Chapter 190
Part 190
10 min read · 2,099 words
The grating against the library-door aroused the young girl from the
stupor in which she was plunged, and which almost amounted to
insensibility. She raised her head with an effort. The noiseless door
again turned on its hinges, and the Count of Monte Cristo reappeared.
“Well,” said he, “do you still doubt?”
“Oh,” murmured the young girl.
“Have you seen?”
“Alas!”
“Did you recognize?” Valentine groaned.
“Oh, yes;” she said, “I saw, but I cannot believe!”
“Would you rather die, then, and cause Maximilian’s death?”
“Oh,” repeated the young girl, almost bewildered, “can I not leave the
house?—can I not escape?”
“Valentine, the hand which now threatens you will pursue you
everywhere; your servants will be seduced with gold, and death will be
offered to you disguised in every shape. You will find it in the water
you drink from the spring, in the fruit you pluck from the tree.”
“But did you not say that my kind grandfather’s precaution had
neutralized the poison?”
“Yes, but not against a strong dose; the poison will be changed, and
the quantity increased.” He took the glass and raised it to his lips.
“It is already done,” he said; “brucine is no longer employed, but a
simple narcotic! I can recognize the flavor of the alcohol in which it
has been dissolved. If you had taken what Madame de Villefort has
poured into your glass, Valentine—Valentine—you would have been
doomed!”
“But,” exclaimed the young girl, “why am I thus pursued?”
“Why?—are you so kind—so good—so unsuspicious of ill, that you cannot
understand, Valentine?”
“No, I have never injured her.”
“But you are rich, Valentine; you have 200,000 livres a year, and you
prevent her son from enjoying these 200,000 livres.”
“How so? The fortune is not her gift, but is inherited from my
relations.”
“Certainly; and that is why M. and Madame de Saint-Méran have died;
that is why M. Noirtier was sentenced the day he made you his heir;
that is why you, in your turn, are to die—it is because your father
would inherit your property, and your brother, his only son, succeed to
his.”
“Edward? Poor child! Are all these crimes committed on his account?”
“Ah, then you at length understand?”
“Heaven grant that this may not be visited upon him!”
“Valentine, you are an angel!”
“But why is my grandfather allowed to live?”
“It was considered, that you dead, the fortune would naturally revert
to your brother, unless he were disinherited; and besides, the crime
appearing useless, it would be folly to commit it.”
“And is it possible that this frightful combination of crimes has been
invented by a woman?”
“Do you recollect in the arbor of the Hôtel des Postes, at Perugia,
seeing a man in a brown cloak, whom your stepmother was questioning
upon _aqua tofana_? Well, ever since then, the infernal project has
been ripening in her brain.”
“Ah, then, indeed, sir,” said the sweet girl, bathed in tears, “I see
that I am condemned to die!”
“No, Valentine, for I have foreseen all their plots; no, your enemy is
conquered since we know her, and you will live, Valentine—live to be
happy yourself, and to confer happiness upon a noble heart; but to
insure this you must rely on me.”
“Command me, sir—what am I to do?”
“You must blindly take what I give you.”
“Alas, were it only for my own sake, I should prefer to die!”
“You must not confide in anyone—not even in your father.”
“My father is not engaged in this fearful plot, is he, sir?” asked
Valentine, clasping her hands.
“No; and yet your father, a man accustomed to judicial accusations,
ought to have known that all these deaths have not happened naturally;
it is he who should have watched over you—he should have occupied my
place—he should have emptied that glass—he should have risen against
the assassin. Spectre against spectre!” he murmured in a low voice, as
he concluded his sentence.
“Sir,” said Valentine, “I will do all I can to live, for there are two
beings who love me and will die if I die—my grandfather and
Maximilian.”
“I will watch over them as I have over you.”
“Well, sir, do as you will with me;” and then she added, in a low
voice, “oh, heavens, what will befall me?”
“Whatever may happen, Valentine, do not be alarmed; though you suffer;
though you lose sight, hearing, consciousness, fear nothing; though you
should awake and be ignorant where you are, still do not fear; even
though you should find yourself in a sepulchral vault or coffin.
Reassure yourself, then, and say to yourself: ‘At this moment, a
friend, a father, who lives for my happiness and that of Maximilian,
watches over me!’”
“Alas, alas, what a fearful extremity!”
“Valentine, would you rather denounce your stepmother?”
“I would rather die a hundred times—oh, yes, die!”
“No, you will not die; but will you promise me, whatever happens, that
you will not complain, but hope?”
“I will think of Maximilian!”
“You are my own darling child, Valentine! I alone can save you, and I
will.”
Valentine in the extremity of her terror joined her hands,—for she felt
that the moment had arrived to ask for courage,—and began to pray, and
while uttering little more than incoherent words, she forgot that her
white shoulders had no other covering than her long hair, and that the
pulsations of her heart could be seen through the lace of her
nightdress. Monte Cristo gently laid his hand on the young girl’s arm,
drew the velvet coverlet close to her throat, and said with a paternal
smile:
“My child, believe in my devotion to you as you believe in the goodness
of Providence and the love of Maximilian.” Valentine gave him a look
full of gratitude, and remained as docile as a child.
Then he drew from his waistcoat-pocket the little emerald box, raised
the golden lid, and took from it a pastille about the size of a pea,
which he placed in her hand. She took it, and looked attentively on the
count; there was an expression on the face of her intrepid protector
which commanded her veneration. She evidently interrogated him by her
look.
