Chapter 191
Part 191
10 min read · 2,066 words
“Call Madame de Villefort!—Wake Madame de Villefort!” cried the
procureur from the door of his chamber, which apparently he scarcely
dared to leave. But instead of obeying him, the servants stood watching
M. d’Avrigny, who ran to Valentine, and raised her in his arms.
“What?—this one, too?” he exclaimed. “Oh, where will be the end?”
Villefort rushed into the room.
“What are you saying, doctor?” he exclaimed, raising his hands to
heaven.
“I say that Valentine is dead!” replied d’Avrigny, in a voice terrible
in its solemn calmness.
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M. de Villefort staggered and buried his head in the bed. On the
exclamation of the doctor and the cry of the father, the servants all
fled with muttered imprecations; they were heard running down the
stairs and through the long passages, then there was a rush in the
court, afterwards all was still; they had, one and all, deserted the
accursed house.
Just then, Madame de Villefort, in the act of slipping on her
dressing-gown, threw aside the drapery and for a moment stood
motionless, as though interrogating the occupants of the room, while
she endeavored to call up some rebellious tears. On a sudden she
stepped, or rather bounded, with outstretched arms, towards the table.
She saw d’Avrigny curiously examining the glass, which she felt certain
of having emptied during the night. It was now a third full, just as it
was when she threw the contents into the ashes. The spectre of
Valentine rising before the poisoner would have alarmed her less. It
was, indeed, the same color as the draught she had poured into the
glass, and which Valentine had drunk; it was indeed the poison, which
could not deceive M. d’Avrigny, which he now examined so closely; it
was doubtless a miracle from heaven, that, notwithstanding her
precautions, there should be some trace, some proof remaining to reveal
the crime.
While Madame de Villefort remained rooted to the spot like a statue of
terror, and Villefort, with his head hidden in the bedclothes, saw
nothing around him, d’Avrigny approached the window, that he might the
better examine the contents of the glass, and dipping the tip of his
finger in, tasted it.
“Ah,” he exclaimed, “it is no longer brucine that is used; let me see
what it is!”
Then he ran to one of the cupboards in Valentine’s room, which had been
transformed into a medicine closet, and taking from its silver case a
small bottle of nitric acid, dropped a little of it into the liquor,
which immediately changed to a blood-red color.
“Ah,” exclaimed d’Avrigny, in a voice in which the horror of a judge
unveiling the truth was mingled with the delight of a student making a
discovery.
Madame de Villefort was overpowered; her eyes first flashed and then
swam, she staggered towards the door and disappeared. Directly
afterwards the distant sound of a heavy weight falling on the ground
was heard, but no one paid any attention to it; the nurse was engaged
in watching the chemical analysis, and Villefort was still absorbed in
grief. M. d’Avrigny alone had followed Madame de Villefort with his
eyes, and watched her hurried retreat. He lifted up the drapery over
the entrance to Edward’s room, and his eye reaching as far as Madame de
Villefort’s apartment, he beheld her extended lifeless on the floor.
“Go to the assistance of Madame de Villefort,” he said to the nurse.
“Madame de Villefort is ill.”
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“But Mademoiselle de Villefort——” stammered the nurse.
“Mademoiselle de Villefort no longer requires help,” said d’Avrigny,
“since she is dead.”
“Dead,—dead!” groaned forth Villefort, in a paroxysm of grief, which
was the more terrible from the novelty of the sensation in the iron
heart of that man.
“Dead!” repeated a third voice. “Who said Valentine was dead?”
The two men turned round, and saw Morrel standing at the door, pale and
terror-stricken. This is what had happened. At the usual time, Morrel
had presented himself at the little door leading to Noirtier’s room.
Contrary to custom, the door was open, and having no occasion to ring
he entered. He waited for a moment in the hall and called for a servant
to conduct him to M. Noirtier; but no one answered, the servants
having, as we know, deserted the house. Morrel had no particular reason
for uneasiness; Monte Cristo had promised him that Valentine should
live, and so far he had always fulfilled his word. Every night the
count had given him news, which was the next morning confirmed by
Noirtier. Still this extraordinary silence appeared strange to him, and
he called a second and third time; still no answer. Then he determined
to go up. Noirtier’s room was opened, like all the rest. The first
thing he saw was the old man sitting in his armchair in his usual
place, but his eyes expressed alarm, which was confirmed by the pallor
which overspread his features.
“How are you, sir?” asked Morrel, with a sickness of heart.
“Well,” answered the old man, by closing his eyes; but his appearance
manifested increasing uneasiness.
“You are thoughtful, sir,” continued Morrel; “you want something; shall
I call one of the servants?”
“Yes,” replied Noirtier.
Morrel pulled the bell, but though he nearly broke the cord no one
answered. He turned towards Noirtier; the pallor and anguish expressed
on his countenance momentarily increased.
“Oh,” exclaimed Morrel, “why do they not come? Is anyone ill in the
house?” The eyes of Noirtier seemed as though they would start from
their sockets. “What is the matter? You alarm me. Valentine?
Valentine?”
“Yes, yes,” signed Noirtier.
Maximilian tried to speak, but he could articulate nothing; he
staggered, and supported himself against the wainscot. Then he pointed
to the door.
“Yes, yes, yes!” continued the old man.
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Maximilian rushed up the little staircase, while Noirtier’s eyes seemed
to say,—“Quicker, quicker!”
In a minute the young man darted through several rooms, till at length
he reached Valentine’s.
