl.
“Without light! without fire! in the water! it is horrible!”
Victor Hugo — text from Project Gutenberg (eBook #2610)
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