Chapter 69
Part 69
10 min read · 1,976 words
Then he began to laugh, and that laugh was the most heartbreaking
thing in the world. He continued,—
“Yes, I am deaf; but you shall talk to me by gestures, by signs.
I have a master who talks with me in that way. And then, I shall
very soon know your wish from the movement of your lips, from
your look.”
“Well!” she interposed with a smile, “tell me why you saved me.”
He watched her attentively while she was speaking.
“I understand,” he replied. “You ask me why I saved you. You have
forgotten a wretch who tried to abduct you one night, a wretch to
whom you rendered succor on the following day on their infamous
pillory. A drop of water and a little pity,—that is more than I
can repay with my life. You have forgotten that wretch; but he
remembers it.”
She listened to him with profound tenderness. A tear swam in the
eye of the bellringer, but did not fall. He seemed to make it a
sort of point of honor to retain it.
“Listen,” he resumed, when he was no longer afraid that the tear
would escape; “our towers here are very high, a man who should
fall from them would be dead before touching the pavement; when
it shall please you to have me fall, you will not have to utter
even a word, a glance will suffice.”
Then he rose. Unhappy as was the Bohemian, this eccentric being
still aroused some compassion in her. She made him a sign to
remain.
“No, no,” said he; “I must not remain too long. I am not at my
ease. It is out of pity that you do not turn away your eyes. I
shall go to some place where I can see you without your seeing
me: it will be better so.”
He drew from his pocket a little metal whistle.
“Here,” said he, “when you have need of me, when you wish me to
come, when you will not feel too much horror at the sight of me,
use this whistle. I can hear this sound.”
He laid the whistle on the floor and fled.
CHAPTER IV. EARTHENWARE AND CRYSTAL.
Day followed day. Calm gradually returned to the soul of la
Esmeralda. Excess of grief, like excess of joy is a violent thing
which lasts but a short time. The heart of man cannot remain long
in one extremity. The gypsy had suffered so much, that nothing
was left her but astonishment. With security, hope had returned
to her. She was outside the pale of society, outside the pale of
life, but she had a vague feeling that it might not be impossible
to return to it. She was like a dead person, who should hold in
reserve the key to her tomb.
She felt the terrible images which had so long persecuted her,
gradually departing. All the hideous phantoms, Pierrat Torterue,
Jacques Charmolue, were effaced from her mind, all, even the
priest.
And then, Phœbus was alive; she was sure of it, she had seen him.
To her the fact of Phœbus being alive was everything. After the
series of fatal shocks which had overturned everything within
her, she had found but one thing intact in her soul, one
sentiment,—her love for the captain. Love is like a tree; it
sprouts forth of itself, sends its roots out deeply through our
whole being, and often continues to flourish greenly over a heart
in ruins.
And the inexplicable point about it is that the more blind is
this passion, the more tenacious it is. It is never more solid
than when it has no reason in it.
La Esmeralda did not think of the captain without bitterness, no
doubt. No doubt it was terrible that he also should have been
deceived; that he should have believed that impossible thing,
that he could have conceived of a stab dealt by her who would
have given a thousand lives for him. But, after all, she must not
be too angry with him for it; had she not confessed her crime?
had she not yielded, weak woman that she was, to torture? The
fault was entirely hers. She should have allowed her finger nails
to be torn out rather than such a word to be wrenched from her.
In short, if she could but see Phœbus once more, for a single
minute, only one word would be required, one look, in order to
undeceive him, to bring him back. She did not doubt it. She was
astonished also at many singular things, at the accident of
Phœbus’s presence on the day of the penance, at the young girl
with whom he had been. She was his sister, no doubt. An
unreasonable explanation, but she contented herself with it,
because she needed to believe that Phœbus still loved her, and
loved her alone. Had he not sworn it to her? What more was
needed, simple and credulous as she was? And then, in this
matter, were not appearances much more against her than against
him? Accordingly, she waited. She hoped.
Let us add that the church, that vast church, which surrounded
her on every side, which guarded her, which saved her, was itself
a sovereign tranquillizer. The solemn lines of that architecture,
the religious attitude of all the objects which surrounded the
young girl, the serene and pious thoughts which emanated, so to
speak, from all the pores of that stone, acted upon her without
her being aware of it. The edifice had also sounds fraught with
such benediction and such majesty, that they soothed this ailing
soul. The monotonous chanting of the celebrants, the responses of
the people to the priest, sometimes inarticulate, sometimes
thunderous, the harmonious trembling of the painted windows, the
organ, bursting forth like a hundred trumpets, the three
belfries, humming like hives of huge bees, that whole orchestra
on which bounded a gigantic scale, ascending, descending
incessantly from the voice of a throng to that of one bell,
dulled her memory, her imagination, her grief. The bells, in
particular, lulled her. It was something like a powerful
magnetism which those vast instruments shed over her in great
waves.
