Chapter 12
Part 12
12 min read · 2,345 words
II
The next morning, Thomas, the bell-boy, brought me the _Herald_ and a
bit of news. The church next door had been sold. I thanked Heaven for
it, not that being a Catholic I had any repugnance for the congregation
next door, but because my nerves were shattered by a blatant exhorter,
whose every word echoed through the aisle of the church as if it had
been my own rooms, and who insisted on his r’s with a nasal persistence
which revolted my every instinct. Then, too, there was a fiend in human
shape, an organist, who reeled off some of the grand old hymns with an
interpretation of his own, and I longed for the blood of a creature
who could play the doxology with an amendment of minor chords which
one hears only in a quartet of very young undergraduates. I believe
the minister was a good man, but when he bellowed: “And the Lorrrrd
said unto Moses, the Lorrrd is a man of war; the Lorrrd is his name. My
wrath shall wax hot and I will kill you with the sworrrrd!” I wondered
how many centuries of purgatory it would take to atone for such a sin.
“Who bought the property?” I asked Thomas.
“Nobody that I knows, sir. They do say the gent wot owns this ’ere
’Amilton flats was lookin’ at it. ’E might be a bildin’ more studios.”
I walked to the window. The young man with the unhealthy face stood by
the churchyard gate, and at the mere sight of him the same overwhelming
repugnance took possession of me.
“By the way, Thomas,” I said, “who is that fellow down there?”
Thomas sniffed. “That there worm, sir? ’Es night-watchman of the
church, sir. ’E maikes me tired a-sittin’ out all night on them steps
and lookin’ at you insultin’ like. I’d a punched ’is ’ed, sir—beg
pardon, sir—”
“Go on, Thomas.”
“One night a comin’ ’ome with ’Arry, the other English boy, I sees ’im
a sittin’ there on them steps. We ’ad Molly and Jen with us, sir, the
two girls on the tray service, an’ ’e looks so insultin’ at us that
I up and sez: ‘Wat you looking hat, you fat slug?’—beg pardon, sir,
but that’s ’ow I sez, sir. Then ’e don’t say nothin’ and I sez: ‘Come
out and I’ll punch that puddin’ ’ed.’ Then I hopens the gate an’ goes
in, but ’e don’t say nothin’, only looks insultin’ like. Then I ’its
’im one, but, ugh! ’is ’ed was that cold and mushy it ud sicken you to
touch ’im.”
“What did he do then?” I asked curiously.
“’Im? Nawthin’.”
“And you, Thomas?”
The young fellow flushed with embarrassment and smiled uneasily.
“Mr. Scott, sir, I ain’t no coward, an’ I can’t make it out at all why
I run. I was in the 5th Lawncers, sir, bugler at Tel-el-Kebir, an’ was
shot by the wells.”
“You don’t mean to say you ran away?”
“Yes, sir; I run.”
“Why?”
“That’s just what I want to know, sir. I grabbed Molly an’ run, an’ the
rest was as frightened as I.”
“But what were they frightened at?”
Thomas refused to answer for a while, but now my curiosity was aroused
about the repulsive young man below and I pressed him. Three years’
sojourn in America had not only modified Thomas’ cockney dialect but
had given him the American’s fear of ridicule.
“You won’t believe me, Mr. Scott, sir?”
“Yes, I will.”
“You will lawf at me, sir?”
“Nonsense!”
He hesitated. “Well, sir, it’s Gawd’s truth that when I ’it ’im ’e
grabbed me wrists, sir, and when I twisted ’is soft, mushy fist one of
’is fingers come off in me ’and.”
The utter loathing and horror of Thomas’ face must have been reflected
in my own, for he added:
“It’s orful, an’ now when I see ’im I just go away. ’E maikes me hill.”
When Thomas had gone I went to the window. The man stood beside the
church-railing with both hands on the gate, but I hastily retreated
to my easel again, sickened and horrified, for I saw that the middle
finger of his right hand was missing.
