Chapter 71
Part 71
11 min read · 2,125 words
“Well,” said she, hardly giving Franz time to sit down, “it seems you
have nothing better to do than to make the acquaintance of this new
Lord Ruthven, and you are already the best friends in the world.”
“Without being so far advanced as that, my dear countess,” returned
Franz, “I cannot deny that we have abused his good nature all day.”
“All day?”
“Yes; this morning we breakfasted with him; we rode in his carriage all
day, and now we have taken possession of his box.”
“You know him, then?”
“Yes, and no.”
“How so?”
“It is a long story.”
“Tell it to me.”
“It would frighten you too much.”
“So much the more reason.”
“At least wait until the story has a conclusion.”
“Very well; I prefer complete histories; but tell me how you made his
acquaintance? Did anyone introduce you to him?”
“No; it was he who introduced himself to us.”
“When?”
“Last night, after we left you.”
“Through what medium?”
“The very prosaic one of our landlord.”
“He is staying, then, at the Hôtel de Londres with you?”
“Not only in the same hotel, but on the same floor.”
“What is his name; for, of course, you know?”
“The Count of Monte Cristo.”
“That is not a family name?”
“No, it is the name of the island he has purchased.”
“And he is a count?”
“A Tuscan count.”
“Well, we must put up with that,” said the countess, who was herself
from one of the oldest Venetian families. “What sort of a man is he?”
“Ask the Vicomte de Morcerf.”
“You hear, M. de Morcerf, I am referred to you,” said the countess.
“We should be very hard to please, madam,” returned Albert, “did we not
think him delightful. A friend of ten years’ standing could not have
done more for us, or with a more perfect courtesy.”
“Come,” observed the countess, smiling, “I see my vampire is only some
millionaire, who has taken the appearance of Lara in order to avoid
being confounded with M. de Rothschild; and you have seen her?”
“Her?”
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“The beautiful Greek of yesterday.”
“No; we heard, I think, the sound of her _guzla_, but she remained
perfectly invisible.”
“When you say invisible,” interrupted Albert, “it is only to keep up
the mystery; for whom do you take the blue domino at the window with
the white curtains?”
“Where was this window with white hangings?” asked the countess.
“At the Rospoli Palace.”
“The count had three windows at the Rospoli Palace?”
“Yes. Did you pass through the Corso?”
“Yes.”
“Well, did you notice two windows hung with yellow damask, and one with
white damask with a red cross? Those were the count’s windows.”
“Why, he must be a nabob. Do you know what those three windows were
worth?”
“Two or three hundred Roman crowns?”
“Two or three thousand.”
“The deuce!”
“Does his island produce him such a revenue?”
“It does not bring him a bajocco.”
“Then why did he purchase it?”
“For a whim.”
“He is an original, then?”
“In reality,” observed Albert, “he seemed to me somewhat eccentric;
were he at Paris, and a frequenter of the theatres, I should say he was
a poor devil literally mad. This morning he made two or three exits
worthy of Didier or Anthony.”
At this moment a fresh visitor entered, and, according to custom, Franz
gave up his seat to him. This circumstance had, moreover, the effect of
changing the conversation; an hour afterwards the two friends returned
to their hotel.
Signor Pastrini had already set about procuring their disguises for the
morrow; and he assured them that they would be perfectly satisfied. The
next morning, at nine o’clock, he entered Franz’s room, followed by a
tailor, who had eight or ten Roman peasant costumes on his arm; they
selected two exactly alike, and charged the tailor to sew on each of
their hats about twenty yards of ribbon, and to procure them two of the
long silk sashes of different colors with which the lower orders
decorate themselves on fête days.
Albert was impatient to see how he looked in his new dress—a jacket and
breeches of blue velvet, silk stockings with clocks, shoes with
buckles, and a silk waistcoat. This picturesque attire set him off to
great advantage; and when he had bound the scarf around his waist, and
when his hat, placed coquettishly on one side, let fall on his shoulder
a stream of ribbons, Franz was forced to confess that costume has much
to do with the physical superiority we accord to certain nations. The
Turks used to be so picturesque with their long and flowing robes, but
are they not now hideous with their blue frocks buttoned up to the
chin, and their red caps, which make them look like a bottle of wine
with a red seal? Franz complimented Albert, who looked at himself in
the glass with an unequivocal smile of satisfaction. They were thus
engaged when the Count of Monte Cristo entered.
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“Gentlemen,” said he, “although a companion is agreeable, perfect
freedom is sometimes still more agreeable. I come to say that today,
and for the remainder of the Carnival, I leave the carriage entirely at
your disposal. The host will tell you I have three or four more, so
that you will not inconvenience me in any way. Make use of it, I pray
you, for your pleasure or your business.”
The young men wished to decline, but they could find no good reason for
refusing an offer which was so agreeable to them. The Count of Monte
Cristo remained a quarter of an hour with them, conversing on all
subjects with the greatest ease. He was, as we have already said,
perfectly well acquainted with the literature of all countries. A
glance at the walls of his salon proved to Franz and Albert that he was
a connoisseur of pictures. A few words he let fall showed them that he
was no stranger to the sciences, and he seemed much occupied with
chemistry. The two friends did not venture to return the count the
breakfast he had given them; it would have been too absurd to offer him
in exchange for his excellent table the very inferior one of Signor
Pastrini. They told him so frankly, and he received their excuses with
the air of a man who appreciated their delicacy. Albert was charmed
with the count’s manners, and he was only prevented from recognizing
him for a perfect gentleman by reason of his varied knowledge.