Thus every sunrise found her more calm, breathing better, less
pale. In proportion as her inward wounds closed, her grace and
beauty blossomed once more on her countenance, but more
thoughtful, more reposeful. Her former character also returned to
her, somewhat even of her gayety, her pretty pout, her love for
her goat, her love for singing, her modesty. She took care to
dress herself in the morning in the corner of her cell for fear
some inhabitants of the neighboring attics might see her through
the window.
When the thought of Phœbus left her time, the gypsy sometimes
thought of Quasimodo. He was the sole bond, the sole connection,
the sole communication which remained to her with men, with the
living. Unfortunate girl! she was more outside the world than
Quasimodo. She understood not in the least the strange friend
whom chance had given her. She often reproached herself for not
feeling a gratitude which should close her eyes, but decidedly,
she could not accustom herself to the poor bellringer. He was too
ugly.
She had left the whistle which he had given her lying on the
ground. This did not prevent Quasimodo from making his appearance
from time to time during the first few days. She did her best not
to turn aside with too much repugnance when he came to bring her
her basket of provisions or her jug of water, but he always
perceived the slightest movement of this sort, and then he
withdrew sadly.
Once he came at the moment when she was caressing Djali. He stood
pensively for several minutes before this graceful group of the
goat and the gypsy; at last he said, shaking his heavy and
ill-formed head,—
“My misfortune is that I still resemble a man too much. I should
like to be wholly a beast like that goat.”
She gazed at him in amazement.
He replied to the glance,—
“Oh! I well know why,” and he went away.
On another occasion he presented himself at the door of the cell
(which he never entered) at the moment when la Esmeralda was
singing an old Spanish ballad, the words of which she did not
understand, but which had lingered in her ear because the gypsy
women had lulled her to sleep with it when she was a little
child. At the sight of that villanous form which made its
appearance so abruptly in the middle of her song, the young girl
paused with an involuntary gesture of alarm. The unhappy
bellringer fell upon his knees on the threshold, and clasped his
large, misshapen hands with a suppliant air. “Oh!” he said,
sorrowfully, “continue, I implore you, and do not drive me away.”
She did not wish to pain him, and resumed her lay, trembling all
over. By degrees, however, her terror disappeared, and she
yielded herself wholly to the slow and melancholy air which she
was singing. He remained on his knees with hands clasped, as in
prayer, attentive, hardly breathing, his gaze riveted upon the
gypsy’s brilliant eyes.
On another occasion, he came to her with an awkward and timid
air. “Listen,” he said, with an effort; “I have something to say
to you.” She made him a sign that she was listening. Then he
began to sigh, half opened his lips, appeared for a moment to be
on the point of speaking, then he looked at her again, shook his
head, and withdrew slowly, with his brow in his hand, leaving the
gypsy stupefied. Among the grotesque personages sculptured on the
wall, there was one to whom he was particularly attached, and
with which he often seemed to exchange fraternal glances. Once
the gypsy heard him saying to it,—
“Oh! why am not I of stone, like you!”
At last, one morning, la Esmeralda had advanced to the edge of
the roof, and was looking into the Place over the pointed roof of
Saint-Jean le Rond. Quasimodo was standing behind her. He had
placed himself in that position in order to spare the young girl,
as far as possible, the displeasure of seeing him. All at once
the gypsy started, a tear and a flash of joy gleamed
simultaneously in her eyes, she knelt on the brink of the roof
and extended her arms towards the Place with anguish, exclaiming:
“Phœbus! come! come! a word, a single word in the name of heaven!
Phœbus! Phœbus!” Her voice, her face, her gesture, her whole
person bore the heartrending expression of a shipwrecked man who
is making a signal of distress to the joyous vessel which is
passing afar off in a ray of sunlight on the horizon.
Quasimodo leaned over the Place, and saw that the object of this
tender and agonizing prayer was a young man, a captain, a
handsome cavalier all glittering with arms and decorations,
prancing across the end of the Place, and saluting with his plume
a beautiful lady who was smiling at him from her balcony.
However, the officer did not hear the unhappy girl calling him;
he was too far away.
But the poor deaf man heard. A profound sigh heaved his breast;
he turned round; his heart was swollen with all the tears which
he was swallowing; his convulsively-clenched fists struck against
his head, and when he withdrew them there was a bunch of red hair
in each hand.
The gypsy paid no heed to him. He said in a low voice as he
gnashed his teeth,—
“Damnation! That is what one should be like! ’Tis only necessary
to be handsome on the outside!”
Meanwhile, she remained kneeling, and cried with extraordinary
agitation,—
Victor Hugo — text from Project Gutenberg (eBook #2610)
Comments
Loading comments…