Part 20

Mr Holohan pointed desperately towards the hall where the audience was clapping and stamping. He appealed to Mr Kearney and to Kathleen. But Mr Kearney continued to stroke his beard and Kathleen looked down, moving the point of her new shoe: it was not her fault. Mrs Kearney repeated: “She won’t go on without her money.” After a swift struggle of tongues Mr Holohan hobbled out in haste. The room was silent. When the strain of the silence had become somewhat painful Miss Healy said to the baritone: “Have you seen Mrs Pat Campbell this week?” The baritone had not seen her but he had been told that she was very fine. The conversation went no further. The first tenor bent his head and began to count the links of the gold chain which was extended across his waist, smiling and humming random notes to observe the effect on the frontal sinus. From time to time everyone glanced at Mrs Kearney. The noise in the auditorium had risen to a clamour when Mr Fitzpatrick burst into the room, followed by Mr Holohan, who was panting. The clapping and stamping in the hall were punctuated by whistling. Mr Fitzpatrick held a few banknotes in his hand. He counted out four into Mrs Kearney’s hand and said she would get the other half at the interval. Mrs Kearney said: “This is four shillings short.” But Kathleen gathered in her skirt and said: _“Now, Mr Bell,”_ to the first item, who was shaking like an aspen. The singer and the accompanist went out together. The noise in hall died away. There was a pause of a few seconds: and then the piano was heard. The first part of the concert was very successful except for Madam Glynn’s item. The poor lady sang _Killarney_ in a bodiless gasping voice, with all the old-fashioned mannerisms of intonation and pronunciation which she believed lent elegance to her singing. She looked as if she had been resurrected from an old stage-wardrobe and the cheaper parts of the hall made fun of her high wailing notes. The first tenor and the contralto, however, brought down the house. Kathleen played a selection of Irish airs which was generously applauded. The first part closed with a stirring patriotic recitation delivered by a young lady who arranged amateur theatricals. It was deservedly applauded; and, when it was ended, the men went out for the interval, content. All this time the dressing-room was a hive of excitement. In one corner were Mr Holohan, Mr Fitzpatrick, Miss Beirne, two of the stewards, the baritone, the bass, and Mr O’Madden Burke. Mr O’Madden Burke said it was the most scandalous exhibition he had ever witnessed. Miss Kathleen Kearney’s musical career was ended in Dublin after that, he said. The baritone was asked what did he think of Mrs Kearney’s conduct. He did not like to say anything. He had been paid his money and wished to be at peace with men. However, he said that Mrs Kearney might have taken the _artistes_ into consideration. The stewards and the secretaries debated hotly as to what should be done when the interval came. “I agree with Miss Beirne,” said Mr O’Madden Burke. “Pay her nothing.” In another corner of the room were Mrs Kearney and her husband, Mr Bell, Miss Healy and the young lady who had to recite the patriotic piece. Mrs Kearney said that the Committee had treated her scandalously. She had spared neither trouble nor expense and this was how she was repaid. They thought they had only a girl to deal with and that, therefore, they could ride roughshod over her. But she would show them their mistake. They wouldn’t have dared to have treated her like that if she had been a man. But she would see that her daughter got her rights: she wouldn’t be fooled. If they didn’t pay her to the last farthing she would make Dublin ring. Of course she was sorry for the sake of the _artistes_. But what else could she do? She appealed to the second tenor who said he thought she had not been well treated. Then she appealed to Miss Healy. Miss Healy wanted to join the other group but she did not like to do so because she was a great friend of Kathleen’s and the Kearneys had often invited her to their house. As soon as the first part was ended Mr Fitzpatrick and Mr Holohan went over to Mrs Kearney and told her that the other four guineas would be paid after the Committee meeting on the following Tuesday and that, in case her daughter did not play for the second part, the Committee would consider the contract broken and would pay nothing. “I haven’t seen any Committee,” said Mrs Kearney angrily. “My daughter has her contract. She will get four pounds eight into her hand or a foot she won’t put on that platform.” “I’m surprised at you, Mrs Kearney,” said Mr Holohan. “I never thought you would treat us this way.” “And what way did you treat me?” asked Mrs Kearney. Her face was inundated with an angry colour and she looked as if she would attack someone with her hands. “I’m asking for my rights,” she said. “You might have some sense of decency,” said Mr Holohan. “Might I, indeed?... And when I ask when my daughter is going to be paid I can’t get a civil answer.” She tossed her head and assumed a haughty voice: “You must speak to the secretary. It’s not my business. I’m a great fellow fol-the-diddle-I-do.” “I thought you were a lady,” said Mr Holohan, walking away from her abruptly. After that Mrs Kearney’s conduct was condemned on all hands: everyone approved of what the Committee had done. She stood at the door, haggard with rage, arguing with her husband and daughter, gesticulating with them. She waited until it was time for the second part to begin in the hope that the secretaries would approach her. But Miss Healy had kindly consented to play one or two accompaniments. Mrs Kearney had to stand aside to allow the baritone and his accompanist to pass up to the platform. She stood still for an instant like an angry stone image and, when the first notes of the song struck her ear, she caught up her daughter’s cloak and said to her husband: “Get