Chapter 62
Part 62
11 min read · 2,149 words
But when the child is lost, these thousand images of joy, of
charms, of tenderness, which throng around the little shoe,
become so many horrible things. The pretty broidered shoe is no
longer anything but an instrument of torture which eternally
crushes the heart of the mother. It is always the same fibre
which vibrates, the tenderest and most sensitive; but instead of
an angel caressing it, it is a demon who is wrenching at it.
One May morning, when the sun was rising on one of those dark
blue skies against which Garofolo loves to place his Descents
from the Cross, the recluse of the Tour-Roland heard a sound of
wheels, of horses and irons in the Place de Grève. She was
somewhat aroused by it, knotted her hair upon her ears in order
to deafen herself, and resumed her contemplation, on her knees,
of the inanimate object which she had adored for fifteen years.
This little shoe was the universe to her, as we have already
said. Her thought was shut up in it, and was destined never more
to quit it except at death. The sombre cave of the Tour-Roland
alone knew how many bitter imprecations, touching complaints,
prayers and sobs she had wafted to heaven in connection with that
charming bauble of rose-colored satin. Never was more despair
bestowed upon a prettier and more graceful thing.
It seemed as though her grief were breaking forth more violently
than usual; and she could be heard outside lamenting in a loud
and monotonous voice which rent the heart.
“Oh my daughter!” she said, “my daughter, my poor, dear little
child, so I shall never see thee more! It is over! It always
seems to me that it happened yesterday! My God! my God! it would
have been better not to give her to me than to take her away so
soon. Did you not know that our children are part of ourselves,
and that a mother who has lost her child no longer believes in
God? Ah! wretch that I am to have gone out that day! Lord! Lord!
to have taken her from me thus; you could never have looked at me
with her, when I was joyously warming her at my fire, when she
laughed as she suckled, when I made her tiny feet creep up my
breast to my lips? Oh! if you had looked at that, my God, you
would have taken pity on my joy; you would not have taken from me
the only love which lingered, in my heart! Was I then, Lord, so
miserable a creature, that you could not look at me before
condemning me?—Alas! Alas! here is the shoe; where is the foot?
where is the rest? Where is the child? My daughter! my daughter!
what did they do with thee? Lord, give her back to me. My knees
have been worn for fifteen years in praying to thee, my God! Is
not that enough? Give her back to me one day, one hour, one
minute; one minute, Lord! and then cast me to the demon for all
eternity! Oh! if I only knew where the skirt of your garment
trails, I would cling to it with both hands, and you would be
obliged to give me back my child! Have you no pity on her pretty
little shoe? Could you condemn a poor mother to this torture for
fifteen years? Good Virgin! good Virgin of heaven! my infant
Jesus has been taken from me, has been stolen from me; they
devoured her on a heath, they drank her blood, they cracked her
bones! Good Virgin, have pity upon me. My daughter, I want my
daughter! What is it to me that she is in paradise? I do not want
your angel, I want my child! I am a lioness, I want my whelp. Oh!
I will writhe on the earth, I will break the stones with my
forehead, and I will damn myself, and I will curse you, Lord, if
you keep my child from me! you see plainly that my arms are all
bitten, Lord! Has the good God no mercy?—Oh! give me only salt
and black bread, only let me have my daughter to warm me like a
sun! Alas! Lord my God. Alas! Lord my God, I am only a vile
sinner; but my daughter made me pious. I was full of religion for
the love of her, and I beheld you through her smile as through an
opening into heaven. Oh! if I could only once, just once more, a
single time, put this shoe on her pretty little pink foot, I
would die blessing you, good Virgin. Ah! fifteen years! she will
be grown up now!—Unhappy child! what! it is really true then I
shall never see her more, not even in heaven, for I shall not go
there myself. Oh! what misery to think that here is her shoe, and
that that is all!”
The unhappy woman flung herself upon that shoe; her consolation
and her despair for so many years, and her vitals were rent with
sobs as on the first day; because, for a mother who has lost her
child, it is always the first day. That grief never grows old.
The mourning garments may grow white and threadbare, the heart
remains dark.
At that moment, the fresh and joyous cries of children passed in
front of the cell. Every time that children crossed her vision or
struck her ear, the poor mother flung herself into the darkest
corner of her sepulchre, and one would have said, that she sought
to plunge her head into the stone in order not to hear them. This
time, on the contrary, she drew herself upright with a start, and
listened eagerly. One of the little boys had just said,—
“They are going to hang a gypsy to-day.”
With the abrupt leap of that spider which we have seen fling
itself upon a fly at the trembling of its web, she rushed to her
air-hole, which opened as the reader knows, on the Place de
Grève. A ladder had, in fact, been raised up against the
permanent gibbet, and the hangman’s assistant was busying himself
with adjusting the chains which had been rusted by the rain.
There were some people standing about.
The laughing group of children was already far away. The sacked
nun sought with her eyes some passer-by whom she might question.
All at once, beside her cell, she perceived a priest making a
pretext of reading the public breviary, but who was much less
occupied with the “lectern of latticed iron,” than with the
gallows, toward which he cast a fierce and gloomy glance from
time to time. She recognized monsieur the archdeacon of Josas, a
holy man.
