Chapter 85
Part 85
10 min read · 1,926 words
“Hum! I have had enough of that coughing king! I have seen
Charles of Burgundy drunk, and he was less malignant than Louis
XI. when ailing.”
“Master Jacques,” replied Rym, “’tis because wine renders kings
less cruel than does barley water.”
CHAPTER VI. LITTLE SWORD IN POCKET.
On emerging from the Bastille, Gringoire descended the Rue
Saint-Antoine with the swiftness of a runaway horse. On arriving
at the Baudoyer gate, he walked straight to the stone cross which
rose in the middle of that place, as though he were able to
distinguish in the darkness the figure of a man clad and cloaked
in black, who was seated on the steps of the cross.
“Is it you, master?” said Gringoire.
The personage in black rose.
“Death and passion! You make me boil, Gringoire. The man on the
tower of Saint-Gervais has just cried half-past one o’clock in
the morning.”
“Oh,” retorted Gringoire, “’tis no fault of mine, but of the
watch and the king. I have just had a narrow escape. I always
just miss being hung. ’Tis my predestination.”
“You lack everything,” said the other. “But come quickly. Have
you the password?”
“Fancy, master, I have seen the king. I come from him. He wears
fustian breeches. ’Tis an adventure.”
“Oh! distaff of words! what is your adventure to me! Have you the
password of the outcasts?”
“I have it. Be at ease. ‘Little sword in pocket.’”
“Good. Otherwise, we could not make our way as far as the church.
The outcasts bar the streets. Fortunately, it appears that they
have encountered resistance. We may still arrive in time.”
“Yes, master, but how are we to get into Notre-Dame?”
“I have the key to the tower.”
“And how are we to get out again?”
“Behind the cloister there is a little door which opens on the
Terrain and the water. I have taken the key to it, and I moored a
boat there this morning.”
“I have had a beautiful escape from being hung!” Gringoire
repeated.
“Eh, quick! come!” said the other.
Both descended towards the city with long strides.
CHAPTER VII. CHATEAUPERS TO THE RESCUE.
The reader will, perhaps, recall the critical situation in which
we left Quasimodo. The brave deaf man, assailed on all sides, had
lost, if not all courage, at least all hope of saving, not
himself (he was not thinking of himself), but the gypsy. He ran
distractedly along the gallery. Notre-Dame was on the point of
being taken by storm by the outcasts. All at once, a great
galloping of horses filled the neighboring streets, and, with a
long file of torches and a thick column of cavaliers, with free
reins and lances in rest, these furious sounds debouched on the
Place like a hurricane,—
“France! France! cut down the louts! Châteaupers to the rescue!
Provostship! Provostship!”
The frightened vagabonds wheeled round.
Quasimodo who did not hear, saw the naked swords, the torches,
the irons of the pikes, all that cavalry, at the head of which he
recognized Captain Phœbus; he beheld the confusion of the
outcasts, the terror of some, the disturbance among the bravest
of them, and from this unexpected succor he recovered so much
strength, that he hurled from the church the first assailants who
were already climbing into the gallery.
It was, in fact, the king’s troops who had arrived. The vagabonds
behaved bravely. They defended themselves like desperate men.
Caught on the flank, by the Rue Saint-Pierre-aux-Bœufs, and in
the rear through the Rue du Parvis, driven to bay against
Notre-Dame, which they still assailed and Quasimodo defended, at
the same time besiegers and besieged, they were in the singular
situation in which Comte Henri Harcourt, _Taurinum obsessor idem
et obsessus_, as his epitaph says, found himself later on, at the
famous siege of Turin, in 1640, between Prince Thomas of Savoy,
whom he was besieging, and the Marquis de Leganez, who was
blockading him.
The battle was frightful. There was a dog’s tooth for wolf’s
flesh, as P. Mathieu says. The king’s cavaliers, in whose midst
Phœbus de Châteaupers bore himself valiantly, gave no quarter,
and the slash of the sword disposed of those who escaped the
thrust of the lance. The outcasts, badly armed foamed and bit
with rage. Men, women, children, hurled themselves on the
cruppers and the breasts of the horses, and hung there like cats,
with teeth, finger nails and toe nails. Others struck the
archers’ in the face with their torches. Others thrust iron hooks
into the necks of the cavaliers and dragged them down. They
slashed in pieces those who fell.
One was noticed who had a large, glittering scythe, and who, for
a long time, mowed the legs of the horses. He was frightful. He
was singing a ditty, with a nasal intonation, he swung and drew
back his scythe incessantly. At every blow he traced around him a
great circle of severed limbs. He advanced thus into the very
thickest of the cavalry, with the tranquil slowness, the lolling
of the head and the regular breathing of a harvester attacking a
field of wheat. It was Clopin Trouillefou. A shot from an
arquebus laid him low.
In the meantime, windows had been opened again. The neighbors
hearing the war cries of the king’s troops, had mingled in the
affray, and bullets rained upon the outcasts from every story.
The Parvis was filled with a thick smoke, which the musketry
streaked with flame. Through it one could confusedly distinguish
the front of Notre-Dame, and the decrepit Hôtel-Dieu with some
wan invalids gazing down from the heights of its roof all
checkered with dormer windows.
