Part 20

“Grand.” “Where you going?” “To sleep.” No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iruña. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The café did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. “I’m not worried about how I’ll stand it. I’m only afraid I may be bored,” Cohn said. “You think so?” “Don’t look at the horses, after the bull hits them,” I said to Brett. “Watch the charge and see the picador try and keep the bull off, but then don’t look again until the horse is dead if it’s been hit.” “I’m a little nervy about it,” Brett said. “I’m worried whether I’ll be able to go through with it all right.” “You’ll be all right. There’s nothing but that horse part that will bother you, and they’re only in for a few minutes with each bull. Just don’t watch when it’s bad.” “She’ll be all right,” Mike said. “I’ll look after her.” “I don’t think you’ll be bored,” Bill said. “I’m going over to the hotel to get the glasses and the wine-skin,” I said. “See you back here. Don’t get cock-eyed.” “I’ll come along,” Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. “That Cohn gets me,” Bill said. “He’s got this Jewish superiority so strong that he thinks the only emotion he’ll get out of the fight will be being bored.” “We’ll watch him with the glasses,” I said. “Oh, to hell with him!” “He spends a lot of time there.” “I want him to stay there.” In the hotel on the stairs we met Montoya. “Come on,” said Montoya. “Do you want to meet Pedro Romero?” “Fine,” said Bill. “Let’s go see him.” We followed Montoya up a flight and down the corridor. “He’s in room number eight,” Montoya explained. “He’s getting dressed for the bull-fight.” Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. “You go to the bull-fight,” he said in English. “You know English,” I said, feeling like an idiot. “No,” he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. “Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?” We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him “Mucha suerte,” shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. “He’s a fine boy, don’t you think so?” Montoya asked. “He’s a good-looking kid,” I said. “He looks like a torero,” Montoya said. “He has the type.” “He’s a fine boy.” “We’ll see how he is in the ring,” Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-fight. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. “Let me take the glasses,” Bill said. “Does Cohn look bored?” I asked. “That kike!” Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the café. The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. “What do you suppose that dance is?” Bill asked. “It’s a sort of jota.” “They’re not all the same,” Bill said. “They dance differently to all the different tunes.” “It’s swell dancing.” In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. “Here come the gentry,” Bill said. They were crossing the street “Hello, men,” I said. “Hello, gents!” said Brett. “You saved us seats? How nice.” “I say,” Mike said, “that Romero what’shisname is somebody. Am I wrong?” “Oh, isn’t he lovely,” Brett said. “And those green trousers.” “Brett never took her eyes off them.” “I say, I must borrow your glasses to-morrow.” “How did it go?” “Wonderfully! Simply perfect. I say, it is a spectacle!” “How about the horses?” “I couldn’t help looking at them.” “She couldn’t take her eyes off them,” Mike said. “She’s an extraordinary wench.” “They do have some rather awful things happen to them,” Brett said. “I couldn’t look away, though.” “Did you feel all right?” “I didn’t feel badly at all.” “Robert Cohn did,” Mike put in. “You were quite green, Robert.” “The first horse did bother me,” Cohn said. “You weren’t bored, were you?” asked Bill. Cohn laughed. “No. I wasn’t bored. I wish you’d forgive me that.” “It’s all right,” Bill said, “so long as you weren’t bored.” “He didn’t look bored,” Mike said. “I thought he was going to be sick.” “I never felt that bad. It was just for a minute.” “I thought he was going to be sick. You weren’t bored, were you, Robert?” “Let up on that, Mike. I said I was sorry I said it.” “He was, you know. He was positively green.” “Oh, shove it along, Michael.” “You mustn’t ever get bored at your first bull-fight, Robert,” Mike said. “It might make such a mess.” “Oh, shove it along, Michael,” Brett said. “He said Brett was a sadist,” Mike said. “Brett’s not a sadist. She’s just a lovely, healthy wench.” “Are you a sadist, Brett?” I asked. “Hope not.” “He said Brett was a sadist just because she has a good, healthy stomach.” “Won’t be healthy long.” Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. “Did you really like it?” Bill asked Cohn. “No, I can’t say I liked it. I think it’s a wonderful show.” “Gad, yes! What a spectacle!” Brett said. “I wish they didn’t have the horse part,” Cohn said. “They’re not important,” Bill said. “After a while you never notice anything disgusting.” “It is a bit strong just at the start,” Brett said. “There’s a dreadful moment for me just when the bull starts for the horse.” “The bulls were fine,” Cohn said. “They were very good,” Mike said. “I want to sit down below, next time.” Brett drank from her glass of absinthe. “She wants to see the bull-fighters close by,” Mike said. “They are something,” Brett said. “That Romero lad is just a child.” “He’s a damned good-looking boy,” I said. “When we were up in his room I never saw a better-looking kid.” “How old do you suppose he is?” “Nineteen or twenty.” “Just imagine it.” The bull-fight on the second day was much better than on the first. Brett sat between Mike and me at the barrera, and Bill and Cohn went up above. Romero was the whole show. I do not think Brett saw any other bull-fighter. No one else did either, except the hard-shelled technicians. It was all Romero. There were two other matadors, but they did not count. I sat beside Brett and explained to Brett what it was all about. I told her about watching the bull, not the horse, when the bulls charged the picadors, and got her to watching the picador place the point of his pic so that she saw what it was all about, so that it became more something that was going on with a definite end, and less of a spectacle with unexplained horrors. I had her watch how Romero took the bull away from a fallen horse with his cape, and how he held him with the cape and turned him, smoothly and suavely, never wasting the bull. She saw how Romero avoided every brusque movement and saved his bulls for the last when he wanted them, not winded and discomposed but smoothly worn down. She saw how close Romero always worked to the bull, and I pointed out to her the tricks the other bull-fighters used to make it look as though they were working closely. She saw why she liked Romero’s cape-work and why she did not like the others. Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like corkscrews, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero’s bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bull-fighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bull-fighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing. “I’ve never seen him do an awkward thing,” Brett said. “You won’t until he gets frightened,” I said. “He’ll never be frightened,” Mike said. “He knows too damned much.” “He knew everything when he started. The others can’t ever learn what he was born with.”