Part 6

“Is that you, Hildred?” “Yes, you are on time.” I took his offered hand, and we strolled toward the Lethal Chamber. He rattled on about his wedding and the graces of Constance, and their future prospects, calling my attention to his captain’s shoulder-straps, and the triple gold arabesque on his sleeve and fatigue cap. I believe I listened as much to the music of his spurs and sabre as I did to his boyish babble, and at last we stood under the elms on the Fourth Street corner of the square opposite the Lethal Chamber. Then he laughed and asked me what I wanted with him. I motioned him to a seat on a bench under the electric light, and sat down beside him. He looked at me curiously, with that same searching glance which I hate and fear so in doctors. I felt the insult of his look, but he did not know it, and I carefully concealed my feelings. “Well, old chap,” he inquired, “what can I do for you?” I drew from my pocket the manuscript and notes of the Imperial Dynasty of America, and looking him in the eye said: “I will tell you. On your word as a soldier, promise me to read this manuscript from beginning to end, without asking me a question. Promise me to read these notes in the same way, and promise me to listen to what I have to tell later.” “I promise, if you wish it,” he said pleasantly. “Give me the paper, Hildred.” He began to read, raising his eyebrows with a puzzled, whimsical air, which made me tremble with suppressed anger. As he advanced, his eyebrows contracted, and his lips seemed to form the word “rubbish.” Then he looked slightly bored, but apparently for my sake read, with an attempt at interest, which presently ceased to be an effort. He started when in the closely written pages he came to his own name, and when he came to mine he lowered the paper, and looked sharply at me for a moment. But he kept his word, and resumed his reading, and I let the half-formed question die on his lips unanswered. When he came to the end and read the signature of Mr. Wilde, he folded the paper carefully and returned it to me. I handed him the notes, and he settled back, pushing his fatigue cap up to his forehead, with a boyish gesture, which I remembered so well in school. I watched his face as he read, and when he finished I took the notes with the manuscript, and placed them in my pocket. Then I unfolded a scroll marked with the Yellow Sign. He saw the sign, but he did not seem to recognize it, and I called his attention to it somewhat sharply. “Well,” he said, “I see it. What is it?” “It is the Yellow Sign,” I said angrily. “Oh, that’s it, is it?” said Louis, in that flattering voice, which Doctor Archer used to employ with me, and would probably have employed again, had I not settled his affair for him. I kept my rage down and answered as steadily as possible, “Listen, you have engaged your word?” “I am listening, old chap,” he replied soothingly. I began to speak very calmly. “Dr. Archer, having by some means become possessed of the secret of the Imperial Succession, attempted to deprive me of my right, alleging that because of a fall from my horse four years ago, I had become mentally deficient. He presumed to place me under restraint in his own house in hopes of either driving me insane or poisoning me. I have not forgotten it. I visited him last night and the interview was final.” Louis turned quite pale, but did not move. I resumed triumphantly, “There are yet three people to be interviewed in the interests of Mr. Wilde and myself. They are my cousin Louis, Mr. Hawberk, and his daughter Constance.” Louis sprang to his feet and I arose also, and flung the paper marked with the Yellow Sign to the ground. “Oh, I don’t need that to tell you what I have to say,” I cried, with a laugh of triumph. “You must renounce the crown to me, do you hear, to _me_.” Louis looked at me with a startled air, but recovering himself said kindly, “Of course I renounce the—what is it I must renounce?” “The crown,” I said angrily. “Of course,” he answered, “I renounce it. Come, old chap, I’ll walk back to your rooms with you.” “Don’t try any of your doctor’s tricks on me,” I cried, trembling with fury. “Don’t act as if you think I am insane.” “What nonsense,” he replied. “Come, it’s getting late, Hildred.” “No,” I shouted, “you must listen. You cannot marry, I forbid it. Do you hear? I forbid it. You shall renounce the crown, and in reward I grant you exile, but if you refuse you shall die.” He tried to calm me, but I was roused at last, and drawing my long knife barred his way. Then I told him how they would find Dr. Archer in the cellar with his throat open, and I laughed in his face when I thought of Vance and his knife, and the order signed by me. “Ah, you are the King,” I cried, “but I shall be King. Who are you to keep me from Empire over all the habitable earth! I was born the cousin of a king, but I shall be King!” Louis stood white and rigid before me. Suddenly a man came running up Fourth Street, entered the gate of the Lethal Temple, traversed the path to the bronze doors at full speed, and plunged into the death chamber with the cry of one demented, and I laughed until I wept tears, for I had recognized Vance, and knew that Hawberk and his daughter were no longer in my way. “Go,” I cried to Louis, “you have ceased to be a menace. You will never marry Constance now, and if you marry any one else in your exile, I will visit you as I did my doctor last night. Mr. Wilde takes charge of you to-morrow.” Then I turned and darted into South Fifth Avenue, and with a cry of terror Louis dropped his belt and sabre and followed me like the wind. I heard him close behind me at the corner of Bleecker Street, and I dashed into the doorway under Hawberk’s sign. He cried, “Halt, or I fire!” but when he saw that I flew up the stairs leaving Hawberk’s shop below, he left me, and I heard him hammering and shouting at their door as though it were possible to arouse the dead. Mr. Wilde’s door was open, and I