Part 72

“Yes.” “You know how imperfectly the women of the _mezzo cito_ are educated in Italy?” (This is the name of the lower class.) “Yes.” “Well, read the letter again. Look at the writing, and find if you can, any blemish in the language or orthography.” The writing was, in reality, charming, and the orthography irreproachable. “You are born to good fortune,” said Franz, as he returned the letter. “Laugh as much as you will,” replied Albert, “I am in love.” “You alarm me,” cried Franz. “I see that I shall not only go alone to the Duke of Bracciano’s, but also return to Florence alone.” “If my unknown be as amiable as she is beautiful,” said Albert, “I shall fix myself at Rome for six weeks, at least. I adore Rome, and I have always had a great taste for archæology.” 20189m “Come, two or three more such adventures, and I do not despair of seeing you a member of the Academy.” Doubtless Albert was about to discuss seriously his right to the academic chair when they were informed that dinner was ready. Albert’s love had not taken away his appetite. He hastened with Franz to seat himself, free to recommence the discussion after dinner. After dinner, the Count of Monte Cristo was announced. They had not seen him for two days. Signor Pastrini informed them that business had called him to Civita Vecchia. He had started the previous evening, and had only returned an hour since. He was charming. Whether he kept a watch over himself, or whether by accident he did not sound the acrimonious chords that in other circumstances had been touched, he was tonight like everybody else. The man was an enigma to Franz. The count must feel sure that Franz recognized him; and yet he had not let fall a single word indicating any previous acquaintance between them. On his side, however great Franz’s desire was to allude to their former interview, the fear of being disagreeable to the man who had loaded him and his friend with kindness prevented him from mentioning it. The count had learned that the two friends had sent to secure a box at the Argentina Theatre, and were told they were all let. In consequence, he brought them the key of his own—at least such was the apparent motive of his visit. Franz and Albert made some difficulty, alleging their fear of depriving him of it; but the count replied that, as he was going to the Palli Theatre, the box at the Argentina Theatre would be lost if they did not profit by it. This assurance determined the two friends to accept it. Franz had by degrees become accustomed to the count’s pallor, which had so forcibly struck him at their first meeting. He could not refrain from admiring the severe beauty of his features, the only defect, or rather the principal quality of which was the pallor. Truly, a Byronic hero! Franz could not, we will not say see him, but even think of him without imagining his stern head upon Manfred’s shoulders, or beneath Lara’s helmet. His forehead was marked with the line that indicates the constant presence of bitter thoughts; he had the fiery eyes that seem to penetrate to the very soul, and the haughty and disdainful upper lip that gives to the words it utters a peculiar character that impresses them on the minds of those to whom they are addressed. The count was no longer young. He was at least forty; and yet it was easy to understand that he was formed to rule the young men with whom he associated at present. And, to complete his resemblance with the fantastic heroes of the English poet, the count seemed to have the power of fascination. Albert was constantly expatiating on their good fortune in meeting such a man. Franz was less enthusiastic; but the count exercised over him also the ascendency a strong mind always acquires over a mind less domineering. He thought several times of the project the count had of visiting Paris; and he had no doubt but that, with his eccentric character, his characteristic face, and his colossal fortune, he would produce a great effect there. And yet he did not wish to be at Paris when the count was there. The evening passed as evenings mostly pass at Italian theatres; that is, not in listening to the music, but in paying visits and conversing. The Countess G—— wished to revive the subject of the count, but Franz announced he had something far newer to tell her, and, in spite of Albert’s demonstrations of false modesty, he informed the countess of the great event which had preoccupied them for the last three days. As similar intrigues are not uncommon in Italy, if we may credit travellers, the comtess did not manifest the least incredulity, but congratulated Albert on his success. They promised, upon separating, to meet at the Duke of Bracciano’s ball, to which all Rome was invited. The heroine of the bouquet kept her word; she gave Albert no sign of her existence the morrow or the day after. At length Tuesday came, the last and most tumultuous day of the Carnival. On Tuesday, the theatres open at ten o’clock in the morning, as Lent begins after eight at night. On Tuesday, all those who through want of money, time, or enthusiasm, have not been to see the Carnival before, mingle in the gayety, and contribute to the noise and excitement. From two o’clock till five Franz and Albert followed in the _fête_, exchanging handfuls of _confetti_ with the other carriages and the pedestrians, who crowded amongst the horses’ feet and the carriage wheels without a single accident, a single dispute, or a single fight. The _fêtes_ are veritable pleasure days to the Italians. The author of this history, who has resided five or six years in Italy, does not recollect to have ever seen a ceremony interrupted by one of those events so common in other countries. Albert was triumphant in his harlequin costume. A knot of rose-colored ribbons fell from his shoulder almost to the ground. In order that there might be no confusion, Franz wore his peasant’s costume. As the day advanced, the tumult became greater. There was not on the pavement, in the carriages, at the windows, a