III

III Ma’ame Pélagie, when she saw that her sister slept, arose noiselessly and stepped outside upon the low-roofed narrow gallery. She did not linger there, but with a step that was hurried and agitated, she crossed the distance that divided her cabin from the ruin. The night was not a dark one, for the sky was clear and the moon resplendent. But light or dark would have made no difference to Ma’ame Pélagie. It was not the first time she had stolen away to the ruin at night-time, when the whole plantation slept; but she never before had been there with a heart so nearly broken. She was going there for the last time to dream her dreams; to see the visions that hitherto had crowded her days and nights, and to bid them farewell. There was the first of them, awaiting her upon the very portal; a robust old white-haired man, chiding her for returning home so late. There are guests to be entertained. Does she not know it? Guests from the city and from the near plantations. Yes, she knows it is late. She had been abroad with Félix, and they did not notice how the time was speeding. Félix is there; he will explain it all. He is there beside her, but she does not want to hear what he will tell her father. Ma’ame Pélagie had sunk upon the bench where she and her sister so often came to sit. Turning, she gazed in through the gaping chasm of the window at her side. The interior of the ruin is ablaze. Not with the moonlight, for that is faint beside the other one—the sparkle from the crystal candelabra, which negroes, moving noiselessly and respectfully about, are lighting, one after the other. How the gleam of them reflects and glances from the polished marble pillars! The room holds a number of guests. There is old Monsieur Lucien Santien, leaning against one of the pillars, and laughing at something which Monsieur Lafirme is telling him, till his fat shoulders shake. His son Jules is with him—Jules, who wants to marry her. She laughs. She wonders if Félix has told her father yet. There is young Jérôme Lafirme playing at checkers upon the sofa with Léandre. Little Pauline stands annoying them and disturbing the game. Léandre reproves her. She begins to cry, and old black Clementine, her nurse, who is not far off, limps across the room to pick her up and carry her away. How sensitive the little one is! But she trots about and takes care of herself better than she did a year or two ago, when she fell upon the stone hall floor and raised a great “bo-bo” on her forehead. Pélagie was hurt and angry enough about it; and she ordered rugs and buffalo robes to be brought and laid thick upon the tiles, till the little one’s steps were surer. “Il ne faut pas faire mal à Pauline.” She was saying it aloud—“faire mal a Pauline.” But she gazes beyond the salon, back into the big dining hall, where the white crèpe myrtle grows. Ha! how low that bat has circled. It has struck Ma’ame Pélagie full on the breast. She does not know it. She is beyond there in the dining hall, where her father sits with a group of friends over their wine. As usual they are talking politics. How tiresome! She has heard them say “la guerre” oftener than once. La guerre. Bah! She and Félix have something pleasanter to talk about, out under the oaks, or back in the shadow of the oleanders. But they were right! The sound of a cannon, shot at Sumter, has rolled across the Southern States, and its echo is heard along the whole stretch of Côte Joyeuse. Yet Pélagie does not believe it. Not till La Ricaneuse stands before her with bare, black arms akimbo, uttering a volley of vile abuse and of brazen impudence. Pélagie wants to kill her. But yet she will not believe. Not till Félix comes to her in the chamber above the dining hall—there where that trumpet vine hangs—comes to say good-by to her. The hurt which the big brass buttons of his new gray uniform pressed into the tender flesh of her bosom has never left it. She sits upon the sofa, and he beside her, both speechless with pain. That room would not have been altered. Even the sofa would have been there in the same spot, and Ma’ame Pélagie had meant all along, for thirty years, all along, to lie there upon it some day when the time came to die. But there is no time to weep, with the enemy at the door. The door has been no barrier. They are clattering through the halls now, drinking the wines, shattering the crystal and glass, slashing the portraits. One of them stands before her and tells her to leave the house. She slaps his face. How the stigma stands out red as blood upon his blanched cheek! Now there is a roar of fire and the flames are bearing down upon her motionless figure. She wants to show them how a daughter of Louisiana can perish before her conquerors. But little Pauline clings to her knees in an agony of terror. Little Pauline must be saved. “Il ne faut pas faire mal à Pauline.” Again she is saying it aloud—“faire mal à Pauline.” The night was nearly spent; Ma’ame Pélagie had glided from the bench upon which she had rested, and for hours lay prone upon the stone flagging, motionless. When she dragged herself to her feet it was to walk like one in a dream. About the great, solemn pillars, one after the other, she reached her arms, and pressed her cheek and her lips upon the senseless brick. “Adieu, adieu!” whispered Ma’ame Pélagie. There was no longer the moon to guide her steps across the familiar pathway to the cabin. The brightest light in the sky was Venus, that swung low in the east. The bats had ceased to beat their wings about the ruin. Even the mocking-bird that had warbled for hours in the old mulberry-tree had sung himself asleep. That darkest hour before the day was mantling the earth. Ma’ame Pélagie hurried through the wet, clinging grass, beating aside the heavy moss that swept across her face, walking on toward the cabin—toward Pauline. Not once did she look back upon the ruin that brooded like a huge monster—a black spot in the darkness that enveloped it.