Chapter 17
Part 17
11 min read · 2,103 words
THE STUDIO
He smiled, saying, “Seek her throughout the world.”
I said, “Why tell me of the world? My world is here, between these
walls and the sheet of glass above; here among gilded flagons and
dull jewelled arms, tarnished frames and canvasses, black chests and
high-backed chairs, quaintly carved and stained in blue and gold.”
“For whom do you wait?” he said, and I answered, “When she comes I
shall know her.”
On my hearth a tongue of flame whispered secrets to the whitening
ashes. In the street below I heard footsteps, a voice, and a song.
“For whom then do you wait?” he said, and I answered, “I shall know
her.”
Footsteps, a voice, and a song in the street below, and I knew the song
but neither the steps nor the voice.
“Fool!” he cried, “the song is the same, the voice and steps have but
changed with years!”
On the hearth a tongue of flame whispered above the whitening ashes:
“Wait no more; they have passed, the steps and the voice in the street
below.”
Then he smiled, saying, “For whom do you wait? Seek her throughout the
world!”
I answered, “My world is here, between these walls and the sheet
of glass above; here among gilded flagons and dull jewelled arms,
tarnished frames and canvasses, black chests and high-backed chairs,
quaintly carved and stained in blue and gold.”
THE PHANTOM
The Phantom of the Past would go no further.
“If it is true,” she sighed, “that you find in me a friend, let us turn
back together. You will forget, here, under the summer sky.”
I held her close, pleading, caressing; I seized her, white with anger,
but she resisted.
“If it is true,” she sighed, “that you find in me a friend, let us turn
back together.”
The Phantom of the Past would go no further.
THE SACRIFICE
I went into a field of flowers, whose petals are whiter than snow and
whose hearts are pure gold.
Far afield a woman cried, “I have killed him I loved!” and from a jar
she poured blood upon the flowers whose petals are whiter than snow and
whose hearts are pure gold.
Far afield I followed, and on the jar I read a thousand names, while
from within the fresh blood bubbled to the brim.
“I have killed him I loved!” she cried. “The world’s athirst; now let
it drink!” She passed, and far afield I watched her pouring blood upon
the flowers whose petals are whiter than snow and whose hearts are pure
gold.
DESTINY
I came to the bridge which few may pass.
“Pass!” cried the keeper, but I laughed, saying, “There is time;” and
he smiled and shut the gates.
To the bridge which few may pass came young and old. All were refused.
Idly I stood and counted them, until, wearied of their noise and
lamentations, I came again to the bridge which few may pass.
Those in the throng about the gates shrieked out, “He comes too late!”
But I laughed, saying, “There is time.”
“Pass!” cried the keeper as I entered; then smiled and shut the gates.
THE THRONG
There, where the throng was thickest in the street, I stood with
Pierrot. All eyes were turned on me.
“What are they laughing at?” I asked, but he grinned, dusting the chalk
from my black cloak. “I cannot see; it must be something droll, perhaps
an honest thief!”
All eyes were turned on me.
“He has robbed you of your purse!” they laughed.
“My purse!” I cried; “Pierrot—help! it is a thief!”
They laughed: “He has robbed you of your purse!”
Then Truth stepped out, holding a mirror. “If he is an honest thief,”
cried Truth, “Pierrot shall find him with this mirror!” but he only
grinned, dusting the chalk from my black cloak.
“You see,” he said, “Truth is an honest thief, she brings you back your
mirror.”
All eyes were turned on me.
“Arrest Truth!” I cried, forgetting it was not a mirror but a purse I
lost, standing with Pierrot, there, where the throng was thickest in
the street.
THE JESTER
“Was she fair?” I asked, but he only chuckled, listening to the bells
jingling on his cap.
“Stabbed,” he tittered. “Think of the long journey, the days of peril,
the dreadful nights! Think how he wandered, for her sake, year after
year, through hostile lands, yearning for kith and kin, yearning for
her!”
“Stabbed,” he tittered, listening to the bells jingling on his cap.
“Was she fair?” I asked, but he only snarled, muttering to the bells
jingling on his cap.
“She kissed him at the gate,” he tittered, “but in the hall his
brother’s welcome touched his heart.”
“Was she fair?” I asked.
“Stabbed,” he chuckled. “Think of the long journey, the days of peril,
the dreadful nights! Think how he wandered, for her sake, year after
year through hostile lands, yearning for kith and kin, yearning for
her!”
“She kissed him at the gate, but in the hall his brother’s welcome
touched his heart.”
“Was she fair?” I asked; but he only snarled, listening to the bells
jingling in his cap.
THE GREEN ROOM
The Clown turned his powdered face to the mirror.
“If to be fair is to be beautiful,” he said, “who can compare with me
in my white mask?”
“Who can compare with him in his white mask?” I asked of Death beside
me.
“Who can compare with me?” said Death, “for I am paler still.”
“You are very beautiful,” sighed the Clown, turning his powdered face
from the mirror.
THE LOVE TEST
“If it is true that you love,” said Love, “then wait no longer. Give
her these jewels which would dishonour her and so dishonour you in
loving one dishonoured. If it is true that you love,” said Love, “then
wait no longer.”
I took the jewels and went to her, but she trod upon them, sobbing:
“Teach me to wait—I love you!”
“Then wait, if it is true,” said Love.
THE STREET OF THE FOUR WINDS
“Ferme tes yeux à demi,
Croise tes bras sur ton sein,
Et de ton cœur endormi
Chasse à jamais tout dessein.”