a cab!” He went out at once. Mrs Kearney wrapped the cloak round her daughter and followed him. As she passed through the doorway she stopped and glared into Mr Holohan’s face. “I’m not done with you yet,” she said. “But I’m done with you,” said Mr Holohan. Kathleen followed her mother meekly. Mr Holohan began to pace up and down the room, in order to cool himself for he felt his skin on fire. “That’s a nice lady!” he said. “O, she’s a nice lady!” “You did the proper thing, Holohan,” said Mr O’Madden Burke, poised upon his umbrella in approval. GRACE Two gentlemen who were in the lavatory at the time tried to lift him up: but he was quite helpless. He lay curled up at the foot of the stairs down which he had fallen. They succeeded in turning him over. His hat had rolled a few yards away and his clothes were smeared with the filth and ooze of the floor on which he had lain, face downwards. His eyes were closed and he breathed with a grunting noise. A thin stream of blood trickled from the corner of his mouth. These two gentlemen and one of the curates carried him up the stairs and laid him down again on the floor of the bar. In two minutes he was surrounded by a ring of men. The manager of the bar asked everyone who he was and who was with him. No one knew who he was but one of the curates said he had served the gentleman with a small rum. “Was he by himself?” asked the manager. “No, sir. There was two gentlemen with him.” “And where are they?” No one knew; a voice said: “Give him air. He’s fainted.” The ring of onlookers distended and closed again elastically. A dark medal of blood had formed itself near the man’s head on the tessellated floor. The manager, alarmed by the grey pallor of the man’s face, sent for a policeman. His collar was unfastened and his necktie undone. He opened his eyes for an instant, sighed and closed them again. One of gentlemen who had carried him upstairs held a dinged silk hat in his hand. The manager asked repeatedly did no one know who the injured man was or where had his friends gone. The door of the bar opened and an immense constable entered. A crowd which had followed him down the laneway collected outside the door, struggling to look in through the glass panels. The manager at once began to narrate what he knew. The constable, a young man with thick immobile features, listened. He moved his head slowly to right and left and from the manager to the person on the floor, as if he feared to be the victim of some delusion. Then he drew off his glove, produced a small book from his waist, licked the lead of his pencil and made ready to indite. He asked in a suspicious provincial accent: “Who is the man? What’s his name and address?” A young man in a cycling-suit cleared his way through the ring of bystanders. He knelt down promptly beside the injured man and called for water. The constable knelt down also to help. The young man washed the blood from the injured man’s mouth and then called for some brandy. The constable repeated the order in an authoritative voice until a curate came running with the glass. The brandy was forced down the man’s throat. In a few seconds he opened his eyes and looked about him. He looked at the circle of faces and then, understanding, strove to rise to his feet. “You’re all right now?” asked the young man in the cycling-suit. “Sha, ’s nothing,” said the injured man, trying to stand up. He was helped to his feet. The manager said something about a hospital and some of the bystanders gave advice. The battered silk hat was placed on the man’s head. The constable asked: “Where do you live?” The man, without answering, began to twirl the ends of his moustache. He made light of his accident. It was nothing, he said: only a little accident. He spoke very thickly. “Where do you live?” repeated the constable. The man said they were to get a cab for him. While the point was being debated a tall agile gentleman of fair complexion, wearing a long yellow ulster, came from the far end of the bar. Seeing the spectacle, he called out: “Hallo, Tom, old man! What’s the trouble?” “Sha, ’s nothing,” said the man. The new-comer surveyed the deplorable figure before him and then turned to the constable, saying: “It’s all right, constable. I’ll see him home.” The constable touched his helmet and answered: “All right, Mr Power!” “Come now, Tom,” said Mr Power, taking his friend by the arm. “No bones broken. What? Can you walk?” The young man in the cycling-suit took the man by the other arm and the crowd divided. “How did you get yourself into this mess?” asked Mr Power. “The gentleman fell down the stairs,” said the young man. “I’ ’ery ’uch o’liged to you, sir,” said the injured man. “Not at all.” “’ant we have a little...?” “Not now. Not now.” The three men left the bar and the crowd sifted through the doors into the laneway. The manager brought the constable to the stairs to inspect the scene of the accident. They agreed that the gentleman must have missed his footing. The customers returned to the counter and a curate set about removing the traces of blood from the floor. When they came out into Grafton Street, Mr Power whistled for an outsider. The injured man said again as well as he could: “I’ ’ery ’uch o’liged to you, sir. I hope we’ll ’eet again. ’y na’e is Kernan.” The shock and the incipient pain had partly sobered him. “Don’t mention it,” said the young man. They shook hands. Mr Kernan was hoisted on to the car and, while Mr Power was giving directions to the carman, he expressed his gratitude to the young man and regretted that they could not have a little drink together. “Another time,” said the young man. The car drove off towards Westmoreland Street. As it passed Ballast Office the clock showed half-past nine. A keen east wind hit them, blowing from the mouth of the river. Mr Kernan was huddled together with cold. His friend asked him to tell how the accident had happened. “I ’an’t, ’an,” he answered, “’y ’ongue is hurt.”