There was no occasion to push the door, it was wide open. A sob was the
only sound he heard. He saw as though in a mist, a black figure
kneeling and buried in a confused mass of white drapery. A terrible
fear transfixed him. It was then he heard a voice exclaim “Valentine is
dead!” and another voice which, like an echo repeated:
“Dead,—dead!”
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Chapter 103. Maximilian
Villefort rose, half-ashamed of being surprised in such a paroxysm of
grief. The terrible office he had held for twenty-five years had
succeeded in making him more or less than man. His glance, at first
wandering, fixed itself upon Morrel. “Who are you, sir,” he asked,
“that forget that this is not the manner to enter a house stricken with
death? Go, sir, go!”
But Morrel remained motionless; he could not detach his eyes from that
disordered bed, and the pale corpse of the young girl who was lying on
it.
“Go!—do you hear?” said Villefort, while d’Avrigny advanced to lead
Morrel out. Maximilian stared for a moment at the corpse, gazed all
around the room, then upon the two men; he opened his mouth to speak,
but finding it impossible to give utterance to the innumerable ideas
that occupied his brain, he went out, thrusting his hands through his
hair in such a manner that Villefort and d’Avrigny, for a moment
diverted from the engrossing topic, exchanged glances, which seemed to
say,—“He is mad!”
But in less than five minutes the staircase groaned beneath an
extraordinary weight. Morrel was seen carrying, with superhuman
strength, the armchair containing Noirtier upstairs. When he reached
the landing he placed the armchair on the floor and rapidly rolled it
into Valentine’s room. This could only have been accomplished by means
of unnatural strength supplied by powerful excitement. But the most
fearful spectacle was Noirtier being pushed towards the bed, his face
expressing all his meaning, and his eyes supplying the want of every
other faculty. That pale face and flaming glance appeared to Villefort
like a frightful apparition. Each time he had been brought into contact
with his father, something terrible had happened.
“See what they have done!” cried Morrel, with one hand leaning on the
back of the chair, and the other extended towards Valentine. “See, my
father, see!”
Villefort drew back and looked with astonishment on the young man, who,
almost a stranger to him, called Noirtier his father. At this moment
the whole soul of the old man seemed centred in his eyes which became
bloodshot; the veins of the throat swelled; his cheeks and temples
became purple, as though he was struck with epilepsy; nothing was
wanting to complete this but the utterance of a cry. And the cry issued
from his pores, if we may thus speak—a cry frightful in its silence.
D’Avrigny rushed towards the old man and made him inhale a powerful
restorative.
“Sir,” cried Morrel, seizing the moist hand of the paralytic, “they ask
me who I am, and what right I have to be here. Oh, you know it, tell
them, tell them!” And the young man’s voice was choked by sobs.
As for the old man, his chest heaved with his panting respiration. One
could have thought that he was undergoing the agonies preceding death.
At length, happier than the young man, who sobbed without weeping,
tears glistened in the eyes of Noirtier.
“Tell them,” said Morrel in a hoarse voice, “tell them that I am her
betrothed. Tell them she was my beloved, my noble girl, my only
blessing in the world. Tell them—oh, tell them, that corpse belongs to
me!”
The young man overwhelmed by the weight of his anguish, fell heavily on
his knees before the bed, which his fingers grasped with convulsive
energy. D’Avrigny, unable to bear the sight of this touching emotion,
turned away; and Villefort, without seeking any further explanation,
and attracted towards him by the irresistible magnetism which draws us
towards those who have loved the people for whom we mourn, extended his
hand towards the young man.
But Morrel saw nothing; he had grasped the hand of Valentine, and
unable to weep vented his agony in groans as he bit the sheets. For
some time nothing was heard in that chamber but sobs, exclamations, and
prayers. At length Villefort, the most composed of all, spoke:
“Sir,” said he to Maximilian, “you say you loved Valentine, that you
were betrothed to her. I knew nothing of this engagement, of this love,
yet I, her father, forgive you, for I see that your grief is real and
deep; and besides my own sorrow is too great for anger to find a place
in my heart. But you see that the angel whom you hoped for has left
this earth—she has nothing more to do with the adoration of men. Take a
last farewell, sir, of her sad remains; take the hand you expected to
possess once more within your own, and then separate yourself from her
forever. Valentine now requires only the ministrations of the priest.”
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“You are mistaken, sir,” exclaimed Morrel, raising himself on one knee,
his heart pierced by a more acute pang than any he had yet felt—“you
are mistaken; Valentine, dying as she has, not only requires a priest,
but an avenger. _You_, M. de Villefort, send for the priest; _I_ will
be the avenger.”
“What do you mean, sir?” asked Villefort, trembling at the new idea
inspired by the delirium of Morrel.
“I tell you, sir, that two persons exist in you; the father has mourned
sufficiently, now let the procureur fulfil his office.”
The eyes of Noirtier glistened, and d’Avrigny approached.
“Gentlemen,” said Morrel, reading all that passed through the minds of
the witnesses to the scene, “I know what I am saying, and you know as
well as I do what I am about to say—Valentine has been assassinated!”
Villefort hung his head, d’Avrigny approached nearer, and Noirtier said
“Yes” with his eyes.
“Now, sir,” continued Morrel, “in these days no one can disappear by
violent means without some inquiries being made as to the cause of her
disappearance, even were she not a young, beautiful, and adorable
creature like Valentine. Now, M. le Procureur du Roi,” said Morrel with
increasing vehemence, “no mercy is allowed; I denounce the crime; it is
your place to seek the assassin.”
Alexandre Dumas — text from Project Gutenberg (eBook #1184)
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