“Father,” she inquired, “whom are they about to hang yonder?”
The priest looked at her and made no reply; she repeated her
question. Then he said,—
“I know not.”
“Some children said that it was a gypsy,” went on the recluse.
“I believe so,” said the priest.
Then Paquette la Chantefleurie burst into hyena-like laughter.
“Sister,” said the archdeacon, “do you then hate the gypsies
heartily?”
“Do I hate them!” exclaimed the recluse, “they are vampires,
stealers of children! They devoured my little daughter, my child,
my only child! I have no longer any heart, they devoured it!”
She was frightful. The priest looked at her coldly.
“There is one in particular whom I hate, and whom I have cursed,”
she resumed; “it is a young one, of the age which my daughter
would be if her mother had not eaten my daughter. Every time that
that young viper passes in front of my cell, she sets my blood in
a ferment.”
“Well, sister, rejoice,” said the priest, icy as a sepulchral
statue; “that is the one whom you are about to see die.”
His head fell upon his bosom and he moved slowly away.
The recluse writhed her arms with joy.
“I predicted it for her, that she would ascend thither! Thanks,
priest!” she cried.
And she began to pace up and down with long strides before the
grating of her window, her hair dishevelled, her eyes flashing,
with her shoulder striking against the wall, with the wild air of
a female wolf in a cage, who has long been famished, and who
feels the hour for her repast drawing near.
CHAPTER VI. THREE HUMAN HEARTS DIFFERENTLY CONSTRUCTED.
Phœbus was not dead, however. Men of that stamp die hard. When
Master Philippe Lheulier, advocate extraordinary of the king, had
said to poor Esmeralda; “He is dying,” it was an error or a jest.
When the archdeacon had repeated to the condemned girl; “He is
dead,” the fact is that he knew nothing about it, but that he
believed it, that he counted on it, that he did not doubt it,
that he devoutly hoped it. It would have been too hard for him to
give favorable news of his rival to the woman whom he loved. Any
man would have done the same in his place.
It was not that Phœbus’s wound had not been serious, but it had
not been as much so as the archdeacon believed. The physician, to
whom the soldiers of the watch had carried him at the first
moment, had feared for his life during the space of a week, and
had even told him so in Latin. But youth had gained the upper
hand; and, as frequently happens, in spite of prognostications
and diagnoses, nature had amused herself by saving the sick man
under the physician’s very nose. It was while he was still lying
on the leech’s pallet that he had submitted to the interrogations
of Philippe Lheulier and the official inquisitors, which had
annoyed him greatly. Hence, one fine morning, feeling himself
better, he had left his golden spurs with the leech as payment,
and had slipped away. This had not, however, interfered with the
progress of the affair. Justice, at that epoch, troubled itself
very little about the clearness and definiteness of a criminal
suit. Provided that the accused was hung, that was all that was
necessary. Now the judge had plenty of proofs against la
Esmeralda. They had supposed Phœbus to be dead, and that was the
end of the matter.
Phœbus, on his side, had not fled far. He had simply rejoined his
company in garrison at Queue-en-Brie, in the Isle-de-France, a
few stages from Paris.
After all, it did not please him in the least to appear in this
suit. He had a vague feeling that he should play a ridiculous
figure in it. On the whole, he did not know what to think of the
whole affair. Superstitious, and not given to devoutness, like
every soldier who is only a soldier, when he came to question
himself about this adventure, he did not feel assured as to the
goat, as to the singular fashion in which he had met La
Esmeralda, as to the no less strange manner in which she had
allowed him to divine her love, as to her character as a gypsy,
and lastly, as to the surly monk. He perceived in all these
incidents much more magic than love, probably a sorceress,
perhaps the devil; a comedy, in short, or to speak in the
language of that day, a very disagreeable mystery, in which he
played a very awkward part, the role of blows and derision. The
captain was quite put out of countenance about it; he experienced
that sort of shame which our La Fontaine has so admirably
defined,—
Ashamed as a fox who has been caught by a fowl.
Moreover, he hoped that the affair would not get noised abroad,
that his name would hardly be pronounced in it, and that in any
case it would not go beyond the courts of the Tournelle. In this
he was not mistaken, there was then no _Gazette des Tribunaux;_
and as not a week passed which had not its counterfeiter to boil,
or its witch to hang, or its heretic to burn, at some one of the
innumerable justices of Paris, people were so accustomed to
seeing in all the squares the ancient feudal Themis, bare armed,
with sleeves stripped up, performing her duty at the gibbets, the
ladders, and the pillories, that they hardly paid any heed to it.
Fashionable society of that day hardly knew the name of the
victim who passed by at the corner of the street, and it was the
populace at the most who regaled themselves with this coarse
fare. An execution was an habitual incident of the public
highways, like the braising-pan of the baker or the
slaughter-house of the knacker. The executioner was only a sort
of butcher of a little deeper dye than the rest.
Victor Hugo — text from Project Gutenberg (eBook #2610)
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