The permission to do what he liked with the carriage pleased him above
all, for the fair peasants had appeared in a most elegant carriage the
preceding evening, and Albert was not sorry to be upon an equal footing
with them. At half-past one they descended, the coachman and footman
had put on their livery over their disguises, which gave them a more
ridiculous appearance than ever, and which gained them the applause of
Franz and Albert. Albert had fastened the faded bunch of violets to his
button-hole. At the first sound of the bell they hastened into the
Corso by the Via Vittoria.
At the second turn, a bunch of fresh violets, thrown from a carriage
filled with harlequins, indicated to Albert that, like himself and his
friend, the peasants had changed their costume also; and whether it was
the result of chance, or whether a similar feeling had possessed them
both, while he had donned their costume, they had assumed his.
Albert placed the fresh bouquet in his button-hole, but he kept the
faded one in his hand; and when he again met the calash, he raised it
to his lips, an action which seemed greatly to amuse not only the fair
lady who had thrown it, but her joyous companions also. The day was as
gay as the preceding one, perhaps even more animated and noisy; the
count appeared for an instant at his window, but when they again passed
he had disappeared. It is almost needless to say that the flirtation
between Albert and the fair peasant continued all day.
In the evening, on his return, Franz found a letter from the embassy,
informing him that he would have the honor of being received by his
holiness the next day. At each previous visit he had made to Rome, he
had solicited and obtained the same favor; and incited as much by a
religious feeling as by gratitude, he was unwilling to quit the capital
of the Christian world without laying his respectful homage at the feet
of one of St. Peter’s successors who has set the rare example of all
the virtues. He did not then think of the Carnival, for in spite of his
condescension and touching kindness, one cannot incline one’s self
without awe before the venerable and noble old man called Gregory XVI.
On his return from the Vatican, Franz carefully avoided the Corso; he
brought away with him a treasure of pious thoughts, to which the mad
gayety of the maskers would have been profanation.
At ten minutes past five Albert entered overjoyed. The harlequin had
reassumed her peasant’s costume, and as she passed she raised her mask.
She was charming. Franz congratulated Albert, who received his
congratulations with the air of a man conscious that they are merited.
He had recognized by certain unmistakable signs, that his fair
_incognita_ belonged to the aristocracy. He had made up his mind to
write to her the next day.
Franz remarked, while he gave these details, that Albert seemed to have
something to ask of him, but that he was unwilling to ask it. He
insisted upon it, declaring beforehand that he was willing to make any
sacrifice the other wished.
Albert let himself be pressed just as long as friendship required, and
then avowed to Franz that he would do him a great favor by allowing him
to occupy the carriage alone the next day. Albert attributed to Franz’s
absence the extreme kindness of the fair peasant in raising her mask.
Franz was not sufficiently egotistical to stop Albert in the middle of
an adventure that promised to prove so agreeable to his curiosity and
so flattering to his vanity. He felt assured that the perfect
indiscretion of his friend would duly inform him of all that happened;
and as, during three years that he had travelled all over Italy, a
similar piece of good fortune had never fallen to his share, Franz was
by no means sorry to learn how to act on such an occasion. He therefore
promised Albert that he would content himself the morrow with
witnessing the Carnival from the windows of the Rospoli Palace.
The next morning he saw Albert pass and repass, holding an enormous
bouquet, which he doubtless meant to make the bearer of his amorous
epistle. This belief was changed into certainty when Franz saw the
bouquet (conspicuous by a circle of white camellias) in the hand of a
charming harlequin dressed in rose-colored satin.
The evening was no longer joy, but delirium. Albert nothing doubted but
that the fair unknown would reply in the same manner. Franz anticipated
his wishes by saying that the noise fatigued him, and that he should
pass the next day in writing and looking over his journal. Albert was
not deceived, for the next evening Franz saw him enter triumphantly
shaking a folded paper which he held by one corner.
“Well,” said he, “was I mistaken?”
“She has answered you!” cried Franz.
“Read.”
This word was pronounced in a manner impossible to describe. Franz took
the letter, and read:
“Tuesday evening, at seven o’clock, descend from your carriage opposite
the Via dei Pontefici, and follow the Roman peasant who snatches your
torch from you. When you arrive at the first step of the church of San
Giacomo, be sure to fasten a knot of rose-colored ribbons to the
shoulder of your harlequin costume, in order that you may be
recognized. Until then you will not see me. —Constancy and Discretion.”
“Well,” asked he, when Franz had finished, “what do you think of that?”
“I think that the adventure is assuming a very agreeable appearance.”
“I think so, also,” replied Albert; “and I very much fear you will go
alone to the Duke of Bracciano’s ball.”
Franz and Albert had received that morning an invitation from the
celebrated Roman banker.
“Take care, Albert,” said Franz. “All the nobility of Rome will be
present, and if your fair _incognita_ belong to the higher class of
society, she must go there.”
“Whether she goes there or not, my opinion is still the same,” returned
Albert. “You have read the letter?”
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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