At length the vagabonds gave way. Weariness, the lack of good
weapons, the fright of this surprise, the musketry from the
windows, the valiant attack of the king’s troops, all overwhelmed
them. They forced the line of assailants, and fled in every
direction, leaving the Parvis encumbered with dead.
When Quasimodo, who had not ceased to fight for a moment, beheld
this rout, he fell on his knees and raised his hands to heaven;
then, intoxicated with joy, he ran, he ascended with the
swiftness of a bird to that cell, the approaches to which he had
so intrepidly defended. He had but one thought now; it was to
kneel before her whom he had just saved for the second time.
When he entered the cell, he found it empty.
BOOK ELEVENTH.
CHAPTER I. THE LITTLE SHOE.
La Esmeralda was sleeping at the moment when the outcasts
assailed the church.
Soon the ever-increasing uproar around the edifice, and the
uneasy bleating of her goat which had been awakened, had roused
her from her slumbers. She had sat up, she had listened, she had
looked; then, terrified by the light and noise, she had rushed
from her cell to see. The aspect of the Place, the vision which
was moving in it, the disorder of that nocturnal assault, that
hideous crowd, leaping like a cloud of frogs, half seen in the
gloom, the croaking of that hoarse multitude, those few red
torches running and crossing each other in the darkness like the
meteors which streak the misty surfaces of marshes, this whole
scene produced upon her the effect of a mysterious battle between
the phantoms of the witches’ sabbath and the stone monsters of
the church. Imbued from her very infancy with the superstitions
of the Bohemian tribe, her first thought was that she had caught
the strange beings peculiar to the night, in their deeds of
witchcraft. Then she ran in terror to cower in her cell, asking
of her pallet some less terrible nightmare.
But little by little the first vapors of terror had been
dissipated; from the constantly increasing noise, and from many
other signs of reality, she felt herself besieged not by
spectres, but by human beings. Then her fear, though it did not
increase, changed its character. She had dreamed of the
possibility of a popular mutiny to tear her from her asylum. The
idea of once more recovering life, hope, Phœbus, who was ever
present in her future, the extreme helplessness of her condition,
flight cut off, no support, her abandonment, her isolation,—these
thoughts and a thousand others overwhelmed her. She fell upon her
knees, with her head on her bed, her hands clasped over her head,
full of anxiety and tremors, and, although a gypsy, an idolater,
and a pagan, she began to entreat with sobs, mercy from the good
Christian God, and to pray to our Lady, her hostess. For even if
one believes in nothing, there are moments in life when one is
always of the religion of the temple which is nearest at hand.
She remained thus prostrate for a very long time, trembling in
truth, more than praying, chilled by the ever-closer breath of
that furious multitude, understanding nothing of this outburst,
ignorant of what was being plotted, what was being done, what
they wanted, but foreseeing a terrible issue.
In the midst of this anguish, she heard some one walking near
her. She turned round. Two men, one of whom carried a lantern,
had just entered her cell. She uttered a feeble cry.
“Fear nothing,” said a voice which was not unknown to her, “it is
I.”
“Who are you?” she asked.
“Pierre Gringoire.”
This name reassured her. She raised her eyes once more, and
recognized the poet in very fact. But there stood beside him a
black figure veiled from head to foot, which struck her by its
silence.
“Oh!” continued Gringoire in a tone of reproach, “Djali
recognized me before you!”
The little goat had not, in fact, waited for Gringoire to
announce his name. No sooner had he entered than it rubbed itself
gently against his knees, covering the poet with caresses and
with white hairs, for it was shedding its hair. Gringoire
returned the caresses.
“Who is this with you?” said the gypsy, in a low voice.
“Be at ease,” replied Gringoire. “’Tis one of my friends.” Then
the philosopher setting his lantern on the ground, crouched upon
the stones, and exclaimed enthusiastically, as he pressed Djali
in his arms,—
“Oh! ’tis a graceful beast, more considerable no doubt, for it’s
neatness than for its size, but ingenious, subtle, and lettered
as a grammarian! Let us see, my Djali, hast thou forgotten any of
thy pretty tricks? How does Master Jacques Charmolue?...”
The man in black did not allow him to finish. He approached
Gringoire and shook him roughly by the shoulder.
Gringoire rose.
“’Tis true,” said he: “I forgot that we are in haste. But that is
no reason master, for getting furious with people in this manner.
My dear and lovely child, your life is in danger, and Djali’s
also. They want to hang you again. We are your friends, and we
have come to save you. Follow us.”
“Is it true?” she exclaimed in dismay.
“Yes, perfectly true. Come quickly!”
“I am willing,” she stammered. “But why does not your friend
speak?”
“Ah!” said Gringoire, “’tis because his father and mother were
fantastic people who made him of a taciturn temperament.”
She was obliged to content herself with this explanation.
Gringoire took her by the hand; his companion picked up the
lantern and walked on in front. Fear stunned the young girl. She
allowed herself to be led away. The goat followed them, frisking,
so joyous at seeing Gringoire again that it made him stumble
every moment by thrusting its horns between his legs.
Victor Hugo — text from Project Gutenberg (eBook #2610)
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