At nine o’clock Tessie appeared and vanished behind the screen with a
merry “Good morning, Mr. Scott.” When she had reappeared and taken her
pose upon the model-stand I started a new canvas, much to her delight.
She remained silent as long as I was on the drawing, but as soon as the
scrape of the charcoal ceased and I took up my fixative she began to
chatter.
“Oh, I had such a lovely time last night. We went to Tony Pastor’s.”
“Who are ‘we’?” I demanded.
“Oh, Maggie, you know, Mr. Whyte’s model, and Pinkie McCormick—we call
her Pinkie because she’s got that beautiful red hair you artists like
so much—and Lizzie Burke.”
I sent a shower of spray from the fixative over the canvas, and said:
“Well, go on.”
“We saw Kelly and Baby Barnes the skirt-dancer and—and all the rest. I
made a mash.”
“Then you have gone back on me, Tessie?”
She laughed and shook her head.
“He’s Lizzie Burke’s brother, Ed. He’s a perfect gen’l’man.”
I felt constrained to give her some parental advice concerning mashing,
which she took with a bright smile.
“Oh, I can take care of a strange mash,” she said, examining her
chewing gum, “but Ed is different. Lizzie is my best friend.”
Then she related how Ed had come back from the stocking mill in
Lowell, Massachusetts, to find her and Lizzie grown up, and what
an accomplished young man he was, and how he thought nothing of
squandering half-a-dollar for ice-cream and oysters to celebrate his
entry as clerk into the woollen department of Macy’s. Before she
finished I began to paint, and she resumed the pose, smiling and
chattering like a sparrow. By noon I had the study fairly well rubbed
in and Tessie came to look at it.
“That’s better,” she said.
I thought so too, and ate my lunch with a satisfied feeling that all
was going well. Tessie spread her lunch on a drawing table opposite me
and we drank our claret from the same bottle and lighted our cigarettes
from the same match. I was very much attached to Tessie. I had watched
her shoot up into a slender but exquisitely formed woman from a frail,
awkward child. She had posed for me during the last three years, and
among all my models she was my favourite. It would have troubled me
very much indeed had she become “tough” or “fly,” as the phrase goes,
but I never noticed any deterioration of her manner, and felt at heart
that she was all right. She and I never discussed morals at all, and
I had no intention of doing so, partly because I had none myself, and
partly because I knew she would do what she liked in spite of me. Still
I did hope she would steer clear of complications, because I wished her
well, and then also I had a selfish desire to retain the best model I
had. I knew that mashing, as she termed it, had no significance with
girls like Tessie, and that such things in America did not resemble
in the least the same things in Paris. Yet, having lived with my eyes
open, I also knew that somebody would take Tessie away some day, in
one manner or another, and though I professed to myself that marriage
was nonsense, I sincerely hoped that, in this case, there would be a
priest at the end of the vista. I am a Catholic. When I listen to high
mass, when I sign myself, I feel that everything, including myself, is
more cheerful, and when I confess, it does me good. A man who lives
as much alone as I do, must confess to somebody. Then, again, Sylvia
was Catholic, and it was reason enough for me. But I was speaking of
Tessie, which is very different. Tessie also was Catholic and much
more devout than I, so, taking it all in all, I had little fear for my
pretty model until she should fall in love. But _then_ I knew that fate
alone would decide her future for her, and I prayed inwardly that fate
would keep her away from men like me and throw into her path nothing
but Ed Burkes and Jimmy McCormicks, bless her sweet face!
Tessie sat blowing rings of smoke up to the ceiling and tinkling the
ice in her tumbler.
“Do you know that I also had a dream last night?” I observed.
“Not about that man,” she laughed.
“Exactly. A dream similar to yours, only much worse.”