* * * *
“Je chante la nature,
Les étoiles du soir, les larmes du matin,
Les couchers de soleil à l’horizon lointain,
Le ciel qui parle au cœur d’existence future!”
I
The animal paused on the threshold, interrogative, alert, ready for
flight if necessary. Severn laid down his palette, and held out a hand
of welcome. The cat remained motionless, her yellow eyes fastened upon
Severn.
“Puss,” he said, in his low, pleasant voice, “come in.”
The tip of her thin tail twitched uncertainly.
“Come in,” he said again.
Apparently she found his voice reassuring, for she slowly settled upon
all fours, her eyes still fastened upon him, her tail tucked under her
gaunt flanks.
He rose from his easel smiling. She eyed him quietly, and when he
walked toward her she watched him bend above her without a wince; her
eyes followed his hand until it touched her head. Then she uttered a
ragged mew.
It had long been Severn’s custom to converse with animals, probably
because he lived so much alone; and now he said, “What’s the matter,
puss?”
Her timid eyes sought his.
“I understand,” he said gently, “you shall have it at once.”
Then moving quietly about he busied himself with the duties of a host,
rinsed a saucer, filled it with the rest of the milk from the bottle on
the window-sill, and kneeling down, crumbled a roll into the hollow of
his hand.
The creature rose and crept toward the saucer.
With the handle of a palette-knife he stirred the crumbs and milk
together and stepped back as she thrust her nose into the mess. He
watched her in silence. From time to time the saucer clinked upon the
tiled floor as she reached for a morsel on the rim; and at last the
bread was all gone, and her purple tongue travelled over every unlicked
spot until the saucer shone like polished marble. Then she sat up, and
coolly turning her back to him, began her ablutions.
“Keep it up,” said Severn, much interested, “you need it.”
She flattened one ear, but neither turned nor interrupted her toilet.
As the grime was slowly removed Severn observed that nature had
intended her for a white cat. Her fur had disappeared in patches,
from disease or the chances of war, her tail was bony and her spine
sharp. But what charms she had were becoming apparent under vigorous
licking, and he waited until she had finished before re-opening the
conversation. When at last she closed her eyes and folded her forepaws
under her breast, he began again very gently: “Puss, tell me your
troubles.”
At the sound of his voice she broke into a harsh rumbling which he
recognized as an attempt to purr. He bent over to rub her cheek and
she mewed again, an amiable inquiring little mew, to which he replied,
“Certainly, you are greatly improved, and when you recover your plumage
you will be a gorgeous bird.” Much flattered, she stood up and marched
around and around his legs, pushing her head between them and making
pleased remarks, to which he responded with grave politeness.
“Now, what sent you here,” he said—“here into the Street of the Four
Winds, and up five flights to the very door where you would be welcome?
What was it that prevented your meditated flight when I turned from my
canvas to encounter your yellow eyes? Are you a Latin Quarter cat as I
am a Latin Quarter man? And why do you wear a rose-coloured flowered
garter buckled about your neck?” The cat had climbed into his lap, and
now sat purring as he passed his hand over her thin coat.
“Excuse me,” he continued in lazy soothing tones, harmonizing with
her purring, “if I seem indelicate, but I cannot help musing on this
rose-coloured garter, flowered so quaintly and fastened with a silver
clasp. For the clasp is silver; I can see the mint mark on the edge,
as is prescribed by the law of the French Republic. Now, why is this
garter woven of rose silk and delicately embroidered,—why is this
silken garter with its silver clasp about your famished throat? Am
I indiscreet when I inquire if its owner is your owner? Is she some
aged dame living in memory of youthful vanities, fond, doting on you,
decorating you with her intimate personal attire? The circumference of
the garter would suggest this, for your neck is thin, and the garter
fits you. But then again I notice—I notice most things—that the
garter is capable of being much enlarged. These small silver-rimmed
eyelets, of which I count five, are proof of that. And now I observe
that the fifth eyelet is worn out, as though the tongue of the clasp
were accustomed to lie there. That seems to argue a well-rounded form.”
The cat curled her toes in contentment. The street was very still
outside.
He murmured on: “Why should your mistress decorate you with an article
most necessary to her at all times? Anyway, at most times. How did
she come to slip this bit of silk and silver about your neck? Was it
the caprice of a moment,—when you, before you had lost your pristine
plumpness, marched singing into her bedroom to bid her good-morning? Of
course, and she sat up among the pillows, her coiled hair tumbling to
her shoulders, as you sprang upon the bed purring: ‘Good-day, my lady.’
Oh, it is very easy to understand,” he yawned, resting his head on the
back of the chair. The cat still purred, tightening and relaxing her
padded claws over his knee.
“Shall I tell you all about her, cat? She is very beautiful—your
mistress,” he murmured drowsily, “and her hair is heavy as burnished
gold. I could paint her,—not on canvas—for I should need shades and
tones and hues and dyes more splendid than the iris of a splendid
rainbow. I could only paint her with closed eyes, for in dreams alone
can such colours as I need be found. For her eyes, I must have azure
from skies untroubled by a cloud—the skies of dreamland. For her lips,
roses from the palaces of slumberland, and for her brow, snow-drifts
from mountains which tower in fantastic pinnacles to the moons;—oh,
much higher than our moon here,—the crystal moons of dreamland. She
is—very—beautiful, your mistress.”
Robert W. Chambers — text from Project Gutenberg (eBook #8492)
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