entered crying, “It is done, it is done! Let the nations rise and look upon their King!” but I could not find Mr. Wilde, so I went to the cabinet and took the splendid diadem from its case. Then I drew on the white silk robe, embroidered with the Yellow Sign, and placed the crown upon my head. At last I was King, King by my right in Hastur, King because I knew the mystery of the Hyades, and my mind had sounded the depths of the Lake of Hali. I was King! The first grey pencillings of dawn would raise a tempest which would shake two hemispheres. Then as I stood, my every nerve pitched to the highest tension, faint with the joy and splendour of my thought, without, in the dark passage, a man groaned. I seized the tallow dip and sprang to the door. The cat passed me like a demon, and the tallow dip went out, but my long knife flew swifter than she, and I heard her screech, and I knew that my knife had found her. For a moment I listened to her tumbling and thumping about in the darkness, and then when her frenzy ceased, I lighted a lamp and raised it over my head. Mr. Wilde lay on the floor with his throat torn open. At first I thought he was dead, but as I looked, a green sparkle came into his sunken eyes, his mutilated hand trembled, and then a spasm stretched his mouth from ear to ear. For a moment my terror and despair gave place to hope, but as I bent over him his eyeballs rolled clean around in his head, and he died. Then while I stood, transfixed with rage and despair, seeing my crown, my empire, every hope and every ambition, my very life, lying prostrate there with the dead master, _they_ came, seized me from behind, and bound me until my veins stood out like cords, and my voice failed with the paroxysms of my frenzied screams. But I still raged, bleeding and infuriated among them, and more than one policeman felt my sharp teeth. Then when I could no longer move they came nearer; I saw old Hawberk, and behind him my cousin Louis’ ghastly face, and farther away, in the corner, a woman, Constance, weeping softly. “Ah! I see it now!” I shrieked. “You have seized the throne and the empire. Woe! woe to you who are crowned with the crown of the King in Yellow!” [EDITOR’S NOTE.—Mr. Castaigne died yesterday in the Asylum for Criminal Insane.] THE MASK CAMILLA: You, sir, should unmask. STRANGER: Indeed? CASSILDA: Indeed it’s time. We all have laid aside disguise but you. STRANGER: I wear no mask. CAMILLA: (Terrified, aside to Cassilda.) No mask? No mask! _The King in Yellow, Act I, Scene 2_. I Although I knew nothing of chemistry, I listened fascinated. He picked up an Easter lily which Geneviève had brought that morning from Notre Dame, and dropped it into the basin. Instantly the liquid lost its crystalline clearness. For a second the lily was enveloped in a milk-white foam, which disappeared, leaving the fluid opalescent. Changing tints of orange and crimson played over the surface, and then what seemed to be a ray of pure sunlight struck through from the bottom where the lily was resting. At the same instant he plunged his hand into the basin and drew out the flower. “There is no danger,” he explained, “if you choose the right moment. That golden ray is the signal.” He held the lily toward me, and I took it in my hand. It had turned to stone, to the purest marble. “You see,” he said, “it is without a flaw. What sculptor could reproduce it?” The marble was white as snow, but in its depths the veins of the lily were tinged with palest azure, and a faint flush lingered deep in its heart. “Don’t ask me the reason of that,” he smiled, noticing my wonder. “I have no idea why the veins and heart are tinted, but they always are. Yesterday I tried one of Geneviève’s gold-fish,—there it is.” The fish looked as if sculptured in marble. But if you held it to the light the stone was beautifully veined with a faint blue, and from somewhere within came a rosy light like the tint which slumbers in an opal. I looked into the basin. Once more it seemed filled with clearest crystal. “If I should touch it now?” I demanded. “I don’t know,” he replied, “but you had better not try.” “There is one thing I’m curious about,” I said, “and that is where the ray of sunlight came from.” “It looked like a sunbeam true enough,” he said. “I don’t know, it always comes when I immerse any living thing. Perhaps,” he continued, smiling, “perhaps it is the vital spark of the creature escaping to the source from whence it came.” I saw he was mocking, and threatened him with a mahl-stick, but he only laughed and changed the subject. “Stay to lunch. Geneviève will be here directly.” “I saw her going to early mass,” I said, “and she looked as fresh and sweet as that lily—before you destroyed it.” “Do you think I destroyed it?” said Boris gravely. “Destroyed, preserved, how can we tell?” We sat in the corner of a studio near his unfinished group of the “Fates.” He leaned back on the sofa, twirling a sculptor’s chisel and squinting at his work. “By the way,” he said, “I have finished pointing up that old academic Ariadne, and I suppose it will have to go to the Salon. It’s all I have ready this year, but after the success the ‘Madonna’ brought me I feel ashamed to send a thing like that.” The “Madonna,” an exquisite marble for which Geneviève had sat, had been the sensation of last year’s Salon. I looked at the Ariadne. It was a magnificent piece of technical work, but I agreed with Boris that the world would expect something better of him than that. Still, it was impossible now to think of finishing in time for the Salon that splendid terrible group half shrouded in the marble behind me. The “Fates” would have to wait. We were proud of Boris Yvain. We claimed him and he claimed us on the strength of his having been born in America, although his father was French and his mother was a Russian. Every one in the Beaux Arts called him Boris. And yet there were only two of us whom he addressed in the same familiar way—Jack Scott and myself.