It was foolish and thoughtless of me to say this, but you know how
little tact the average painter has. “I must have fallen asleep about
ten o’clock,” I continued, “and after a while I dreamt that I awoke. So
plainly did I hear the midnight bells, the wind in the tree-branches,
and the whistle of steamers from the bay, that even now I can scarcely
believe I was not awake. I seemed to be lying in a box which had a
glass cover. Dimly I saw the street lamps as I passed, for I must tell
you, Tessie, the box in which I reclined appeared to lie in a cushioned
wagon which jolted me over a stony pavement. After a while I became
impatient and tried to move, but the box was too narrow. My hands were
crossed on my breast, so I could not raise them to help myself. I
listened and then tried to call. My voice was gone. I could hear the
trample of the horses attached to the wagon, and even the breathing of
the driver. Then another sound broke upon my ears like the raising of
a window sash. I managed to turn my head a little, and found I could
look, not only through the glass cover of my box, but also through the
glass panes in the side of the covered vehicle. I saw houses, empty and
silent, with neither light nor life about any of them excepting one. In
that house a window was open on the first floor, and a figure all in
white stood looking down into the street. It was you.”
Tessie had turned her face away from me and leaned on the table with
her elbow.
“I could see your face,” I resumed, “and it seemed to me to be very
sorrowful. Then we passed on and turned into a narrow black lane.
Presently the horses stopped. I waited and waited, closing my eyes with
fear and impatience, but all was silent as the grave. After what seemed
to me hours, I began to feel uncomfortable. A sense that somebody was
close to me made me unclose my eyes. Then I saw the white face of the
hearse-driver looking at me through the coffin-lid——”
A sob from Tessie interrupted me. She was trembling like a leaf. I saw
I had made an ass of myself and attempted to repair the damage.
“Why, Tess,” I said, “I only told you this to show you what influence
your story might have on another person’s dreams. You don’t suppose I
really lay in a coffin, do you? What are you trembling for? Don’t you
see that your dream and my unreasonable dislike for that inoffensive
watchman of the church simply set my brain working as soon as I fell
asleep?”
She laid her head between her arms, and sobbed as if her heart would
break. What a precious triple donkey I had made of myself! But I was
about to break my record. I went over and put my arm about her.
“Tessie dear, forgive me,” I said; “I had no business to frighten you
with such nonsense. You are too sensible a girl, too good a Catholic to
believe in dreams.”
Her hand tightened on mine and her head fell back upon my shoulder, but
she still trembled and I petted her and comforted her.
“Come, Tess, open your eyes and smile.”
Her eyes opened with a slow languid movement and met mine, but their
expression was so queer that I hastened to reassure her again.
“It’s all humbug, Tessie; you surely are not afraid that any harm will
come to you because of that.”
“No,” she said, but her scarlet lips quivered.
“Then, what’s the matter? Are you afraid?”
“Yes. Not for myself.”
“For me, then?” I demanded gaily.
“For you,” she murmured in a voice almost inaudible. “I—I care for
you.”
At first I started to laugh, but when I understood her, a shock
passed through me, and I sat like one turned to stone. This was the
crowning bit of idiocy I had committed. During the moment which elapsed
between her reply and my answer I thought of a thousand responses to
that innocent confession. I could pass it by with a laugh, I could
misunderstand her and assure her as to my health, I could simply point
out that it was impossible she could love me. But my reply was quicker
than my thoughts, and I might think and think now when it was too late,
for I had kissed her on the mouth.
That evening I took my usual walk in Washington Park, pondering over
the occurrences of the day. I was thoroughly committed. There was no
back out now, and I stared the future straight in the face. I was not
good, not even scrupulous, but I had no idea of deceiving either myself
or Tessie. The one passion of my life lay buried in the sunlit forests
of Brittany. Was it buried for ever? Hope cried “No!” For three years
I had been listening to the voice of Hope, and for three years I had
waited for a footstep on my threshold. Had Sylvia forgotten? “No!”
cried Hope.
Robert W. Chambers — text from Project Gutenberg (eBook #8492)
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