single tongue that was silent, a single arm that did not move. It was a human storm, made up of a thunder of cries, and a hail of sweetmeats, flowers, eggs, oranges, and nosegays. At three o’clock the sound of fireworks, let off on the Piazza del Popolo and the Piazza di Venezia (heard with difficulty amid the din and confusion) announced that the races were about to begin. The races, like the _moccoli_, are one of the episodes peculiar to the last days of the Carnival. At the sound of the fireworks the carriages instantly broke ranks, and retired by the adjacent streets. All these evolutions are executed with an inconceivable address and marvellous rapidity, without the police interfering in the matter. The pedestrians ranged themselves against the walls; then the trampling of horses and the clashing of steel were heard. A detachment of carbineers, fifteen abreast, galloped up the Corso in order to clear it for the _barberi_. When the detachment arrived at the Piazza di Venezia, a second volley of fireworks was discharged, to announce that the street was clear. Almost instantly, in the midst of a tremendous and general outcry, seven or eight horses, excited by the shouts of three hundred thousand spectators, passed by like lightning. Then the Castle of Saint Angelo fired three cannon to indicate that number three had won. Immediately, without any other signal, the carriages moved on, flowing on towards the Corso, down all the streets, like torrents pent up for a while, which again flow into the parent river; and the immense stream again continued its course between its two granite banks. A new source of noise and movement was added to the crowd. The sellers of _moccoletti_ entered on the scene. The _moccoli_, or _moccoletti_, are candles which vary in size from the pascal taper to the rushlight, and which give to each actor in the great final scene of the Carnival two very serious problems to grapple with,—first, how to keep his own _moccoletto_ alight; and secondly, how to extinguish the _moccoletti_ of others. The _moccoletto_ is like life: man has found but one means of transmitting it, and that one comes from God. But he has discovered a thousand means of taking it away, and the devil has somewhat aided him. The _moccoletto_ is kindled by approaching it to a light. But who can describe the thousand means of extinguishing the _moccoletto_?—the gigantic bellows, the monstrous extinguishers, the superhuman fans. Everyone hastened to purchase _moccoletti_—Franz and Albert among the rest. The night was rapidly approaching; and already, at the cry of “_Moccoletti_!” repeated by the shrill voices of a thousand vendors, two or three stars began to burn among the crowd. It was a signal. At the end of ten minutes fifty thousand lights glittered, descending from the Palazzo di Venezia to the Piazza del Popolo, and mounting from the Piazza del Popolo to the Palazzo di Venezia. It seemed like the _fête_ of Jack-o’-lanterns. It is impossible to form any idea of it without having seen it. Suppose that all the stars had descended from the sky and mingled in a wild dance on the face of the earth; the whole accompanied by cries that were never heard in any other part of the world. The _facchino_ follows the prince, the Transteverin the citizen, everyone blowing, extinguishing, relighting. Had old Æolus appeared at this moment, he would have been proclaimed king of the _moccoli_, and Aquilo the heir-presumptive to the throne. This battle of folly and flame continued for two hours; the Corso was light as day; the features of the spectators on the third and fourth stories were visible. Every five minutes Albert took out his watch; at length it pointed to seven. The two friends were in the Via dei Pontefici. Albert sprang out, bearing his _moccoletto_ in his hand. Two or three masks strove to knock his _moccoletto_ out of his hand; but Albert, a first-rate pugilist, sent them rolling in the street, one after the other, and continued his course towards the church of San Giacomo. The steps were crowded with masks, who strove to snatch each other’s torches. Franz followed Albert with his eyes, and saw him mount the first step. Instantly a mask, wearing the well-known costume of a peasant woman, snatched his _moccoletto_ from him without his offering any resistance. Franz was too far off to hear what they said; but, without doubt, nothing hostile passed, for he saw Albert disappear arm-in-arm with the peasant girl. He watched them pass through the crowd for some time, but at length he lost sight of them in the Via Macello. Suddenly the bell that gives the signal for the end of the Carnival sounded, and at the same instant all the _moccoletti_ were extinguished as if by enchantment. It seemed as though one immense blast of the wind had extinguished everyone. Franz found himself in utter darkness. No sound was audible save that of the carriages that were carrying the maskers home; nothing was visible save a few lights that burnt behind the windows. The Carnival was over. 20193m Chapter 37. The Catacombs of Saint Sebastian In his whole life, perhaps, Franz had never before experienced so sudden an impression, so rapid a transition from gayety to sadness, as in this moment. It seemed as though Rome, under the magic breath of some demon of the night, had suddenly changed into a vast tomb. By a chance, which added yet more to the intensity of the darkness, the moon, which was on the wane, did not rise until eleven o’clock, and the streets which the young man traversed were plunged in the deepest obscurity. The distance was short, and at the end of ten minutes his carriage, or rather the count’s, stopped before the Hôtel de Londres. Dinner was waiting, but as Albert had told him that he should not return so soon, Franz sat down without him. Signor Pastrini, who had been accustomed to see them dine together, inquired into the cause of his absence, but Franz merely replied that Albert had received on the previous evening an invitation which he had accepted.