Part 61

20121m “That night a memorable event occurred, due, no doubt, to the imprudence of some servant who had neglected to extinguish the lights. The Villa of San-Felice took fire in the rooms adjoining the very apartment of the lovely Carmela. Awakened in the night by the light of the flames, she sprang out of bed, wrapped herself in a dressing-gown, and attempted to escape by the door, but the corridor by which she hoped to fly was already a prey to the flames. She then returned to her room, calling for help as loudly as she could, when suddenly her window, which was twenty feet from the ground, was opened, a young peasant jumped into the chamber, seized her in his arms, and with superhuman skill and strength conveyed her to the turf of the grass-plot, where she fainted. When she recovered, her father was by her side. All the servants surrounded her, offering her assistance. An entire wing of the villa was burnt down; but what of that, as long as Carmela was safe and uninjured? “Her preserver was everywhere sought for, but he did not appear; he was inquired after, but no one had seen him. Carmela was greatly troubled that she had not recognized him. “As the count was immensely rich, excepting the danger Carmela had run,—and the marvellous manner in which she had escaped, made that appear to him rather a favor of Providence than a real misfortune,—the loss occasioned by the conflagration was to him but a trifle. “The next day, at the usual hour, the two young peasants were on the borders of the forest. Luigi arrived first. He came toward Teresa in high spirits, and seemed to have completely forgotten the events of the previous evening. The young girl was very pensive, but seeing Luigi so cheerful, she on her part assumed a smiling air, which was natural to her when she was not excited or in a passion. “Luigi took her arm beneath his own, and led her to the door of the grotto. Then he paused. The young girl, perceiving that there was something extraordinary, looked at him steadfastly. “‘Teresa,’ said Luigi, ‘yesterday evening you told me you would give all the world to have a costume similar to that of the count’s daughter.’ “‘Yes,’ replied Teresa with astonishment; ‘but I was mad to utter such a wish.’ “‘And I replied, “Very well, you shall have it.”’ “‘Yes,’ replied the young girl, whose astonishment increased at every word uttered by Luigi, ‘but of course your reply was only to please me.’ “‘I have promised no more than I have given you, Teresa,’ said Luigi proudly. ‘Go into the grotto and dress yourself.’ “At these words he drew away the stone, and showed Teresa the grotto, lighted up by two wax lights, which burnt on each side of a splendid mirror; on a rustic table, made by Luigi, were spread out the pearl necklace and the diamond pins, and on a chair at the side was laid the rest of the costume. “Teresa uttered a cry of joy, and, without inquiring whence this attire came, or even thanking Luigi, darted into the grotto, transformed into a dressing-room. “Luigi pushed the stone behind her, for on the crest of a small adjacent hill which cut off the view toward Palestrina, he saw a traveller on horseback, stopping a moment, as if uncertain of his road, and thus presenting against the blue sky that perfect outline which is peculiar to distant objects in southern climes. When he saw Luigi, he put his horse into a gallop and advanced toward him. “Luigi was not mistaken. The traveller, who was going from Palestrina to Tivoli, had mistaken his way; the young man directed him; but as at a distance of a quarter of a mile the road again divided into three ways, and on reaching these the traveller might again stray from his route, he begged Luigi to be his guide. “Luigi threw his cloak on the ground, placed his carbine on his shoulder, and freed from his heavy covering, preceded the traveller with the rapid step of a mountaineer, which a horse can scarcely keep up with. In ten minutes Luigi and the traveller reached the cross-roads. On arriving there, with an air as majestic as that of an emperor, he stretched his hand towards that one of the roads which the traveller was to follow. “‘That is your road, excellency, and now you cannot again mistake.’ “‘And here is your recompense,’ said the traveller, offering the young herdsman some small pieces of money. “‘Thank you,’ said Luigi, drawing back his hand; ‘I render a service, I do not sell it.’ “‘Well,’ replied the traveller, who seemed used to this difference between the servility of a man of the cities and the pride of the mountaineer, ‘if you refuse wages, you will, perhaps, accept a gift.’ “‘Ah, yes, that is another thing.’ “‘Then,’ said the traveller, ‘take these two Venetian sequins and give them to your bride, to make herself a pair of earrings.’ “‘And then do you take this poniard,’ said the young herdsman; ‘you will not find one better carved between Albano and Civita-Castellana.’ “‘I accept it,’ answered the traveller, ‘but then the obligation will be on my side, for this poniard is worth more than two sequins.’ “‘For a dealer perhaps; but for me, who engraved it myself, it is hardly worth a piastre.’ “‘What is your name?’ inquired the traveller. “‘Luigi Vampa,’ replied the shepherd, with the same air as he would have replied, Alexander, King of Macedon. ‘And yours?’ “‘I,’ said the traveller, ‘am called Sinbad the Sailor.’” Franz d’Épinay started with surprise. “Sinbad the Sailor?” he said. “Yes,” replied the narrator; “that was the name which the traveller gave to Vampa as his own.” “Well, and what may you have to say against this name?” inquired Albert; “it is a very pretty name, and the adventures of the gentleman of that name amused me very much in my youth, I must confess.” Franz said no more. The name of Sinbad the Sailor, as may well be supposed, awakened in him a world of recollections, as had the name of the Count of Monte Cristo on the previous evening. “Proceed!” said he to the host. “Vampa put the two sequins haughtily into his pocket, and slowly returned by the way he had gone. As he came within two or three hundred paces of the grotto, he thought he heard a cry. He listened to know whence this sound could proceed. A moment afterwards he thought he heard his own name pronounced distinctly. “The cry proceeded from the grotto. He bounded like a chamois, cocking his carbine as he went, and in a moment reached the summit of a hill opposite to that on which he had perceived the traveller. Three cries for help came more distinctly to his ear. He cast his eyes around him and saw a man carrying off Teresa, as Nessus, the centaur, carried Deianira. “This man, who was hastening towards the wood, was already three-quarters of the way on the road from the grotto to the forest. Vampa measured the distance; the man was at least two hundred paces in advance of him, and there was not a chance of overtaking him. The young shepherd stopped, as if his feet had been rooted to the ground; then he put the butt of his carbine to his shoulder, took aim at the ravisher, followed him for a second in his track, and then fired. “The ravisher stopped suddenly, his knees bent under him, and he fell with Teresa in his arms. The young girl rose instantly, but the man lay on the earth struggling in the agonies of death. Vampa then rushed towards Teresa; for at ten paces from the dying man her legs had failed her, and she had dropped on her knees, so that the young man feared that the ball that had brought down his enemy, had also wounded his betrothed. “Fortunately, she was unscathed, and it was fright alone that had overcome Teresa. When Luigi had assured himself that she was safe and unharmed, he turned towards the wounded man. He had just expired, with clenched hands, his mouth in a spasm of agony, and his hair on end in the sweat of death. His eyes remained open and menacing. Vampa approached the corpse, and recognized Cucumetto. “From the day on which the bandit had been saved by the two young peasants, he had been enamoured of Teresa, and had sworn she should be his. From that time he had watched them, and profiting by the moment when her lover had left her alone, had carried her off, and believed he at length had her in his power, when the ball, directed by the unerring skill of the young herdsman, had pierced his heart. Vampa gazed on him for a moment without betraying the slightest emotion; while, on the contrary, Teresa, shuddering in every limb, dared not approach the slain ruffian but by degrees, and threw a hesitating glance at the dead body over the shoulder of her lover. Suddenly Vampa turned toward his mistress: “‘Ah,’ said he—‘good, good! You are dressed; it is now my turn to dress myself.’ 20125m “Teresa was clothed from head to foot in the garb of the Count of San-Felice’s daughter. Vampa took Cucumetto’s body in his arms and conveyed it to the grotto, while in her turn Teresa remained outside. If a second traveller had passed, he would have seen a strange thing,—a shepherdess watching her flock, clad in a cashmere grown, with ear-rings and necklace of pearls, diamond pins, and buttons of sapphires, emeralds, and rubies. He would, no doubt, have believed that he had returned to the times of Florian, and would have declared, on reaching Paris, that he had met an Alpine shepherdess seated at the foot of the Sabine Hill. “At the end of a quarter of an hour Vampa quitted the grotto; his costume was no less elegant than that of Teresa. He wore a vest of garnet-colored velvet, with buttons of cut gold; a silk waistcoat covered with embroidery; a Roman scarf tied round his neck; a cartridge-box worked with gold, and red and green silk; sky-blue velvet breeches, fastened above the knee with diamond buckles; garters of deerskin, worked with a thousand arabesques, and a hat whereon hung ribbons of all colors; two watches hung from his girdle, and a splendid poniard was in his belt. “Teresa uttered a cry of admiration. Vampa in this attire resembled a painting by Léopold Robert or Schnetz. He had assumed the entire costume of Cucumetto. The young man saw the effect produced on his betrothed, and a smile of pride passed over his lips. “‘Now,’ he said to Teresa, ‘are you ready to share my fortune, whatever it may be?’ “‘Oh, yes!’ exclaimed the young girl enthusiastically. “‘And follow me wherever I go?’ “‘To the world’s end.’ “‘Then take my arm, and let us on; we have no time to lose.’ “The young girl did so without questioning her lover as to where he was conducting her, for he appeared to her at this moment as handsome, proud, and powerful as a god. They went towards the forest, and soon entered it. “We need scarcely say that all the paths of the mountain were known to Vampa; he therefore went forward without a moment’s hesitation, although there was no beaten track, but he knew his path by looking at the trees and bushes, and thus they kept on advancing for nearly an hour and a half. At the end of this time they had reached the thickest part of the forest. A torrent, whose bed was dry, led into a deep gorge. Vampa took this wild road, which, enclosed between two ridges, and shadowed by the tufted umbrage of the pines, seemed, but for the difficulties of its descent, that path to Avernus of which Virgil speaks. Teresa had become alarmed at the wild and deserted look of the plain around her, and pressed closely against her guide, not uttering a syllable; but as she saw him advance with even step and composed countenance, she endeavored to repress her emotion. “Suddenly, about ten paces from them, a man advanced from behind a tree and aimed at Vampa. “‘Not another step,’ he said, ‘or you are a dead man.’ “‘What, then,’ said Vampa, raising his hand with a gesture of disdain, while Teresa, no longer able to restrain her alarm, clung closely to him, ‘do wolves rend each other?’ “‘Who are you?’ inquired the sentinel. “‘I am Luigi Vampa, shepherd of the San-Felice farm.’ “‘What do you want?’