“Yes,” said he.
Valentine carried the pastille to her mouth, and swallowed it.
“And now, my dear child, adieu for the present. I will try and gain a
little sleep, for you are saved.”
“Go,” said Valentine, “whatever happens, I promise you not to fear.”
Monte Cristo for some time kept his eyes fixed on the young girl, who
gradually fell asleep, yielding to the effects of the narcotic the
count had given her. Then he took the glass, emptied three parts of the
contents in the fireplace, that it might be supposed Valentine had
taken it, and replaced it on the table; then he disappeared, after
throwing a farewell glance on Valentine, who slept with the confidence
and innocence of an angel at the feet of the Lord.
Chapter 102. Valentine
The night-light continued to burn on the chimney-piece, exhausting the
last drops of oil which floated on the surface of the water. The globe
of the lamp appeared of a reddish hue, and the flame, brightening
before it expired, threw out the last flickerings which in an inanimate
object have been so often compared with the convulsions of a human
creature in its final agonies. A dull and dismal light was shed over
the bedclothes and curtains surrounding the young girl. All noise in
the streets had ceased, and the silence was frightful.
It was then that the door of Edward’s room opened, and a head we have
before noticed appeared in the glass opposite; it was Madame de
Villefort, who came to witness the effects of the drink she had
prepared. She stopped in the doorway, listened for a moment to the
flickering of the lamp, the only sound in that deserted room, and then
advanced to the table to see if Valentine’s glass were empty. It was
still about a quarter full, as we before stated. Madame de Villefort
emptied the contents into the ashes, which she disturbed that they
might the more readily absorb the liquid; then she carefully rinsed the
glass, and wiping it with her handkerchief replaced it on the table.
If anyone could have looked into the room just then he would have
noticed the hesitation with which Madame de Villefort approached the
bed and looked fixedly on Valentine. The dim light, the profound
silence, and the gloomy thoughts inspired by the hour, and still more
by her own conscience, all combined to produce a sensation of fear; the
poisoner was terrified at the contemplation of her own work.
At length she rallied, drew aside the curtain, and leaning over the
pillow gazed intently on Valentine. The young girl no longer breathed,
no breath issued through the half-closed teeth; the white lips no
longer quivered—the eyes were suffused with a bluish vapor, and the
long black lashes rested on a cheek white as wax. Madame de Villefort
gazed upon the face so expressive even in its stillness; then she
ventured to raise the coverlet and press her hand upon the young girl’s
heart. It was cold and motionless. She only felt the pulsation in her
own fingers, and withdrew her hand with a shudder. One arm was hanging
out of the bed; from shoulder to elbow it was moulded after the arms of
Germain Pillon’s “Graces,”23 but the fore-arm seemed to be slightly
distorted by convulsion, and the hand, so delicately formed, was
resting with stiff outstretched fingers on the framework of the bed.
The nails, too, were turning blue.
Madame de Villefort had no longer any doubt; all was over—she had
consummated the last terrible work she had to accomplish. There was no
more to do in the room, so the poisoner retired stealthily, as though
fearing to hear the sound of her own footsteps; but as she withdrew she
still held aside the curtain, absorbed in the irresistible attraction
always exerted by the picture of death, so long as it is merely
mysterious and does not excite disgust.
The minutes passed; Madame de Villefort could not drop the curtain
which she held like a funeral pall over the head of Valentine. She was
lost in reverie, and the reverie of crime is remorse.
Just then the lamp again flickered; the noise startled Madame de
Villefort, who shuddered and dropped the curtain. Immediately
afterwards the light expired, and the room was plunged in frightful
obscurity, while the clock at that minute struck half-past four.
Overpowered with agitation, the poisoner succeeded in groping her way
to the door, and reached her room in an agony of fear. The darkness
lasted two hours longer; then by degrees a cold light crept through the
Venetian blinds, until at length it revealed the objects in the room.
About this time the nurse’s cough was heard on the stairs and the woman
entered the room with a cup in her hand. To the tender eye of a father
or a lover, the first glance would have sufficed to reveal Valentine’s
condition; but to this hireling, Valentine only appeared to sleep.
“Good,” she exclaimed, approaching the table, “she has taken part of
her draught; the glass is three-quarters empty.”
Then she went to the fireplace and lit the fire, and although she had
just left her bed, she could not resist the temptation offered by
Valentine’s sleep, so she threw herself into an armchair to snatch a
little more rest. The clock striking eight awoke her. Astonished at the
prolonged slumber of the patient, and frightened to see that the arm
was still hanging out of the bed, she advanced towards Valentine, and
for the first time noticed the white lips. She tried to replace the
arm, but it moved with a frightful rigidity which could not deceive a
sick-nurse. She screamed aloud; then running to the door exclaimed:
“Help, help!”
50083m
“What is the matter?” asked M. d’Avrigny, at the foot of the stairs, it
being the hour he usually visited her.
“What is it?” asked Villefort, rushing from his room. “Doctor, do you
hear them call for help?”
“Yes, yes; let us hasten up; it was in Valentine’s room.”
But before the doctor and the father could reach the room, the servants
who were on the same floor had entered, and seeing Valentine pale and
motionless on her bed, they lifted up their hands towards heaven and
stood transfixed, as though struck by lightening.
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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